Tony Levin interview: Levin Torn White new release and review

By Ray Shasho

Great new Prog-Rock collaboration

September 13th will be the official release date for an exciting Progressive Rock collaboration by Tony LEVIN (Bass and Chapman Stick), David TORN (Guitar and Textural Events) and Alan WHITE (from Yes) on drums and percussions.

Three brilliant avant-garde musicians band together on this astounding CD. If you’re a fan of Progressive Rock, Jazz Rock Fusion,Psychedelia or Space Rock you will certainly savor this creation. The CD was produced by Scott Schorr and Tony Levin for Lazy Bones Recordings. LEVIN TORN WHITE will be available to purchase at papabear.com where the first 1000 will be personally signed by the artists. You’ll also be able to order the CD at Amazon.com and iTunes- digitally on the 13th.

In an age of American Idol and Glee lunacy it’s refreshing to satisfy the psyche with imaginative and elaborate euphony. Spacey tracks like “Ultra Mullett,” “Convergence” and “Sleeping Horse” (shades of Pink Floyd) will certainly rekindle the senses. Imagine relinquishing your consciousness to a mind-blowing experience of eclectic sounds reminiscent of King Crimson/Pink Floyd/Frank Zappa/Jeff Beck/Tangerine Dream/Gentle Giant and The Mahavishnu Orchestra.

Prog Rock is back with surrealistic vengeance thanks to Tony LEVIN David TORN and Alan WHITE. And the production work by Scott Schorr is extraordinary. So detach your mind from a needed reality break and buy this mind-altering CD.

Tony Levin has been a member of King Crimson and Peter Gabriel. Since the early 70’s Levin played on over 500 albums including working with John Lennon, Pink Floyd, Alice Cooper, Lou Reed and even legendary drummer Buddy Rich. Levin fostered the Chapman Stick a wide version of a fretboard on an electric guitar but with 8, 10 or 12 strings and usually played by tapping or fretting the strings. He also plays an NS electric upright bass and invented Funk Fingers, transmuted drumsticks attached to fingers used to hit the bass guitar strings for funkier sonority.

Here’s my recent interview with musician, songwriter, vocalist and trailblazer Tony Levin.

Tony, thank you for joining me today to talk about an exciting new alliance of progressive rock veterans. What inspired Dave, Alan and you into recording the album together? 

“Well, I've known Alan and admired him for some time, but never got to do a project with him. (Not counting the "YES" album where we both played with different incarnations of the group, but not together!)
David is an old friend and co-conspirator … since he had me and Bill Bruford lend a Progressive Rock flavor to his "Cloud About Mercury" album. And we did a few recordings and tours together with "Bruford Levin Upper Extremities.
When I realized from Alan's ideas, and my reactions, how radical the direction was for this music, David seemed not only the best choice, but pretty much the ONLY choice for guitar!”

I watched the You Tube Video of Levin Torn White. You guys were adjusting and maneuvering synthesizers, echoplexes and just a massive amount of electronics in the studio and it reminded me of the making of the Dark Side of the Moon album. Can we expect that same kind of improvisational genius on the new CD?

“It's a category I don't know quite how to describe. Improvisational, to be sure, but with each player improvising separately to what the others had done, and then re-assembling and then re-improvising. I think there needs to be a name for this method of writing, but for now I'll just call it … ‘wild’!”

Who produced the album? Are the days of inviting an Alan Parsons or Todd Rundgren to the studio over?

“Scott Schorr was the very capable producer, and not just in name - he oversaw it all (albeit with the biased eyes of a fan) and his efforts are very apparent on the tracks.”

I see that the magical Chapman stick will be featured on the new CD, talk a little bit about playing that incredible instrument.

“It's a very versatile instrument to be sure, and also I find the Stick very helpful in taking the music to a different place than the trusty old bass would take it to.  Maybe because there are various ways to play the Stick (like bowing it, or cello-type volume swells, or very percussive hammer-on attacks that make the low notes speak very clearly … also overtone hammering, double hand note bending… and more)
I've played the Stick a lot in the bass function, but lately (since touring with Stick Men) I'm also comfortable using the guitar side of the instrument.
To describe it quickly… 12 strings, 6 bass and 6 guitar, with stereo output, so the guitar strings output go to a guitar amp, and the others to separate pedals and a bass amp --virtually two instruments.”

Speaking of Pink Floyd, what was it like working on the A Momentary Lapse of Reason album? That was a great album! Was there ever a thought for you to join Floyd as their permanent bassist after Roger Waters? You would have been perfect!

“It was an honor to be asked to play on it, of course. (And I did get some Stick on the record!)  There was talk of me touring with the band, and of course I was keen to… but that tour conflicted a bit with the end of the Peter Gabriel tour I was committed to, and I'm not one to disappear from the end of a tour, even to be with Pink Floyd!”

Any plans for a Levin -Torn- White- tour?

“We're indeed talking about that… too early to know if it can come together. Alan busy touring with Yes -- I have Fall and Winter commitments with Stick Men sharing a bill with Adrian Belew. So … we'll see.”

I see you resume touring with the amazing Adrian Belew and King Crimson drummer Pat Mastelotto.  No Florida dates yet?

“Yes indeed. Talk of Florida dates, but looking like they may not come through. (I'm always reluctant to predict future plans in a print interview… by the time it comes out you're proven wrong and sound like an idiot. Well, we kind of are idiots in regard to our future plans… but this time I won't predict whether that tour will come to Florida.)”

You’ve worked with so many great artists over the years. It’s really hard to keep up with you Tony because you’re always so busy and working on so many different projects. It makes my job as a writer tough exploring research about you. What was the defining moment in your music career and who gave you your first big break?

“Like many musicians, I don't look back much… only concentrate on what music I'm doing, and occasionally look ahead. So, little perspective on my career … but I'd say it was a big 'break' when producer Bob Ezrin had me play on a Peter Gabriel album. That same day I met Robert Fripp on the session, and would spent the next … well, many many years, playing with both. Before that I'd done albums with Bob (Alice Cooper, Lou Reed's "Berlin") but not that led to me joining the band to go on the road. I was to find that live shows are what make me most fulfilled as a musician.”

Buddy Rich was mentioned as someone that you worked with in the past. I was always a Buddy Rich fan growing up. What was he like?

“I only played a week with Buddy (a stand in NYC for his big band, and a few shows with quintet in a club) didn’t really get to know him, but what a player -- his energy and techniques were extraordinary.”

And did you get a chance to spend some quality time with John Lennon?

“Only the two weeks in studio. But long enough to have fun jamming, to respect both his musical talent and his ability as a producer. And it was easy to be comfortable with John's very New York in your face honesty - his first words to me were "They tell me you're good, just don't play too many notes." … I said that I wouldn't, and indeed, I knew from the start that musically we'd be fine together since I never do play too many notes.”

Where is the line drawn between Progressive Rock and Jazz Fusion?

“Hah... definitions are never easy. From my time in King Crimson, I'd describe a Progressive band as one that keeps trying to break musical barriers, and keeps trying to do new music. That was (and is) our ambition in King Crimson, whether we succeeded or failed with each album still the ambition is the driving force - we try to always challenge ourselves as individual players and as a band, to not settle for what we've done before.
Jazz fusion, while sharing some of the technical aspects, seems quite different in that the sound of the genre remains the same.”

