Tuesday, May 24, 2011

Yardbirds Exalted Drummer & Songwriter Speaks with Ray Shasho


By Ray Shasho

I spent a delightful Thursday afternoon chatting on Skype with legendary drummer Jim McCarty. McCarty is a gifted songwriter and a brilliant drummer who is best known as a founding member for British Invasion rockers The Yardbirds and also for pioneering progressive rock with his band Renaissance.

Besides being one of the most commercially successful and innovative bands in the 60’s, the Yardbirds also produced three of the greatest rock guitarist on the planet with Clapton, Beck and Page.The Yardbirds were inducted into the Rock & Roll Hall of Fame in 1992.

It’s ironic how the Brits were influenced by American R&B- while Americans were captivated by the Brits playing their electrified versions of American R&B music.
I found Mr. McCarty to be enchanting, ingenious and spiritual. (And just a heck of a nice guy)

Here’s my interview with Jim McCarty.

First I’d like to say, thank you Jim for taking the time to spend a few moments with me today.
“It’s my pleasure.”

 I’ve always thought that you were a great drummer. And if it were you that had been Led Zeppelin's drummer from the start, I believe you would have done just as good a job as Mr. Bonham.
“Thank you Ray that’s very nice of you to say.”

How long have you lived in France Jim?
“About seven or eight years now, I’m down in the South of France in Provence, we love it, very inspirational, makes it very nice to write music and songs.”

First of all, I think the Yardbirds were in a class of their own and definitely way ahead of their time.The band had that bad boy image much like the Animals and the Stones. And it didn’t hurt to have three of the greatest guitarist on the planet in the group.
“Funniest thing of those three guitar players that are big worldwide stars now, they were born within a radius of 20 or 30 miles from each other. Isn’t that odd? They all played in the same band and became worldwide known.”

Keith Relf and Paul Samwell-Smith were originally in a band called the Metropolitan Blues Quartet. Then you, Chris Dreja, and Anthony “Top” Topham joined in late May 1963. Did you have to audition for the band?
“No. Paul had this blues group with Keith. Then myself and “Top” Topham the original guitar player and Chris Dreja we were starting another band because we all use to go see the Stones as well. We all use to listen to this blues music coming in from America, it was all very underground at the time and we were all very excited about it. Paul wanted me to come in and play drums; he knew I was more of a rocker. They wanted to extend country blues into a blend of rock R&B. That blues quartet -they were the four runners of the band.  Paul and I went to Hampton Grammer and played in the school group and we did the whole holiday camp thing … and it was very funny. We put the two bands together, they joined up with our band and some of the guys had to go. We made one band out of two.”

I heard that the name Yardbirds was an expression for hobos hanging around rail yards waiting for a train? Who came up with the name?
“Keith thought it up.”

Original lead guitarist Anthony “Top” Topham left and in came Eric Clapton in 1963. Did you know Clapton prior to joining the band?
“No I didn’t actually, Chris and Keith did because at the Art school where they went in Kingston. (Referring to Kingston University- Clapton did not graduate) I don’t know how well they knew him. I didn’t know him until he came to the audition.”

Eric Clapton auditioning, that’s a good one.  (We both laughed)
John Bonham once said he was impressed by drummer Ginger Baker. Did you take up the drums to emulate one of your heroes?
“I use to be in a youth organization called the Boys’ Brigade sorta-semi military, we set up a drumming band, so I use to play the snare drum and I always use to like making the noise. And we use to walk up and down the street and I use to play roles and these sort of marching drum solos. And then I heard early rock and roll- Buddy Holly and the Crickets and Elvis and all that stuff.”

Who were some of your favorite drummers?
“I use to like early D.J. Fontana (Elvis drummer) and all that and the old rock drummers and Jazz  -Art Blakey and all those jazz people. I’ve always loved drumming. “Apache” was always a great drum song done by the Shadows.”

