Wednesday, July 11, 2012

The Zombies are coming! U.S. 50th Anniversary Tour launches from Florida




Rod Argent and

Colin Blunstone







By Ray Shasho

An interview with the legendary voice of The Zombies Colin Blunstone:

British rock group The Zombies commemorated a half-century milestone in 2011 and are continuing the celebration with a tour of North America in 2012. The U.S. tour officially launches from the Largo Cultural Center on July 27th and will be The Zombies only Florida appearance on the tour.

On April 27th of 2012, a historical blue plaque was unveiled at The Blacksmith’s Arms Pub in St. Albans to commemorate the initial congregation and foundation of The Zombies in 1961. The plaque symbolizes the significance of the band to rock ‘n’ roll’s past, present and future.
The current lineup of The Zombies features original lead vocalist and songwriter Colin Blunstone (also Alan Parsons Project), original keyboardist, vocalist, songwriter Rod Argent (founder of Argent), bassist and vocalist Jim Rodford(Argent ,The Kinks), drummer Steve Rodford and Tom Toomey on guitars.

As part of the British Invasion wave of the 60s, The Zombies recorded their first big hit, “She’s Not There” on Decca Records and released it in 1964. The song was a #1 Hit on the Cashbox charts and a #2 Hit on Billboard’s Top 100 in the U.S.
In 1965, the band made their first Television appearance in the U.S. on NBC’s Hullabaloo. The Zombies featured their latest single, “Tell Her No” another Rod Argent composition. “Tell Her No” peaked at #6 on Billboard’s Hot 100.
The Zombies, “I Love You” a tune penned by original bassist Chris White became a Top 20 Hit for the California band, People, in 1968.
Also in 1968, the band recorded one of their most significant releases, Odessey and Oracle. Recorded at Abbey Road and Olympic Studios for CBS Records, the album spawned their huge hit, “Time of The Season” in early 1969. The album became critically-acclaimed and one of rock ‘n’ roll’s greatest album’s of all-time. “Time of The Season” became The Zombies biggest hit #3 on Billboard’s Top 100 in 1969 and almost two years after the bands split.

After The Zombies disbanded, Rod Argent formed classic rock’s Argent with Jim Rodford. Zombies’ original bassist Chris White was also instrumental to the band as songwriter. Rod Argent and Chris White collaborated on their biggest hit, “Hold Your Head Up” #5 Hit from the album All Together Now in 1972. Argent split in 1976; meanwhile band members Jim Rodford and Bob Henrit joined The Kinks.
In 2010, the original Argent lineup reunited and played five concert dates around England.

After the break-up of The Zombies, Colin Blunstone established a successful solo career and released his first effort entitled, One Year in 1971. He eventually signed onto Elton John’s Rocket Records and released (3) albums, Planes (1976), Never Even Thought (1978) and Late Nights In Soho (1979).
Blunstone appeared on Dave Stewart’s hit cover tune, “What Become’s of The Brokenhearted” (1980). He also appeared on several Alan Parsons Project albums including, Ammonia Avenue and Eye in the Sky. Colin sang the hit single, “Old and Wise.” Most recent releases by Colin Blunstone include Echo Bridge (1995), Out of the Shadows (2003) with Rod Argent and As Far As I Can See (2004) with Rod Argent.
Since 1991, there have been brief Zombies reunions featuring several different lineups, but longtime mates Colin Blunstone and Rod Argent solidify the working elements of the band.
Original guitarist Paul Atkinson passed away in 2004.
In 2008, to mark the 40th anniversary of Odessey and Oracle all surviving members participated in a series of concerts at London’s Shepherd’s Bush Empire Theatre.

In 2011, A brand new Zombies album was recorded entitled Breathe Out, Breathe In and received rave reviews. Colin’s vocals are exquisite … these guys sound like they’re still in their 20’s. It’s an incredible album. The title cut has striking similarities to the heyday of Steely Dan.
Colin Blunstone is currently finishing up a solo project called, On The Air Tonight with a possible release date in October of 2012. He’s excited and extremely grateful to be able to continue to do what he loves to do best.
I talked with Colin last week from his home in England about the upcoming U.S. tour, his new solo project, the latest Zombies release, and of course the British Invasion.

Here’s my interview with songwriter, guitarist, and legendary voice of The Zombies … Colin Blunstone.
Ray Shasho: Hello Colin how are you doing, you’re calling from England today?
Colin Blunstone: “I’m doing excellent … yes; I’m calling from just outside London, quite close to Wimbledon actually. It’s been raining off and on this afternoon, I think the games have been literally stop and start except for the center court because it now has a roof on it. But the weather is not very good at the moment.”
Ray Shasho: Colin, I’ve always been fascinated how Americans were captivated by the British Invasion and later British rock and its derivative genres … glam, progressive etc. But it was the Brits who were seduced early on by American 50’s rock ‘n’ roll and the very early blues artists. And in all actuality, it was extremely difficult for Brits to even know what music was coming out of the U.S. …is that right?
Colin Blunstone: “Radio was very different here in the 60s, the BBC was national and there were only two radio stations and very limited on what you could here. One station was very serious and the other played sort of light classical music like 1930s orchestras and things like that. Also there was a limit and they could only play so many records … they were limited, it may have had something to do with the musician’s union or something like that.”