Did you really play at the White House for President Kennedy? What was that like?

“Yes I did, with a youth orchestra. What was it like … well, a big trip for a high school kid. Playing on the White House lawn, with a stand up lunch in the White House afterward… not something you get to do every day. I dug it, but probably not more than the Carnegie Hall concert on the trip down to Washington from Boston!”

Session work has got to be great because I imagine you’re usually working all the time. Do you prefer working in a studio atmosphere as opposed to being on the road touring?

“I prefer live playing. But I am lucky to get to play music when I'm not touring, and even more so nowadays with file sharing and home studios. For me, if the music is good, whether the artist is famous or unknown, I love being part of the music and contributing what I can to the bass end.”

What do you think of the more simplistic approach of recording on the internet nowadays?

“Not as much fun as being with the guys, of course. But budget-wise, it allows people to do albums who could never have afforded that before -- so it's a good thing.”

So is it true, are you the pioneer of blogging?

“I started my site in '94 --- and after a bit of trying to sell my cd's, I realized people were more interested in my road diaries. So I kept up with that, and came to really appreciate the way the web allowed us to lower the barrier between musicians and fans -- let them inside the road life… I especially latched on to taking photos of audiences every night, and sharing that with web visitors, so they can see how much they inspire US.”

So many artists that I’ve spoken with who had the opportunity to work with Frank Zappa say that he was a pure genius. I know you’ve worked with Mothers of Invention ex keyboardist Don Preston in Aha. Not to be confused with A-ha. What are your thoughts on Frank Zappa?

“He was great, of course, but I never met him. The band I first joined in New York was all Mothers alumni -- Don Preston, Ray Collins and Billy Mundi.  Wild, indeed!”

Any final thoughts on Levin Torn White?

“Only that I appreciate how the listening audience sticks with us thru our musical adventures. The Levin/Torn/White CD is an ambitious and challenging one, and it's great to know that people are giving it a chance and opening up their ears to maybe some brand new things.”

Thank you Tony and good luck with all of your many endeavors.

“Thanks Ray.”

I want to thank Scott Schorr from Lazy Bones Recordings for arranging this interview.

The Tony LEVIN David TORN Alan WHITE CD will be available to purchase on September 13th at papabear.com where the first 1000 will be signed by Tony, David and Alan. You’ll also be able to order the CD at Amazon.com and iTunes- digitally on the 13th.

Levin Torn White Website- http://levintornwhite.com/
Tony Levin Website- http://www.papabear.com/
David Torn Website- http://www.davidtorn.net/
Alan White Website- http://alanwhite.net/
Lazy Bones Recordings Website- http://www.lazybones.com/

Order author Ray Shasho’s new book Check the Gs -The True Story of an Eclectic American Family and Their Wacky Family Business at Amazon.com, barnesandnoble.com or borders.com. You’ll live it!
Ray’s website- http://rayshasho.com/   
Ray Shasho on Goodreads- http://www.goodreads.com/author/show/4822527.Ray_Shasho

“Normalcy is a myth and anyone who tells you differently isn't very normal."Check the Gs" is a memoir from Ray Shasho who tells of his own offbeat upbringing working in the family business art gallery, from a young age. Of Cuban and Syrian descent, he tells a very American story of coming from everything, seeing everything, walking the line of the law and much more. A fun and fast paced memoir, "Check the Gs" is a worthwhile addition to many a memoir collection.”  ~~ MIDWEST BOOK REVIEW

Contact Ray Shasho at rockraymond.shasho@gmail.com

Ronnie MONTROSE Interview: “We’re Going Out and Tearing It Up!”

Hagar and Montrose

Ronnie Montrose

By Ray Shasho

MONTROSE invades the Largo Cultural Center on Thursday October 20th with ticket prices set at a mere $25.00 in advance and only $30.00 on the day of the show. Michael Lee Firkins will open this must see show presented by Guitar Player Magazine.

Guitar virtuoso Ronnie Montrose launched his brilliant career with Irish rocker Van Morrison. Montrose played on the albums Tupelo Honey and Saint Dominic’s Preview. And Ronnie’s guitar riff on Morrison’s huge hit “Wild Night” will forever be cemented as one of the most memorable in classic rock history.

Montrose left Van Morrison to join The Edgar Winter Group and enjoyed commercial success with the release of They Only Come Out at Night. The album climbed up to Number 3 on the Billboard charts and spawned the enormous Top 40 hits “Frankenstein” (# 1 hit) and “Free Ride.” (# 14 hit)

In 1973 Ronnie felt the desire to orchestrate his own band and so he formed the hard rock group that bears his own signature MONTROSE. The combination of Ronnie Montrose on Les Paul and Sammy Hagar on vocals created a hard driving rock and roll machine that churned out monster releases Montrose and Paper Money and Hard Rock Classics like “Rock Candy,” “Bad Motor Scooter,” “Space Station No 5,” “I Got the Fire” and “Rock the Nation.”

After Sammy Hagar left the band, Montrose released several albums before forming Gamma in 1979 with Robin Trower’s current lead vocalist Davey Pattison. The group released four cutting-edge rock albums.
After Gamma, Ronnie Montrose released a string of great albums and a return to the road as Montrose including a triumphant reunion appearance with ex frontman Sammy Hagar in 2005.

Over the years Ronnie Montrose has shared his electrified guitar wizardry with legendary artist like Herbie Hancock, Boz Scaggs, Gary Wright, Nicolette Larson, Paul Kantner and The Neville Brothers.

And now MONTROSE is back with what Ronnie calls “My dream band.”
I caught up with Ronnie Montrose while on the road to his next gig in California.

Here’s my chat with guitar prodigy/songwriter/producer/ Ronnie Montrose.
Ronnie, thank you for spending some time with me today.

“Yea we’re driving in the car and it’s a perfect time to call.”

What’s the current lineup for the MONTROSE tour?

“The lineup is Dan McNay on Bass, Steve Brown on drums, Kevin Casey on vocals and Ronnie Montrose on guitar. But this is my dream band that I’ve finally got to put together and I’m taking this band out for at least a year and we’re going out and it’s working out so well we’re going out and just tearing it up.”

NOTE: After this interview was conducted it was announced that veteran Montrose lead singer Keith St John had rejoined the band for the tour.

I watched a reunion show that Montrose did in 2005 on a You Tube video and you played “Rock the Nation” with your old bandmate Sammy Hagar.  

“You know anything anybody does now is on You Tube. If you stop at McDonalds it’s on You Tube.”

I think it’s great though.

“I do too. It’s just a different world nowadays and everybody has to get use to it."

Are you a fan of the cyberspace world?

“I like it because especially all these You Tube things I mean everybody has their iPhone cameras their BlackBerry cameras and I see those cameras pointed up at me all the time now which is actually really good because of what it does for me and my band that we talked about it is that there is no time for us not to be on our toes because they’re on all the time whenever you’re playing and I think it’s very healthy. And you know there’s no monetary gain from it but it’s certainly is something that shows that when you come and play live that you’re going to be delivering one hundred percent and let’s face it there’s no amount of a You Tube video that can ever match coming to see any strong and powerful show live.”

Unfortunately the quality of many of those live You Tube videos are pretty shabby.