We just lost a member of the Shadows recently.
“Yes, Jet Harris.” (Bassist of the Shadows)

Did you ever play skiffle music?
“We played skiff in our high school band. I suppose sort of early Johnny cash wasn’t far away either you know- Lonnie Donegan was the biggest skiffle star in England, he use to have hit record after hit record. Lonnie use to play ukulele with a trad (short for traditional) jazz band. And he started doing spots playing the skiffle and of course people loved that better then the trad band. He played with Chris Barber’s Trad Jazz Band”

By the way, your You Tube drum instruction videos are wonderful; I didn’t realize how many different variations there were in playing the drums.
“Oh you like those do you.”

So Eric Clapton left the band after about a year or so. Then Clapton recommended Jimmy Page?
“I’m not sure if it was Clapton that recommended Page or our first manager Giorgio Gomelsky. Have you heard about our funny mad Russian manager? American people use to think he was Fidel Castro, he had that sort of image he had a beard and Russian accent. He wasn’t totally Russian. But he new Jimmy Page and Jimmy Page use to come to some of our gigs. Of course he was playing all the sessions in London, so he wasn’t really interested in joining us at that time. He was doing quite well as a session player and didn’t want to go out on the road. Jimmy was a prodigy really.”

Was Jeff Beck a referral from Jimmy Page?  
“Jeff Beck was recommended by Jimmy. He use to do some sessions with Jimmy. He was an old friend of Jimmy’s. He was like Clapton, he could play all the Blues stuff and he could play something else as well. He had quite a wide range of styles.  He’s really taken off the last couple of years.  He changed his manager a couple of years ago. Well his manager must have said the only way you’re going to get on now is to play all the time. He seems to be playing all the time now. We actually did a track from our 2003 album in his house, the track “My Blind Life” (from Yardbirds Birdland) right around 2003 and he played on it and we recorded it at his house. We stayed there, had some food and drink and a bit of a party and it was fun.”

Do you think the Beck-era was the most successful Yardbirds era?
I think the lineup was probably the best lineup that really were while he was in the band, and of course he was in the band with most of the big early hits, and that sort of worked, the band worked well together, it’s a combination in those days. We all put our ideas into the pot and that funny sound came out. And everyone had an interest on it. There were a lot of quite talented musicians in the band.

In 1966, Paul Samwell-Smith decided to leave the group and work as a record producer. Jimmy Page joined the group and played bass?
 “He did. It’s quite funny now isn’t it? He joined the band on bass. After awhile Chris swapped with Jimmy. He said this is a bit silly. Chris had never played bass before but actually played quite well at the end. So then the two of them played lead guitar. (Beck and Page) It use to work now and then but not all the time. It would probably work better nowadays.”

What was your favorite Yardbirds song?
Favorite Yardbirds song -I suppose “Shapes of Things” was always very exciting for me and "Happenings Ten Years Time Ago," “Shapes of Things” was recorded in Chicago- right when we were at the very top, I like what it spoke about, a great guitar solo and a good performance by everybody. I reckon that was probably my favorite.”

Was “Happenings Ten Years Time Ago” written by you and Keith and was it about reincarnation?
We wrote the basic song. We thought we based it on that, meeting people along our way that we'd seen from another day. I think it was a little before its time.”

Do you believe in reincarnation?
“Yea, I do really; I’ve been through sort of quite a lot of Buddhism. Not quite as serious as Richard Gere is. But it’s sort of a basis of what I believe in.”

 I feel you’re a very spiritual person.
“Yea, I’m interested in all that stuff you know. Last time we were over we went to Virginia Beach, to Edgar Cayce’s place. It was very interesting; he wrote lots of books, they’ve got a library with all of his books and gave a talk about what he used to do. He used to do healings for people. He would fall asleep and dream about what they needed or something like that.”

Is it true that Jeff Back was actually fired from the band in 1966?
“Well I suppose it is really. We were doing a Dick Clark tour. Quite a grueling tour actually. Forty date tours- two venues a night, with all the other bands on a greyhound bus. Jeff only did a couple of the dates and he disappeared. He said I can’t handle this and he went to California with some girlfriend out there. We ended up doing the whole tour without him. Touring was the only way we could make any money, no record royalties and such.”