“Well you know that’s the nature of cell phones but at least it’s getting out there and when we come to a town and then into a venue and we deliver a super powerful show I like it being out there on these not  good quality cell phones but at least it’s getting it around.”

What musicians did you admire while growing up?

“Wait a minute; let’s get this straight I have not grown up yet. I’m 63 and I’m still a big kid. My first experience with music was my father, he was like a stereo buff and he built his own little Hi-Fi center with recorders and everything and I listened to a lot of jazz, I mean he listened to big band and jazz and singers Tony Bennett, Frank Sinatra, Sara Vaughan, Ella Fitzgerald, Dave Brubeck with Paul Desmond a phenomenal instrumental player, Gerry Mulligan, Thelonius Monk he listened to everything on that side of it which gave me a sensibility for melody but when I started reaching teenage years in the 60’s I listened to everything that was on the radio like everyone else did which was Chuck Berry, Beach Boys and then of course Beatles, Stones all of the cool stuff Paul Revere & the Raiders all of the cool stuff that was there and of course in the 60’s I was completely blown away like everyone else by Hendrix and Cream and Deep Purple and Jeff Beck and all of that so those were my influences.”

What made you pick up a guitar and start playing one day?

“What made me pick up a guitar? It weighed a lot less than a piano.”

Laughing

“A friend of mine had the instrument when I think I was seventeen and I picked it up and I just resonated with the electric guitar immediately so it was just something where I knew I was going.”

Did you learn to read music when you first started to play the guitar?

“I’ve never known how to read music in my life.”

I find that amazing because there are so many legendary artist who in fact did not read music and somehow composed musical masterpieces. (The Beatles and Jimi Hendrix for example)

“Many ethnic musicians who play just from their heart and soul who read and write music they don’t do it. Reading and writing is a wonderful way of getting ideas in your head down to someone else who reads and writes but if you don’t read and write and the other musician you’re playing with are trying to express something to doesn’t read and write than it’s a question of “I wrote” so that you must learn from listening and from understanding where that’s coming from.”

I was always fascinated how brilliant musicians like yourself can play so well and figure out all the numerous hand positions on the guitar fret and play all the various chords by ear. I play guitar by ear and it’s not easy man. I recently sold my 1974 Fender Telecaster to cover the editing costs on my new book.

“Good for you because you can always get another Tele.”

I still find it amazing how you can play by ear the way you do. It’s like you have a musical sixth sense or just really remarkable ears. 

“I feel very fortunate to have my ears. I’d share them with everybody but I only have two to go around.”

Do you have a nice collection of guitars? These days it’s a better investment than the stock market.

“My philosophy is honestly never collected anything that I don’t play. I know a lot of people that collect guitars but for me I want instruments that I play. And if I don’t play them I don’t’ want to have them sitting in a closet collecting dust.”

When you played in The Edgar Winter Group you guys released the monster hit album They Only Come Out at Night. And you had joined Edgar Winter after playing with Van Morrison. How did you hook up with Edgar Winter?

“I got a call to go to New York, they had heard about me in California after Van Morrison and got a call to go to New York and try out for his band and the rest is history.”

So you left The Edgar Winter Group at the peak of their success?

“We were all just experiencing growing pains and it was time for me to go back to California and start my rock band. And that’s when I came back and started Montrose.”

What was it like working with Edgar Winter?

“Just incredible, I mean Edgar Winter is one of my heroes one of my favorite musicians and I consider him to be a big brother and a mentor because he’s always helped me throughout the years and it was always such a privilege to play with him. And really I’m just a kid playing with this really talented musician and given tutelage.”

Yea Edgar Winter is still rockin’.

“Big time, I’m going to Jam with him next Sunday.”

I met Rick Derringer and Mark Farner after the Hippiefest show in Clearwater last week.

“ I just toured a few shows with Mark Farner we all used Pat Travers Band and I love Mark he’s a great guy. I just jammed with Pat last week he was on the bill with me and we jammed Bad Motor Scooter together.”

I know this was probably just a rumor but were you ever asked to join Mott the Hoople?

“That’s a myth that’s been around forever and the fact is Ian Hunters management flew out to California and knew about me and was looking for a guitar player they did investigate if I was available and it never went any further than that because I was actually putting Montrose together. In fact I didn’t turn down a job or an audition the fact was I just wasn’t available.

How did you start the band Montrose?

“Put the word out in the Bay area where I lived in the San Francisco Bay area. And Sammy Hagar had seen me play at Winterland with Edgar Winter and Sam got my number from a guy and said I was looking for a singer called me up told me I’m your man and I went to see him at a club he was playing at in San Francisco and realized he’d be the perfect guy for my lead singer in my new ensemble and that’s how that happened.
But I’m having so much fun now simply going around and playing Montrose and Gamma music.”

Any chance of you and Sammy hooking up again in the future?

“Every once in awhile I wouldn’t be surprised if Sammy and I hit the stage again just for fun and play some of our tunes but it all depends on what each one of us is doing.”

You guys are definitely going to blow the roof off the Largo Cultural Center.

“From my mouth to God’s ear.”

Ronnie thank you so much and I’ll see you at the Largo Cultural Center on October 20th.

“It’s absolutely my pleasure.”

I want to thank Leighsa Montrose for arranging this interview with guitar hero Ronnie Montrose.

Buy tickets for the MONTROSE concert on October 20th at the Largo Cultural Center right here.
Or call the box office at 727-587-6793.

Ronnie Montrose website-   http://www.ronniemontrose.com/
Largo Cultural Center website-  http://www.largo.com/department/division.php?fDD=15-105


Order author Ray Shasho’s great new book called Check the Gs -The True Story of an Eclectic American Family and Their Wacky Family Business. Get your copy today at http://rayshasho.com/
“Normalcy is a myth and anyone who tells you differently isn't very normal. "Check the Gs" is a memoir from Ray Shasho who tells of his own offbeat upbringing working in the family business art gallery, from a young age. Of Cuban and Syrian descent, he tells a very American story of coming from everything, seeing everything, walking the line of the law and much more. A fun and fast paced memoir, "Check the Gs" is a worthwhile addition to many a memoir collection.” ~~ MIDWEST BOOK REVIEW

Contact Ray Shasho at rockraymond.shasho@gmail.com

 

HIPPIEFEST: A resurgence of the flower children and the music that mattered

  By Ray Shasho


Ruth Eckerd Hall on Saturday night was a majestic flashback to the heyday of rock and roll. The Flower Power disciples of Peace & Love manifested throughout a sold out Hall. These weren’t Bankers and Attorneys dressed up to resemble what they once adored in the days of their youth. Remarkably the crowd was the genuine persona. You felt the love flowing from every direction. There was even an optimist with a painted smile on her face carrying a sign that read “Free Hugs” as she walked up and down every row carrying out her humanitarian task of harmony.
The show itself formatted perhaps to resemble the prodigious entertainment distinction of Burt Sugarman’s The Midnight Special or Don Kirshner’s Rock Concert in the 70’s -nevertheless a clever and inspiring compilation for producing high quality entertainment.
In other words …I was Blown Away; the concert was Outta Sight Man!

The first of (5) legendary performers to grace the Ruth Eckerd stage Saturday evening was Felix Cavaliere lead vocalist and keyboardist of the blue-eyed soul group The Young Rascals. The band was inducted into the Rock and Roll Hall of Fame in 1997.
Sitting behind his keyboards Cavaliere appeared and sounded hip as he should while reminiscent of his first television appearance on Hullabaloo in 1965. Felix inaugurated the evening with The Young Rascals 1967 hit “I’ve Been Lonely Too Long” followed by a couple of Wilson Pickett classics “In the Midnight Hour” and “Land of 1000 Dances.” Then his number one hit song from 1967 “Groovin’” with a cavalcade of soulful cover tunes mixed-in followed by “People Got to Be Free” and the finale crowd pleaser “Good Lovin.” It was a persuasive performance that hastened the crowd out of their seats and into dancing in the aisles. The Young Rascals may have been responsible for launching so many legendary groups. Bands like Bruce Springsteen and The J Geils Band to name a few.

After Cavaliere’s set it was time for Bradenton resident/Ohio native Rick Derringer to set a tone of electric solos and hard-driving rock and roll. Derringer’s been on the road a lot lately finishing up a European tour with Ringo Starr & His All- Starr Band.   
Derringer opened with “Still Alive and Well” a song he wrote and album he produced for Johnny Winter. He was also the Producer of Edgar Winter’s They Only Come Out At Night which spawned the classic hits “Frankenstein” and “Free Ride.” Then Rick saluted our troops with his electrified rendition of “The Star Spangled Banner” and “Real American.” Derringer finished his set strong with as he pointed out, “the full- unedited version” of The McCoys Number One hit tune from 1965 “Hang On Sloopy” (The official rock song of the state of Ohio) and then a thunderous performance of “Rock and Roll Hoochie Koo” that lifted the entire crowd up on its feet. Rick has always been a crowd pleaser and he always leaves with you wanting more.

Next on the bill was Gary Wright. Gary had already joined Rick on stage for his finale. Wright looked great. He opened with a couple of Spooky Tooth tunes “Waiting For The Wind” and “Better By You, Better Than Me.” Then Wright sang his huge Top 2 signature solo hit “Dreamweaver” to its perfection. His voice never sounded better, it was incredible. But the crowd ignited to their feet with the finale, a funky space jam called “Love Is Alive.” The song also reached into the Top 2 on the charts. Wright is also an alumnus of Ringo Starr and His All-Star Band.

After one of only a few short intermissions it was Grand Funk Railroad’s guitar hero and inspirational leader Mark Farner’s chance to rock the house down. All the performers on the Hippiefest bill were fantastic but Mark Farner took it up a notch or two. Farner’s energy was reminiscent to his days of playing high school football. He was in terrific shape and his voice superb. Farner opened his set with the Grand Funk Railroad tune “Footstompin’ Music” by singin’, playin’ his guitar and jammin’ on keyboards. The opening lyrics from that classic tune “Come on everybody, we’re gonna’ have a good time, yea” set the jovial tone for his overwhelming performance.
Mark Farner followed with the Little Eva cover “The Loco-motion” which was a Number One hit for Grand Funk in 1974 and “Sins a Good Man Brother” from the album Closer To Home.”
Mark stopped and thanked everyone at one point during his performance for all the thoughts and prayers from everyone for his son Jesse. Mark’s son Jesse (at 21) fell and sustained a near fatal- fracture to the C-5 vertebra in his neck.

Farner’s impeccable performance resumed with “Bad Time” and “Some Kind of Wonderful” both huge hits from Grand Funk’s 1974 release All the Girls in the World Beware.
Mark Farner’s finale which he dedicated to our troops “I’m Your Captain” (Closer To Home) was the highlight of the evening. If you had closed your eyes you’d swear that you were at Shea stadium at that monumental concert in 1971, a show that sold out in only 72 hours breaking The Beatles record.
Everyone at Ruth Eckerd Hall stood and mimicked Mark’s inspirational lyrics. As I gazed around the Hall I witnessed the faces and you just knew that during the span of the song everyone reflected on what their lives were like at the time when the song was first heard and what their lives were like today, and man, how life flies by.

After another short intermission Dave Mason walked on stage with his own band. Mason is a true legend in the music biz. He opened his set with “Let It Go, Let It Flow” from the Let It Flow album. Mason’s voice seemed a bit strained during the tune. After the song he made the announcement that he had begun to catch a cold from the air-conditioning. Because his voice was compromised he changed up his setlist for the evening. He immediately jumped into playing some great blues demonstrating why he’s considered among the elite guitar players of the world and the reason why all those legendary guitarist wanted to jam with Mason.
Mason’s voice seemed to improve with his classic tune “Only You Know and I Know.” Nevertheless the band was tenacious and the crowd rocked.

Mason surprised the crowd with Bob Dylan cover “All Along The Watchtower.” Mason actually played his 12-string acoustic guitar on the classic Jimi Hendrix version and also sang on “Crosstown Traffic”- both from the Electric Ladyland album. Mason and Hendrix were great friends.
The monumental moment was when everyone joined Dave Mason on stage for the finale of his signature tune “Feelin Alright.” It was reminiscent to that great performance on stage at the Rock and Roll Hall of Fame after being inducted with Traffic in 2004. Mason’s musical abilities overshadowed any problems he may have had with his voice. It was still a phenomenal performance.

Hippiefest was an exciting and fulfilling rock and roll and cultural experience. Let’s hope there are more Hippiefest-type shows in the future because it was A Real Gas Man!

I want to thank Jeff Albright from The Albright Entertainment Group for making it all possible.

Also special thanks to everyone at Ruth Eckerd Hall for their generous hospitality.
Bobby Rossi you’re the man!

Order author Ray Shasho’s new book called Check the Gs –The True Story of an Eclectic American Family and Their Wacky Family Business at http://rayshasho.com/

“I found Check the Gs to be pure entertainment, fantastic fun and a catalyst to igniting so many memories of my own life, as I too am within a few years of Ray.  So to all, I say if you have a bit of grey hair (or no hair), buy this book!  It’s a great gift for your “over-the-hill” friends, or for their kids, if they are the history buffs of younger generations trying to figure out why we are the way we are.”
~~Pacific Book Review
Contact Ray Shasho at rockraymond.shasho@gmail.com

Dave Mason is Feelin’ Alright in an Interview with Examiner Ray Shasho

  By Ray Shasho

Dave Mason headlines Hippiefest 2011 at  Ruth Eckerd Hall in Clearwater on Saturday August 27th.
Dave will be sharing the stage with an impressive lineup of classic rock hitmakers.

Joining Dave Mason will be Mark Farner the inspirational leader for Grand Funk Railroad (“We’re An American Band,” “I’m Your Captain,” “Some Kind of Wonderful” and “The Loco-Motion”), Rick Derringer(“Rock and Roll, Hoochie Koo,” “Hang On Sloopy”), Felix Cavaliere(“Good Lovin',” “Groovin'” and “People Got To Be Free”) and Gary Wright (“Dream Weaver,” “Love Is Alive” and “Really Wanna Know You”).

Order your tickets right here for an outta sight night of kicking out the Jams.