Talk about Mickie Most, how instrumental was he?
“After Jeff left Mickey Most came in. We were just a 4 piece and really missed having Paul around and of course Jeff .We didn’t still have that same nucleus of creative guys. Jimmy suggested Mickey -he was a hit man, he made all the hits. We went to him and to be honest we really didn’t gel. No one could argue with him, it wasn’t an open discussion and that’s it you know, Take it or leave. Some of the songs I didn’t even play on, or Chris, we’d come into the studio and there’d be whole lot of session people playing. He had an arranger working for him, and he’d tell us that I could easily teach you all the songs and they’d probably sound a lot better.”

Sounds like the beginning of the end.
“We just didn’t have the spark and ability to be able to create new songs. We were all very tired as well.”

Peter Grant was your manager, what was he like? 
“He was the manager yea. He was very good to us. He always made sure we got treated well and got paid. It sort of worked as a four piece. It was very professional and tight. We didn’t have Jeff going mad. But then it didn’t have that sparkle. And it didn’t have that creative thing going on. A song like “Dazed and Confused” was the sort of song we needed –so we brought that into it. Lots of songs like that we brought into our act.”

It seemed like at this point the band was transforming into Led Zeppelin? I mean Page was playing his guitar with his violin bow; Grant was your manager, playing “Dazed and Confused” Why wasn’t it you behind the drums instead of John Bonham?”
“We got to the point where we just had enough, Keith and myself in particular. We needed a year off or something which is crazy or we had to stop. They really did a couple of our tours and played our set list. At that time it was all based upon a hit single and all the money was on the road. You couldn’t afford to stop, it was only when Zeppelin started that the album market got huge. Zeppelin was in the right place at the right time, they had all the energy, they were fresh and they had the set list to start with.”

So you and Keith left the band in 1968?
“We started Renaissance and we did a couple of albums with his sister and John Hawken and Louis Cennamo.  We put an awful lot of work into it and we set it all up in my house when I use to live in Surrey. And we use to rehearse every day. We just planned on getting this hour set together. That’s what we worked on. And we worked on that for quite awhile. And finally we had a whole set. We used to just go and play without stopping. We played it around London and people just loved it.”

Renaissance may have been the catalyst for so many progressive rock bands. I’m reminded of bands like -Gentle Giant, Fairport Convention, Steeleye Span, King Crimson etc. Do you think Renaissance was an influence to other progressive rock bands?
“Yea I think so. In Renaissance we sort of put in bits of Beethoven. That’s really good fun. That’s really interesting. We were one of the first Prog (progressive) Rock bands.”

Then after two fantastic albums, the band broke up -but it continues even today without any of the original members. How was that possible?
“It’s pretty strange isn’t it?  We all dropped out. At first we didn’t really worry about it you know. We saw it really wasn’t working, the touring wasn’t really happening, it was too hard. We sorta got into something we had been in before. Sorta that touring sequence. At first we didn’t really mind. But somebody said you should have got a percentage or something.  I’m not so good at holding on to things.” (Referring to leaving the Yardbirds and Renaissance)

I heard you didn’t like to fly?
“I don’t really like to, no. I’m a big claustrophobic. But I’ve gotten over it really. It’s the only way to get anywhere isn’t it; I’ve learned to get over it.”

So you formed another band after you left Renaissance?
“I formed this little band called Shoot and did an album, just a band to play my own songs.”

Then Keith formed Armageddon in 1975. Great album- I remember getting excited when I bought it.
“Yea, they all went to America and lived in California, I think they took over where Humble Pie left after they broke up. They became the new Humble Pie of A&M.”

In May of 1976, Keith Relf was electrocuted.What do you remember about that day?
“Keith got electrocuted. He was going through a bad time with his wife at the time, his wife was an alcoholic, and he was looking after his two boys, having quite a problem dealing with them. At that time we were trying to reform Renaissance with all the original members. The records were still selling, we were all getting royalties. So we all started playing around, messing around with some ideas, and Keith was going through this very bad time with his marriage. And then I went out for a drink with him one night and then the next day I heard he was dead.  He was electrocuted, he plugged in his guitar and he didn’t have a proper plug, he plugged his guitar into sort of an early synthesizer, he didn’t have a proper plug, he just stuck it in the wall and matched it sorta and got a belt and it killed him. I guess he was on his own, nobody could resuscitate him or whatever and also he had a weak system, he only had one lung. He’s had some problems with his chest and emphysema, asthma and all that stuff. A great talent gone.”