Songwriter/Guitarist/Vocalist Dave Mason cofounded the band Traffic after Steve Winwood left the Spencer Davis Group.
In 1967 Mason left the band after the release of the Mr. Fantasy album. Mason rejoined the band for awhile in 1968 and recorded “Feelin’ Alright,”a song that became Mason’s trademark.“Feelin’ Alright” was covered by Joe Cocker in 1969.
Mason went on to join Delaney & Bonnie & Friends in 1969 and released his debut solo album Alone Together  producing the hit single-  “Only you know and I know” The album reached gold in the U.S. hitting # 22 on the record charts.

Mason shared his extraordinary musical talents with a list of legends- including George Harrison, (Mason appeared on Harrison’s critically- acclaimed album All Things Must Pass) Eric Clapton’s Derek & the Dominos,The Rolling Stones, Leon Russell, Cass Elliot, Fleetwood Mac and his good friend Jimi Hendrix. Mason played his 12- string acoustic guitar on "All Along the Watchtower" and sang on “Crosstown Traffic.”

Dave Mason hit superstardom throughout the 70’s with a handful of highly successful albums reaching platinum and gold status - It’s Like You Never Left, Split Coconut, Certified Live,Let it Flow and Mariposo de Oro. Top 40 hits “We Just Disagree” and “Will You Still Love Me Tomorrow” were spawned from that triumphant period.

In 1978 Mason performed in front of more than 300,000 people at California Jam II.

Mason and Traffic bandmate Jim Capaldi reunited for a tour that produced the 1999 album Live: The 40,000 Headmen Tour.  Traffic was inducted into the Rock & Roll Hall Of Fame in 2004.

Here’s my recent interview with renowned songwriter/musician/humanitarian Dave Mason.

Dave, I want to thank you for spending some time with me today, where do you call home nowadays?

“No problem thank you, I live near Santa Barbara in California.”

I understand that this is your first Hippiefest tour. I talked with Mark Farner the other day and he let me know that he and Rick Derringer were actually really good friends. Are you buddies with anyone that you share the bill with?

“Not really, I’ve played shows with all these guys but back in the Traffic days it would be Gary. When Gary(Gary Wright) had a band called Spooky Tooth.”

When I do a Dave Mason search on the web, I see a lot of involvement in charity work. What sort of charity events are you involved with?

“I have a charity that I helped start and I’m very involved with it that we do for veterans. And that is we help people transition out of the service to start their own business. It’s called Work Vessels for Veterans at http://wvfv.net/.”

You also participate in various benefit concerts and celebrity golf classics including partnering with Michael Bolton. Do you play golf Dave?

“No I don’t play golf. Michael Bolton’s charity is for abused women and I’ve done that with his charity for about the last five or six years. And for 14 years he was doing it in Stanford Connecticut and then last year I kind of talked him into trying it somewhere else so we moved it to the Ojai Valley Inn Golf Course and this year we’re combining his charity with the Work Vessels charity and the event out there and on the 23rd of September then I have The Feelin’ Alright Second Annual Golf Tournament in Virginia at Fort Belvoir and that is with a group called (CAMMO) which does a lot of work with vets and music and there’s a number of them that have been signed to recording contracts and it’s pretty interesting you know, last year we had a band that the drummer had titanium legs and those guys were really good. And they’re getting a lot of results with post traumatic stress through the music. So it’s interesting work and a great group of people.” http://cammomusic.org/main/

Music has gotten a lot of our servicemen through tough times over the years especially during wartime.

“I did a Toys for Tots show in Atlanta back in 1977 and I was getting ready to walk up on stage and this Marine came up to me and said “You know man, me and my buddy were stuck in a foxhole for three days and we would have gone absolutely nuts if it weren’t for a Jimi Hendrix tape and a Dave Mason tape.”

You’re doing great work for our vets Dave. Sometimes our veterans are not treated with the respect that they deserve are they?

“The way that our vets are treated when they come back is shameful, they’re kind of swept aside a little bit, I mean you know you’ve got the Veterans Administration and all that stuff but there’s a lot that still could be done, anyways that’s why we pick up the void. There’s a number of us, a number of organizations out there that try to fill those holes, fill that gap.”

Bless you man for all you do.
I want to talk some about your music; your first band was actually called The Jaguars back in the early 60’s and was reminiscent musically to The Shadows and Ventures?

“Yes, that was my first band The Jaguars. I worked a little instrumental version called Opus To Spring when I was about 16 and a local record store put a record out on it. We only did the one recording with that band and then that’s all we did with that. There was another band called The Hellions with Jim Capaldi we had a record out on Pye records that was produced by Kim Fowley, the guy that did ‘They’re Coming to Take Me Away Ha Ha Ho Ho He He.’” And we did a Jackie Deshannon song called “Daydreaming of You.”

And I heard you guys played the famous Star-Club in Hamburg, Germany where The Beatles played?

“No we never got to Hamburg we played some little town outside of Hamburg and played  Saturday nights, we use to play for about eight hours on Saturday nights, fifteen minute songs, fifteen off, fifteen on, fifteen off.”

So you knew Jim Capaldi (Drummer and a founding member of Traffic) because of The Hellions?

“Jim and I knew each other for a long time. Jim (Capaldi) grew up 12 miles from me. Yea, Robert Plant also grew up around 12 miles away and John Bonham.”

You met Steve Winwood when he was in The Spencer Davis Group?

“Yea he was in The Spencer Group and The Hellions use to play up in Birmingham which is 25 miles from Worcester and through that we met Steve and Chris Wood and basically we just hung out for a year or so just run into each other and then at one point Steve had decided he was going to leave The Spencer Davis Group. And during that time during that break I’d sung on a couple of their recordings, ‘Somebody Help Me’ and most of Traffic was on ‘Gimme Some Lovin’ and it’s pretty much all of us singing in the background of ‘I’m A Man.’
I kind of played Roadie for a couple of months with them and then we formed Traffic.”

Then you guys rented a cottage in Berkshire?

“A famous jockey had a racing stable down there so we kind of commandeered this cottage sitting in the middle of nowhere. It’s where they trained and canter the horses. There was no gas, no electricity and no running water in the place. We lived there like that for about six months.”

Man that was primitive living. If you didn’t have electricity how did you plug into the amplifiers and rehearse your music?

“We had a generator.”

Those were the good old days huh? (All laughing)

“Yea whatever we were kids, I was 18 years old and you think there’s not anything you can’t do.”

So how did Traffic get their big break?

“Well Steve already had three, four, top ten records so he had kind of an entree in that way and then I started writing and Jim and Steve started writing and my writing I pretty much did on my own and then the problems started to happen when the stuff that I was writing was the stuff picked for singles. And their biggest hit at the time was the first song I’d ever written and was kind of a fantasy tune called ‘Hole in My Shoe’ and that got to number two in England and was really their biggest single hit. After the first album I left and the reason I left was because I couldn’t really deal with the fame so quickly it was just a little overwhelming for me. So I actually left and did a couple of things worked with starting to produce an album for a group called Family, ‘Music in a Dollhouse’ and then I got to know Hendrix and spent a little time recording with him and some of it was on Electric Ladyland.

Then I did a little stint with what was known as a satirical group called The Scaffold, it was Paul McCartney’s brother (Professionally known as Mike McGear) and I did a number of shows with them and so just roamed around playing with different people and then at one point I just took a little bag and a guitar and worked this little island called Hydra (Greece) and I really didn’t have any money at the time but it was a great time and that’s where I wrote ‘Feelin Alright.’”