In 1977 you formed Illusion with past members of Renaissance. And then in 1983 the Box of Frogs was formed with members of The Yardbirds.
 “Well that was fun. That was all to do with a reunion birthday at the Marquee. (Marquee Club) An agent we knew said the Marquee was having its 20th birthday week and they would like the Yardbirds to play, so will you reform the band. We ended up with Paul, Chris and myself. We said this is all good fun. For a couple of nights we had Mark Feltham whose now in a band called Nine Below Zero. He’s a very good Harmonica player. And we had a guy called John Knightsbridge (guitars) who actually worked with me in Illusion that was a band that came out of that Renaissance reunion thing in the 70’s. Then, from their Paul, Chris and myself started to write songs. We gradually built up these songs and then we met John Fiddler, he was in a band called Medicine Head. And John seemed a good singer for the project and got some songs together and it sort of grew. On the first album Jeff Beck played on about four tracks. We recorded in a recording studio down in Surrey. We stayed there and had a bit of a party atmosphere. We got various other guests, Steve Hackett (Genesis) played on it, Rory Gallagher, and on the second one Ian Dury actually sung a song. Jimmy Page also played a track. (On the second album) All those albums have just been rereleased for Box of Frogs. The big song was “Back Where I Started,” where Jeff played on.”

The Yardbirds were then inducted into the Rock & Roll Hall of Fame in 1992 -along with The Jimi Hendrix Experience, Bobby “Blue” Bland, Booker T. and the M.G.’s, Johnny Cash, Sam & Dave, and The Isley Brothers. Keith’s wife April and son Jason were there to honor him. How did it feel to be honored at the event?
“It was fantastic- Great! It was great to be honored like that, very nice.

How is Keith’s wife, have you seen her lately?
“I saw her about a month ago, we did a gig near London and she came, she was with Jane her sister.  I saw John Hawken as well from Renaissance and the Strawbs. The Strawbs are going to be touring with the Zombies. We did a tour with them a couple of years ago in America.”

We started talking about crop circles and unearthly events. We shared a common interest in the unknown
 “I went in one once- it was quite odd. (Crop circles) Nobody knows where they come about.”

 Do you believe in life in other universes?
 “Of course, you can’t really say that there can’t be.”

Your latest solo project Sitting On The Top Of Time is a magnificent composition with inspirational messages of positivity, hope and peace. You wrote and sang all the songs on the album, played acoustic guitar, drums and percussions.   
There are also many other brilliant musicians showcased on the album like- Pianist Donald Quan and Lou Pomanti, Flautist Ron Korb, Canadian Bassist George Koller, your friend Steve Hackett, (Illustrious guitarist from Genesis) French progressive/Jazz guitar virtuoso Jean-Michel Kajdan and Toronto-based cellist Anne Bourne. I thoroughly enjoyed the album.
“Steve Hackett is a big Yardbirds fan. He always goes on about the Roger the Engineer album. It’s all about being positive, loving and kind.”

And what is it like working with young Yardbirds now?
“We have two musicians in the band in their 20’s. They’re very energetic, the kind of energy Chris (Chris Dreja) and I need to keep going. They’re all very good musicians what else can you need.”

You’ll be headlining Zep Fest soon on May 27th through 29th at National Harbor near Washington DC with Vanilla Fudge. Are there any other upcoming U.S. shows for the Yardbirds?  
“Zep Fest seemed a bit strange since we weren’t really a Zeppelin tribute band. It seems to be quite organized though and they asked us, and we’re going to do it. We planned to tour with John Mayall & the Bluesbreakers but may be only a few dates. The Yardbirds are going to tour all over beginning in September.”
Important note- Check the Zep Fest website- The event was recently cancelled!

Thank you Jim, it’s been a pleasure talking with you today. If you’re ever in Florida, please feel free to be my guest.  
“Well, I’ve got your Skype number now; don’t be surprised if you see me ringing in.”

I look forward to it Jim.

I want to thank Anne Leighton of Leighton Media. This interview would not have been possible without her generosity.
Zep Fest information can be found here according to their website the event has been CANCELLED!
Check back here for Yardbirds tour date information.
You can order Jim McCarty's latest solo album Sitting On The Top Of Time here.



 
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Monday, May 16, 2011

Jeff Beck shares a day in the life at Ruth Eckerd Hall

By Ray Shasho

Jeff Beck captivated a packed Ruth Eckerd Hall on Friday night with his accustom array of impressive guitar licks and melodious intelligence. The Friday show was added by popular demand to appease the fans that couldn’t get tickets for Saturday’s sold out show.
It’s a thrill to be able to witness a genuine guitar hero before the hands of time converts him to folklore. There are very few guitarists that remain in the spotlight with a resume like Jeff Beck's.

At 66, Beck has already been inducted into the Rock & Roll Hall of Fame twice. He was first inducted as a member of the British Invasion/Blues/ Rock Innovators - The Yardbirds. (“Heart Full of Soul,” “I’m A Man,” “Shapes of Things,” “Over Under Sideways Down”) The Yardbirds were also known for employing three of the greatest guitarist in the universe- Eric Clapton, Jeff Beck and Jimmy Page.

Jeff Beck was inducted into the Rock & Roll Hall again as a solo performer in 2009. (Jimmy Page inducted Beck at the ceremony)

After Syd Barrett left Pink Floyd, Jeff Beck was asked to join the band. (Members of Floyd were extremely nervous about asking him and barely found the nerve) Beck declined and David Gilmour became Floyd’s guitar virtuoso and lead vocalist.

The first edition of the Jeff Beck Group included Rod Stewart and Ronnie Wood.
In 1972, he formed the hard driving Beck, Bogert & Appice.
By 1975, Beck’s masterpiece Blow by Blow was recorded fueling Beck’s Jazz-fusion exploits. The album was produced by Sir George Martin. (The Beatles)

Beck’s experimentations with eccentric guitar harmonies have both stimulated and fascinated his audiences over the years.
Jeff Beck has collaborated with rocks elite, including Jan Hammer, Tina Turner, Rod Stewart, Mick Jagger and Robert Plant’s Honeydrippers.

His latest albums are Jeff Beck Rock ‘N’ Roll Party (Honoring Les Paul) and Emotion & Commotion - Which was recently awarded two Grammy Awards for - Best Rock Instrumental Performance on “Hammerhead” and Best Pop Instrumental Performance for his arrangement of Puccini’s “Nessun Dorma.” Beck has won a total of eight Grammy’s in his lifetime.

Jeff Beck’s performance on Friday night was prodigious. Beck launched his set with “Plan B” from the album Jeff, an exciting futuristic space jam. Then Beck demonstrated his jazz/ rock  grooves with a Billy Cobham cover called “Stratus.”
Beck jolted into “Led Boots” from his 1976 critically acclaimed album called Wired.
The mellifluous “Corpus Christi Carol” from the Emotion & Commotion album was Jeff’s next selection. Then Beck played his Grammy winning tune “Hammerhead” from the same album. The song’s Hendrix-like intro erupted into Beck's signature- orchestrated rock fusion- extravaganza, a brilliant measure.

“Mna na h-Eireann” an Irish tune (Considered as Irish rebel music) composed by Sean O’Riada, and a Chieftains cover song was played next. Rhonda Smith’s bass performance was prominent during the song.
“People Get Ready” a 1965 classic by Curtis Mayfield and The Impressions was rendered.  Beck’s version is noted for his collaborations with Rod Stewart.
More electrified rock/jazz/funk amalgamation was executed with “You Never Know” form the 1980- There and Back album. 
Then Jeff Beck transformed his audience back to a period perhaps when American blues were first created with his own rendition of “Rollin and Tumblin” a Muddy Waters cover tune.
“Big Block” from the 1989 album Jeff Beck’s Guitar Shop was featured next on the bill.
“Over the Rainbow” the Judy Garland cover ballad from The Wizard of Oz was Beck’s melancholy guitar wizardry entry that rained tears upon the Ruth Eckerd audience.
A reluctant Beck didn’t want to perform the next selection but was convinced to do so by his drummer who also sang the vocals. The song "Little Wing" is a Jimi Hendrix composition from the Axis: Bold as Love album. It was great to hear a Hendrix classic played by Beck, another axe-master.  