Then I met up again with them in New York and they were working on the second album, and then he had five songs and I had five songs so it was like okay let’ s get back together again. And I thought it was a really good second album it was a good transition from Fantasy (Mr. Fantasy debut album) it had a lot of kind of Fantasy stuff on it but giving a lot more cohesive I thought musically. And after that album pretty much again my songs were being picked for the singles and that’s just what caused the riff with Winwood. And I pretty much just spent days where he’d never talk to me.”

Wow that’s a real shame. Unfortunately I hear a lot of stories like that in bands.

“Yea, even marriages break up.”

Bands are like a family with lots of emotion and drama.

“The kind of difference is that sometimes it makes things really good though you know. When you’ve got kind of an edge going in there you can create some really good stuff rather than following one thing all the time but at any rate whatever that’s the way it was so at that point I just decided there wasn’t much point to staying in England or Traffic so I just upped and moved to America."

It’s amazing even though you hailed from England your accent is all but gone man.

“The way they talk where I grew up, I mean I can’t even understand some of the people.”

I always found it fascinating when the early Beatles talked in their Cockney accents, but then when they sang on a record it was gone.

“It’s because they were copying all those American singers that’s why. America is the home of all contemporary music. Jazz, Blues and Rock & Roll it comes from here.”

You know it’s amazing how many musicians that I talked with from the 60’s that had never met Jimi Hendrix. I always figured that at one point or another there would have been a moment spent with him. What was Jimi Hendrix Like?

“He was just a pretty quiet guy as a matter of fact. Most of the time that I spent with him I never saw him basically without a guitar in his hands.”

And you worked on the ‘All Things Must Pass’ Album with George Harrison?

“Well I knew George for quite awhile he gave me my first Sitar. And McCartney I use to go down to the Sgt. Peppers sessions and hang out or stay in the studio while they were recording and spend a good time with George. Nice Man. But playing on All Things Must Pass, I couldn’t recall what tracks that I played on to be perfectly honest with you.”

So what’s on your plate these days Dave?

“Well I tour a lot and obviously the charity for the Vets. Trying to grow the charity is very important for me. And basically just keep on rolling down the road and singing.”

Do you have a CD being released soon or involvement in new collaborations?

“At this point, there’s no point in me putting anymore CD’s out because there’s just no outlet for it, there’s no promotion for it, there’s no radio anymore ever, there’s no way for anyone to know that you’ve got something new out.”

Well you’ve got me Dave. (Laughter)

“I mean national radio, it’s somebody goes in and puts a cart in and pulls it out after thirty days and then puts another one in and there’s nobody home.”

I know exactly what you mean Dave. I was a radio deejay in the late 70’s early 80’s. My dream was to become like one of those deejays from back in the 60’s. Radio is not about the music anymore it’s basically all about advertisers. And who wants to listen to radio to hear back to back to back commercials.

“Yea, there’s just nothing there and no way to get anything promoted. There’s no way for anyone to really hear something or know if they’re even going to like it. So basically anything new that I have is just going to go on my website and you can go there and download it. And until something comes along where you can promote properly it’s economically not feasible to do another CD.”

My column is only about Classic Rock Music and Classic Rock Artists. And my articles are viewed globally on the internet with the sole intention of keeping that dream alive and the fire burning.  

“I appreciate that.”

My favorite Dave Mason tune unfortunately was a song that you didn’t write. And it was your biggest hit “We Just Disagree” written by Jim Krueger. I own that awesome performance of the song that you did on Burt Sugarman’s The Midnight Special.
Dave I just want to tell you man that you’re a legendary artist, great songwriter and studio musician and just a classy guy and thank you so much for spending time with me today I really appreciate it. 

“You’re quite welcome.”

Keep on doing what you’re doing and I'll see you at Hippiefest in Clearwater.

“I will Ray thank you.”

Dave Mason will be headlining Hippiefest 2011 on Saturday August 27th at Ruth Eckerd Hall in Clearwater.  So let your freak flag fly!

Dave Mason’s website is http://davemasonmusic.com/
Dave Mason Charities Work Vessels for Veterans     http://wvfv.net/
CAMMO -Giving our veteran artists a place to thrive http://cammomusic.org/main/
2nd Annual Dave Mason’s “Feelin Alright” Golf Classic  
  http://www.tournevents.com/_tournament/?event=davemason2nd

Special thanks goes out to Jeff Albright of The Albright Entertainment Group.

Order author Ray Shasho’s new book Check the Gs –The True Story of an Eclectic American Family and Their Wacky Family Business at http://rayshasho.com/  Its My Big Fat Greek Wedding meets Almost Famous meets Seinfeld.

Contact Ray Shasho at rockraymond.shasho@gmail.com

Mason shared his extraordinary musical talents with a list of legends- including George Harrison, Eric Clapton’s Derek & the Dominos, The Rolling Stones, Leon Russell, Cass Elliot, Fleetwood Mac and his good friend Jimi Hendrix.

Mason and Traffic bandmate Jim Capaldi reunited for a tour that produced the 1999 album Live: The 40,000 Headmen Tour. Traffic was inducted into the Rock & Roll Hall Of Fame in 2004.

Mason says, "My first band was The Jaguars. I worked a little instrumental version called Opus To Spring when I was about 16 and a local record store put a record out on it."

Dave Mason revealed,"Winwood had five songs and I had five songs so it was like okay let’ s get back together again. And I thought it was a really good second album it was a good transition from Fantasy."

Dave Mason played his 12- string acoustic guitar on "All Along the Watchtower" and sang on “Crosstown Traffic" with his good friend Jimi Hendrix on the Electric Ladyland album.

Jon Anderson: "I'll return to YES when they wake up" - Interview with Ray Shasho

 
 By Ray Shasho

YES starship pilot and spiritual voice of reason Jon Anderson spoke with Examiner Ray Shasho in a recent interview. Positivity, exciting new ventures and a rebirth of energy thrusting towards a bright future was the essential message received from the illustrious YES songsmith.

In 2008, Anderson’s reverent role as lead singer, composer and musician for the progressive rock group came to an end. Anderson became very ill with a respiratory ailment. Management wanted the group to continue touring but Anderson asked for a break or perhaps to do a semi acoustic project but the band refused and continued with their plans anyway. In fact they recruited Benoit David a singer from a YES tribute band to replace the legendary singer.

Anderson became so ill that he stopped breathing and had to be resuscitated. He fell into a three- day coma and near death on several occasions. But despite life’s setbacks Jon Anderson remains optimistic. He’s currently on a solo tour playing Yes favorites and his own eclectic works.

So will Jon Anderson ever return as YES frontman? Jon says, “When they wake up.”

On October 19th Anderson will bring back the true magic of early YES music when he begins a new tour with ex-bandmate and keyboardist Rick Wakeman. (Anderson Wakeman Tour 2011)  Both collaborated on a phenomenal album in 2010 called The Living Tree.

Jon’s latest solo creation is called Survival & Other Stories. Jon says, “About four years ago I put in an ad on my website: ‘Musicians Wanted’…this is the result” The album features Anderson and many other artists writing songs via the internet while Jon performs them.