Then Beck played “Blue Wind,” from the Wired album. The tune is a convoluted piece of fusion that one could almost swear spoke to you in a human voice rather than musical tone.
Beck’s following selection was “Dirty Mind” from the 2001 release- You Had It Coming. A tune composed with Robin Trower-like guitar riffs. A space-aged version of the blues followed next with “Brush with the Blues.”

Jeff Beck's final song before the encore was the Lennon/McCartney penned classic “A Day in the Life.” A remarkable interpretation beautifully composed and overwhelming the Ruth Eckerd audience to its feet.

Beck returned for an encore and played the Alfred Drake cover tune “How High The Moon” from the album Jeff Beck Rock ‘N’ Roll Party (Honoring Les Paul) followed by Sly & The Family Stone’s, “I Want To Take You Higher.” Beck concluded the evening with his Grammy winning and surreal rendition of “Nessun Dorma” from the album Emotion & Commotion.

Although my personal favorites, "I'm Going Down," "Beck's Bolero," "Cause We've Ended As Lovers" and "Thelonius" were not featured tonight, I was still thoroughly inspired by the performance of guitar legend Jeff Beck.  

Beck has been and continues to be one of the greatest guitarists on the planet. And it wouldn’t surprise me one bit if someone had said, “I just saw Jeff Beck climb into a spaceship to perform at another universe.”

I'd like to thank photographer Mark Weaver and the entire staff at Ruth Eckerd Hall.


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Tuesday, May 3, 2011

Kansas and the Little River Band Rock at Fun ‘N Sun Fest

Kansas Guitarist Richard Williams and Author Ray Shasho
















  


By Ray Shasho


The Fun 'N Sun Festival at Coachman Park in Clearwater celebrated its 58th consecutive year with two Classic Rock Heavyweights presented by Q105. It was just another perfect day in paradise shared with the Australian formed Little River Band and Don Kirshner protégé Kansas.

Thousands gathered to celebrate a day in the sun with Classic Rock & Roll.  The atmosphere was definitely laid back. It almost felt like a day at the beach. Everyone brought their chairs and blankets. But if you didn’t bring a chair along, no problem, you could rent one for just five bucks.

The gates opened at 1:30 and there were plenty of activities, food, drink, and spirits to keep everyone occupied till Showtime. At 4:20 the crowd was entertained by a Journey tribute band called Departure. The band was tight and reminisced back to the good old days of charismatic lead singer Steve Perry.

At 6:00, the sun worshippers seemed to come alive and began to revel with the introduction of the Little River Band. Although the group has had numerous personnel changes over the years, the current touring version of the Little River Band sounded much like the original group of yesteryear. The band was originally formed in Melbourne Australia in 1975.

There were no original members in the current lineup, and the Aussie’s have been replaced with Americans. Nevertheless, the band belted out all of the trademark classic hits. Tunes like “Cool Change” a song written by original member Glenn Shorrock.

The Little River Band name was lost to Stephen Housden due to a legal mishap in 1997. Three of the original members reformed under the name Birtles Shorrock Goble or BSG.
Housden left the touring band in 2006 but maintained the rights to the name.

Other great songs played to the huge Clearwater crowd were, “Happy Anniversary,” “Reminiscing,” “Lady,” “Help Is On Its Way” “Take It Easy On Me,” “Night Owl” and their finale crowd pleaser “Lonesome Loser.”

The Little River Band trademark has sold over 25 million records worldwide and achieved gold, platinum and multi-platinum album awards.

At 7:50 Kansas took the stage with original members- lead vocalist/keyboardist Steve Walsh, Richard Williams on lead guitar and Phil Ehart on drums. Other members of the band are David Ragsdale on violin and guitar, and Billy Greer on Bass.

Kansas was phenomenal tonight. The group began its set with “Magnus Opus” from the Leftoverture album. It was truly amazing to hear the power and strength of the song reverberate through the huge stage speakers- as if there were a full orchestra of 100-players hiding behind them. The band immediately proceeded with “Musicatto” from the Power album.

Then the band changed direction a bit and played their commercially successful hit “Point Of Know Return” from their 1977 release. The song was succeeded by the complex arrangements of “Song for America.”

“Ghosts/Rainmaker” and “Hold/On” were played next.

Then Richard Williams started to strum gently on his acoustic guitar and Steve Walsh’s haunting vocals began to sing “Dust in the Wind” added by David Ragsdale’s heartfelt violin performance. The crowd was immediately transformed back to their youth and simpler times. The song peaked at #6 on the Billboard Hot 100 in 1977.

Next, the band dug deeper into the human soul with “The Wall” another song from the Leftoverture album. Their mix of music for the evening was exceptional.

As always, Kansas delivered messages of life’s trials and tribulations. Their next selections for the evening were “Cheyenne Anthem” and “Miracles Out Of Nowhere” from Leftoverture.

The evening wound down with the prevailing “Icarus” from the Masque album and “Portrait (He Knew)” from Point Of Know Return.

The musical genius of Kansas was apparent throughout their entire set. Kansas returned to the stage after a thunderous ovation from the Clearwater crowd.

Both The Little River Band and Kansas dedicated songs to all of our troops serving around the world. Kansas dedicated their encore song “Fight Fire With Fire” from their album Drastic Measures to our troops.

Then Kansas played the final song of the night. A powerful and electrifying rendition of their 1976  progressive rock mega hit “Carry On Wayward Son” a hard-driven rock song that will perpetually be associated as one of  Classic Rock’s greatest tunes.

It was a great day for all in Clearwater at the Fun ‘N Sun Fest.

I’d like to thank the wonderful event staff at Coachman Park for their hospitality and especially Krystal Schmidt.


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Sunday, April 24, 2011

Eric Burdon -Animals immortal songster speaks with Ray Shasho



By Ray Shasho

Eric Burdon is legendary for his explosive soulful vocal deliberations in many shapes and forms. As kids we idolized him as a merciless rock and roll superhero who we all wanted to secretly mirror.

The British Invasion certainly had its share of coolness but The Animals entered the realm of badass. If The Rolling Stones were classified as the bad boys of the British Invasion, then Eric Burdon and The Animals were the original gangsters of Rock and Roll.

Their mega hit messages were significant and way ahead of their time. Songs that made you feel deep within your psyche and then carried through into your soul. Songs like “We Gotta Get Out Of This Place,” “Don't Let Me Be Misunderstood,” “It's My Life,” John Lee Hooker’s “Boom Boom" and the timeless proverbial favorite “House of the Rising Sun.”

Animals’ bassist Chas Chandler moved on to manage Jimi Hendrix after the group split up in 1966.

Later Burdon reformed the group as Eric Burdon and the Animals. The band’s evolution shifted towards the hippie generation and psychedelic melody while Burdon’s genius for creating Top40 radio hits heightened. Classic radio airplay anthems like “Sky Pilot,” “Monterey,” “San Franciscan Nights,” “When I was Young” and “Don’t Bring Me Down” became mainstay on the U.S. and British charts.

In 1969, Eric Burdon formed the diverse multitalented band War, spawning yet another huge hit with “Spill The Wine.”  Burdon embarked on a successful solo career in 1971.

In 1983 the original Animals reunited for a worldwide tour.

Over the years Burdon has collaborated with the greatest musicians of every genre and toured incessantly around the globe with several variations of The Eric Burdon Band.

In 1994 The Animals were inducted into the Rock and Roll Hall of Fame.

These days Burdon tours as Eric Burdon & The Animals. He’s written two critically acclaimed memoirs and will release a brand new album soon with a video about Rock and Roll pioneer Bo Diddley. Burdon attended Diddley’s funeral in Gainesville on June 7th 2008.

Marianna Proestou, Eric’s Manager, was graciously accommodating in granting my request for an interview during a hectic tour schedule. Here is my Q&A with Eric Burdon before his show in Cleveland.

How do you explain your longevity in the music business and what artists do you miss the most that are no longer with us?

Longevity is something I never gave a second thought to. I guess it’s the shadow of growing up in post WWII, but I never believed I would live past 20. Here I am though… a senior citizen… my voice and heart are stronger than ever, but boredom is the greatest enemy so I have to be careful not to slip over the edge. I admit that I do dwell on the past a bit, for sure there are people I miss and I wish they were still here.