John Roy Anderson was born in Accrington, Lancashire, England. Jon is 66 years old and an American citizen living in San Luis Obispo, California.

Not only is Jon Anderson a very special human being but I’ve also learned that he’s a funny guy!

Here’s a very special conversation with the immortal Jon Anderson.
Jon how are you today?

“I’m fine how are you?”

Are you calling from your home in California or on the road today?

“No I’m in California, Central California and it’s a beautiful day.”

How’s the solo tour coming along?

“It’s really wonderful I just get up there and sing with my guitars and acoustic piano you know just have a good time singing classic Yes songs and Vangelis songs some new songs from Survival & Other Stories my new album and tell stories and a lot of people enjoy them.”

You know I really like the reggae twist you put on your songs. I find a lot of performers doing that nowadays.

“Yea reggae is really where it’s at.”

Besides your solo tour, I guess the other big news would be the Anderson-Wakeman Tour launching in October?

“Yea that’s me and Wake we did a concert tour last year in the UK which was very successful so we decided to take it to America. So we’re doing the east coast October and November- mid October to mid November tickets are selling well so it’s a going to be a great show.”

It’s so great to see you with your old YES bandmate. The living Tree is such a wonderful album. Beautiful arrangements, your vocals are better than ever and reminiscent to the very early YES material.

“I love it, I love doing those new songs and especially on stage it’s just so much fun.”

Survival & Other Stories is a terrific project, talk a little about how it was conceived?

“Well you know I put an ad on my website asking for musicians to send me ideas to music and I got lots of them -I get them every week now and my son is sending me music which is really cool we’re working together on some songs. So you know music is very very adventurous out there and a lot of young people and you know any age kind of people just sending me music and you never know what’s going to come along.”

It’s so cool to get the kids involved man, I brought my kids up the right way listening to classic rock music. As a matter of fact my son’s favorite band when he fell asleep at night was YES.

“Excellent!”

I took them to concerts at early ages too. I think it’s important for them to know. 

“Yea, that there’s more music than the ones you here on the radio and basically there’s pop music which is popular music which is great but there’s also music which is a little bit more adventurous and different and that’s something that I’ve always been interested in you know.”

And it’s tougher than ever for new bands to get signed nowadays by record companies.
“Well you know happily they can create their own music and put it on the internet by themselves and it won’t cost them too much money to do that and so there’s a couple of companies like ChinCorp and the company called Stageit you can actually do concerts and sell tickets online from your home and you can just do a half an hour or forty five minutes show just in your home on a little camera that’s on your laptop and people are doing this -really really exciting times you know.”

YES music was a religion to most of us growing up. Those spiritual lyrics sung by one Jon Anderson who we emulated not as an entertainer but more or less as a spiritual advisor or holy man. And then your bandmates replaced you with a YES tribute band singer who I happened to feel is horrible by the way. And everyone I’ve talked with agrees.

“He’s just different you know what I mean. They did it with The Buggles (Geoff Downes and Trevor Horne). Chris and Steve and Alan they just think well that’s where we’re going and good luck to them and I just think well I’ve got a lot of work that I want to do as well a lot of great music that I want to create so I’ll just get on with my life you know. I‘ve left the band a couple of times because of outside influences trying to push the band around and I hate that so that’s when I have to say I’ve got to get out of there quick.”

I guess it may have been different if the new singer had been a member of YES or perhaps another classic rock legend, but a tribute band singer? YES faithful are still scratching their heads.

“It’s kind of disappointing but hey 35 years of YES is not too bad after all. I did a lot of work that I’m very proud of and there were some ups and downs but hey when you look at the depth of music that YES created over those 35 years it’s kind of amazing to me when I think about it in my head and there’s some great music coming and I’m always thinking about the next step of music and I think a lot of people are going to be very surprised in the next couple of years how music is going to really evolve and all that energy from the love of YES music will come through and people will hear it in a different way.”

I guess you’re ex bandmates are stuck in the past while you’re moving forward?

“You know Ray every time I do an interview they say when are you going to get back together with YES and I say, “When they wake up.””

Laughing

“You know, you’ve got to make light of everything. YES was a tiny miniscule of the music world anyway. People like yourself and other people like me I loved what we’ve done so I’m sort of committed to creating great YES music in a way but I think the next project that I’m going to let go of probably before Christmas people are going to say, “Yea Jon still has that energy to do that kind of music I love it.””

The music was great but it was your inspirational words that kept YES fans focused on a positive outlook of life and hope for the future. I can honestly say that you got me through a very tough stage in my life.How do you stay so positive especially during these difficult times?

There’s a lot of us out there who are committed to being positive and optimistic. I think in life you have a choice. You can either be optimistic or pessimistic and I go for the optimism you know.”

And you’ve been through a terrible illness too. Your wife actually saved your life when you were sick right Jon?

“Well that was an amazing moment. Basically I got into a coughing fit and there’s a lot of dust around and pollen in this area and I’ve been coughing on and off pretty badly for three years and doctors couldn’t figure it out. So when I had this real bad one I just stopped breathing and my wife held me in her arms while the paramedics came and they just sort of jumped started me and it put me in a coma for three days. So it was pretty dangerous you know?
A couple of months later the real infection took over and that’s when I had to have these operations. You know you have a problem and the infection goes into the pancreas and then the liver and you have to be very careful so they had to do these very delicate operations. And I couldn’t sing for six months and couldn’t speak hardly but I just kept thinking I thought of doing all this stuff you know. A lot of people go through it its life; okay better get on with the next thing.”

What got me through my two week stint in the hospital a few years back was my wife staying with me over night for several days and a regular visit from the Pastor.

“It’s amazing, when I finished up my last operation this guy use to come around playing guitar you know and singing and he started singing It’s a Wonderful Life and I just burst out in tears. And it took me all those months to let go and cry you know.”

When the pastor came in to pray with me at the hospital I cried every time.

“It’s good for you ya know.”

 I think going through all that does something to your emotions and maybe even brings you closer with God?

“Yea that’s what it is.”

You said in a recent interview that “I live to understand the great mystery, and how we are part of Mother Earth, and ‘why’” That statement reminded me of what the American Indians tell us, as they remind us how important it is for our soul to connect with nature.

“Oh gosh yea. When I first came to live in America and I’m an American now for two years and I was here twenty years ago when I first came here lived here and that’s when I started meeting with you call them Medicine Man Shaman Native Americans. And it’s a beautiful experience to sit and hear what they have to say and I thank the Gods that I was able to be there at that time and wake up you know.”

Unfortunately sometimes it’s difficult to find sincere words of wisdom and hope nowadays in America. It seems like positive or inspirational significances are overshadowed by commercials.

“Everybody wants to be American it seems. I travel enough to know you know I’ve been to China just about 20 years ago and they were just beginning to understand the American energy and I remember seeing at this airport there was a big sign and a big white painted sign and it said peace love tourism and they understood what was the next thing and look at them now they’re the biggest financially based country in the world and they’re feeding off the Americanism but its far- far- far away from spiritual below the mother earth but it’s a good thing in a way because eventually everybody will turn around and understand that if we don’t take care of mother earth we’re not taking care of ourselves.”

You know Jon, God created such a massive universe there just has to be other life out there somewhere. After all there must be a reason for all that space right?