Do you think Chas Chandler was good for Jimi Hendrix career?

This question touches a very raw nerve for me. For sure Chas’s plans for Jimi initially brought light to one of the world’s most innovative guitarists, but it was inevitable that they would lock horns over creative discussions. I have to admit that Jimi was his own worst enemy, so when things got weird, Chas left. Maybe things would have been different if he'd hung in there with him.

Have you ever considered discovering and managing new bands? Afterall the rock world could definitely use some exciting new talent and who better to launch their careers.

If I could come across someone who oozed talent and could take advise, maybe… but it’s a fact, young people don’t listen. I don’t have the energy to fight that way. The Chandler-Hendrix experience was a great lesson for me. Young talented people usually prove to be a pain in the ass. They should be managed with respect in one hand and a pistol in the other.

I’ve interviewed several prestigious rock stars who don’t have health insurance. Has this been a problem in the industry?

To call it an “industry” is a stretch. The rock biz is the low end of the creative world. Faces come and go so fast. Insurance companies would never touch anyone who boasts about drug use, even though it may be fake bravado. “A dead rock star is worth more than a live one”

I feel that deep down you’d like to play MORE songs with a Latin rhythm. I’ve got Cuban roots and I’d really like to see that happen. I remember when Stephen Stills needed help he called in my good friend Joe Lala. Should I give Joe a call for your next album?

One of my reasons for living in California is it’s close proximity to Mexico. The Latin influence is in every corner of the community. My love of Spanish music hasn't wavered since the 50's. I could hear the blues voicing from the Flamanco families and I always dig for inspiration in Latin music. I just got out of the studio after recording for my new album and a couple of the tracks that we laid down were heavily influenced by Latin music. The album is coming out later this year, so look forward to it.

Will rock and roll ever return to those glory days?

Well, have you seen American Idol lately? I’m sure that some kids somewhere at this moment are thrashing themselves silly over what they call “Rock n’ Roll”

My first book will be out soon, It’s called “Check the Gs.” I love to read and write and I believe you share the same passion. I’ve read both of your books and they were well written. Will you be writing another book soon- and I know you use to collect comic books, who was your favorite character?

“G.I. Joe” and I’ve always looked upon the young pilots of the allies, in World War II's final years, as the original hippies. I suppose I could knuckle down to pen another collection of insanity, but at the moment, I’m too busy reading…

Casinos have become a major venue for classic rock stars, they must pay well, what has been your experience in playing Casinos?

Like it or not, they’re all that’s left of the decent rooms to play in. I’m sure my grandfather, who was addicted to the game, would love to know that his grandson walks out of the best casinos in the world with pockets filled with dough.

How are things going on the road, what are your plans for the future and how's the family?

My family is doing well, thanks for asking. Regarding the future: Is there going to be one? I don't know, but presently I have more shows coming up in the US and Canada and a European tour this summer. As I already mentioned I just finished recording for a new album with a video about Bo Diddley (with the families blessing of course). More recordings and exciting projects are on the way but the fans and the world are just going to have to wait and see.

I know you have asthma, the weather is wonderful here in beautiful Tampa Bay Florida, if you ever consider moving. Brian Johnson (AC DC), Rick Derringer, Graeme Edge (Moody Blues) all live within twenty minutes from me. (Jerry Wexler lived here before his passing in 2008 at 91 years old)

I have friends who live in Florida. I love to visit. I’ve also got close friends in Mississippi, but the most beneficial place for my lungs is in dry weather. If they would stop killing each other, I would love to live in North Africa, but California, as screwed up as it is, is fine for me and has been since the 60’s.

For more information about Eric Burdon and The Animals please visit his website at http://ericburdon.com/

Eric Burdon and The Animals 2011 concert schedule can be found here.
I want to thank Eric Burdon and Marianna Proestou.  I hope to see the both of you in the Tampa Bay area- very soon.


















Eric Burdon

I did an interview with Ray Shasho at examiner.com. Check it out!


My new book called Check the Gs is available for purchase at http://rayshasho.com/  Its "My Big Fat Greek Wedding" with a Rock & Roll twist.