“For sure! for sure! There’s so much going on that we don’t understand. I love that concept anyway and one day it’ll all come clear.”

Do you think after we die it’s all going to come clear?

“I think if you let go of preconceived ideas you’ll find everything in this life. For me my understanding is God is all that is, God is everything all that is and you’re true God is within and that’s the power that you have as a human being. And this life is for us to discover the divine within. And that’s really the key to life in many ways for me. And the thing is it’s not for us to reason why everything is what it is just do it.”

Inspired by The Beatles you played in a band called the Warriors with your brother before YES.  And now your brother Tony is a Priest. Jon you would have made a wonderful Priest.

“You know we’re all very spiritual beings and I was always felt happy to sing about the earth and don’t kill the whale and take care of life, the great path, the mystery and everything. I was always happy to sing about it and why not I’m not going to sing about rock and roll Chuck Berry did that, The Beatles did that I’m not even going to get near that so I might as well sing about something different you know.”

What other music besides The Beatles inspired you?

“Oh gosh from Stevie Wonder to… when I think about the list it’s pretty endless. I love the music from the 40’s, 50’s obviously the 60’s and when I watched Michael Jackson what an incredible talent and what an incredible energy you know and Sting and there’s so many great artists out there it’s just extraordinary. I actually saw Ricki Lee Jones a couple of months ago just like being in heaven you know she was amazing. And then about a month later we saw that was on the same bill Randy Newman one of the great composers my God he was so beautiful. Very funny! On stage he’s very funny.”

I think you would have meshed well with George Harrison.
“I met him once but if I‘m around George Harrison I don’t know what I want to say it’s a frightening experience.”

Why Jon?

“Because it’s George Harrison. He’s a Beatle.”

That’s funny; I remember seeing Ozzy Osbourne being nervous and excited about meeting Paul McCartney. I thought, come on man you’re Black Sabbath!

“I know the feeling.”

When meditation is done correctly one can actually leave their body. I read somewhere that you’ve entered the fourth dimension while meditating?

“I’ve had three experiences in this lifetime of interdimensional world and it’s a beautiful experience because it wakes you up about life and makes you realize that there’s more to life than we see and understand. And I write about in some music. I’ve written a whole piece of music about that experience and one day it’ll come out timing is everything.”

In 1974 Yes’s seventh studio album called Relayer was released.  In my mind the album stands out to be the most creative and inspirational albums on the planet. It’s almost like the five of you were from another galaxy far-far away.Of course Roger Dean had a lot to do with that perception.

“Gates of Delirium I wrote that on piano all the way through. And I took it to the band and I don’t play good piano so it must have sounded terrible but they understood what I was trying to get at you know.”

Was that piece inspired by Leo Tolstoy’s War and Peace?

“Yea, it was a combination of the war as we understand it and where would we be can we live beyond war and then I had to jump in the real chaos and savagery of war in order to come out at the other end with soon oh soon the light to wake us up emotionally and spiritually you know.

What’s so great about the lyrics is that it touches people in so many ways. You can take the song and match them with your own trials and tribulations of life and it all makes so much sense. It’s like an explanation of what life is all about.  

“It says the reason to be here and the reason to be here is the light.”

Relayer is such a magnificent album and I will always know that it is the best YES album of all time.

“It’s one of those albums that over the years when we performed that on stage it was such a tribute -laser beams happening and then thunder and lightning going on stage and then all of a sudden it calms right down and I’d walk to the front with a guitar and just sing soon oh soon the light and I was on another planet. I use to go through this like an exorcism in the middle of the war I was screaming and shouting and banging and crashing I was doing all sorts on stage trying to evoke something very-very ancient it was a powerful moment. I believed that I was finding the truth.”

What were some of your favorite works?

“I think they all got something in them you know. Fragile, Close to the Edge, Topographic, Gates of Delirium, Awaken that whole period was such an incredible adventure and obviously 90125 was a totally different world and the last album we did Magnification I love very much. But like you say the Relayer was like sort of the kingpin of the 70’s can we stand and keep going yes we can you know.”

Who actually named the band YES?

“The original band was called Mabel Greer’s Toy Shop. Yea Chris’s (Chris Squire) band was called that so I joined with Bill( Bill Bruford original YES drummer) after the drummer left and the keyboard player left in the first week because they had better gigs so I said right to Chris listen we’ve got to shorten the name. So Peter Banks (YES Original guitarist) came up with the name YES. I came up with LIFE and Chris came up with WORLD and then he said, “Why don’t we call ourselves YES?” and we all said, “The Yes?” And he said, No-no just YES.” Then we all said, “YES that’s great!” Yea those were wild and beautiful times.”

Do you have a good story from that wild and beautiful time?

“Aw there’s so many you know. I remember me Howe and Rick getting on the plane but we had a couple of drinks and in those days you could smoke a joint in the airport because nobody cared anyway it was ’71 or ’72 around that time. So we’re happy and on the plane and the captain says we’ll be landing in Chicago in an hour’s time and we said, “Hey wait a minute we’re supposed to be going to Philadelphia.” So Rick stood up and said, “Excuse me can you turn the plane around.”

All laughing
That’s hilarious!

“And we all looked at him and okay so we got there a quarter of an hour before the show in Philadelphia so we had to get on a different plane when we got to Chicago but that whole moment when Rick stood up and shouted “Can you turn the plane around?” He was serious.

Bands like Yes, Pink Floyd and Jethro Tull never had a string of top 40 hits but were still selling out stadiums. Although YES had Owner of a Lonely Heart and Roundabout as Top 40 radio hits. Were you ever pressured to put out something commercially that would be played on the radio?

“It would happen every so often and that’s when I would leave the situation every eight or ten years or so when it became more of a corporate idea and a record company idea to make an album because we need a hit. And I’d say, “I think I’ve got to get out of here.” I’d go up and do Vangelis or go off and do other things because I don’t want to chase that dream because if it happens great if it doesn’t get on with great music and new ideas.”

Jon I want to close with a statement.I’d like to say for all the YES faithful like myself throughout the ages, Thank you from the bottom of our hearts for your inspirational lyrics and soothing voice of calm that reached into our very souls. With messages that remind us that everything is going to be okay.

Jon thank you so much, it’s been a real pleasure.

“Thank you so much.”

Good luck man

“Bye-Bye!”

I want to thank Billy James of Glass Onyon PR for arranging a very special day with Jon Anderson.

Stay in informed with all the latest Jon Anderson news at http://www.jonanderson.com/
You can purchase Jon and Rick Wakeman's album The Living Tree and Anderson’s latest solo creation Survival & Other Stories at Amazon .com.

And don't forget to order author Ray Shasho’s new book called Check the Gs -The True Story of an Eclectic American Family and Their Wacky Family Business today at http://rayshasho.com/
It’s My Big Fat Greek Wedding MEETS Almost Famous MEETS Seinfeld! You’ll live it!
Contact Ray Shasho at rockraymond.shasho@gmail.com

Positivity, exciting new ventures and a rebirth of energy thrusting towards a bright future was the essential message received from the illustrious YES songsmith.

“I think they all got something in them you know. Fragile, Close to the Edge, Topographic, Gates of Delirium, Awaken that whole period was such an incredible adventure and obviously 90125 was a totally different world."