“But they played lots of live music, orchestras, bands, but not rock bands … and this is when I was growing up. Then of course we all had Elvis Presley and all the wonderful artists that followed him. And then I think a bit later on we really began to understand about Little Richard and Chuck Berry … and then later still there was Motown, Smokey Robinson, and all of the other wonderful and talented bands, and we were very-very influenced by American music.”
Ray Shasho: Colin, I would like to wish you congratulations on your Fiftieth Anniversary, can you believe it’s been that long since the inception of The Zombies?
Colin Blunstone: “It kind of crept up on us; it’s really funny no one was counting. Someone remarked about it and we thought you know what they’re right. We’ve been together since 1961, so it’s been fifty years since last year … fifty and half years now. Outside the pub where we met, in St. Albans where we come from, they unveiled a blue plaque on the wall of this pub called The Blacksmith’s Arms and it said, “On this spot the five original members of The Zombies first met in April 1961.” They had a wonderful ceremony and the traffic stopped while they unveiled this blue plaque on the side of the building and it was really exciting for all of us.”
Ray Shasho: So the pub is also still in business after all these years?
Colin Blunstone: “It is …absolutely! When we met outside there in 1961, we were only sixteen years old and weren’t allowed to go inside the pub because we were too young. But yes, it’s a big pub on the main street in St. Albans and you could probably get two or three hundred people in there … it’s a big building.”
Ray Shasho: Did The Zombies perform a Fiftieth Anniversary concert at the pub?
Colin Blunstone: “We never performed there. It was mentioned … would we perhaps perform on this day of the unveiling of the blue plaque but nothing really came of it. We did two or three short speeches and just meeting a lot of friends and drinking a few beers really. But it seemed like a really lovely day.”
Ray Shasho: Colin, talk about the current band lineup for the Fiftieth Anniversary Tour in the U.S.
Colin Blunstone: “Myself and Rod Argent the original keyboard player, and of course Rod wrote all the hits for The Zombies and later had a band called Argent who also had quite a lot of success. On bass there’s Rod’s cousin Jim Rodford, it’s sort of a family band really. Jim was with us on our first rehearsal and helped arrange it. He was in the biggest local band and we borrowed all the amplifiers and drum kits from his band. And that’s how we were able to have our first rehearsal. We asked him to be in the band at that time but he was already committed. So it took us nearly fifty years to get him in the band. (All laughing)”

“Jim’s son Steve Rodford is on drums, so that side of the stage is all related. On the other side is me and our guitarist Tom Toomey, he joined the band a few years ago and has been touring with us ever since. He’s a great acoustic and electric player and one of the really good harmony singer’s in the band so there are very full harmonies when we play.”
Ray Shasho: I was excited when I first learned Jim Rodford was going to be in the band. Jim played with The Kinks for quite awhile.
Colin Blunstone: “Jim was in The Kinks for twenty years and has played on some of their biggest albums as well. He’s also played with just about every artist you could imagine.”
Ray Shasho: It’s a terrific lineup and we’re looking forward to a fantastic show.
Colin Blunstone: “I think people are going to get quite a pleasant shock because they might think they’re going to go and see a 60s band just going through the motions. All of these players are sensational players and we take no prisoners when we go on stage. We give it everything we’ve got.”
Ray Shasho: Of course, The Zombies will be playing all of their biggest hits on the tour but the audience will also be pleasantly surprised by the band’s latest material Breathe Out, Breathe In. The album’s enticing tempo is performed by as you say …“sensational players.” The title cut has a Steely Dan-ish feel to it.
Colin Blunstone: “A lot of people have said that and I take it as a huge complement because I’m a fan. It’s had sensational reviews in Europe and America and being very well received all around the world. We’ve always played from the heart and played the music that appealed to us, and played it to the best of our ability. That’s how the original band recorded in the 60s and that’s how we record now.”

“We’ll be playing, “She’s Not There,” “Time Of The Season,” probably be playing four or five tracks from Odessey and Oracle our last album, and then some other more obscure tracks from the original Zombies. We’ll play some Argent tunes and maybe one or two of my solo records which were hits over here but not over there. And probably a little bit from The Alan Parsons Project, I sang a lot with them as well. So there are a lot of great songs for everyone.”
Ray Shasho: What were those British Invasion days like for you Colin?
Colin Blunstone: “Considering that we were all probably eighteen years old, and in the summer we were playing local dates in and around St. Albans and by Christmas we were number one on Cashbox in America, and then playing to huge audiences in New York and doing national TV as well … it was an extraordinary adventure.”

“We’ve often discussed this … when you are young you tend to take things like that in stride and it seems very natural, it’s only when you look back and think my goodness that was a huge change in a very short period of time. But it was extremely exciting, especially going to America because that’s where it all stated. For us to go to America and play for packed houses was just out of this world.”
Ray Shasho: While on tour in America did you meet any of your childhood heroes like perhaps Elvis Presley?
Colin Blunstone: “We went to Elvis’ house and literally there was no security. We went through the gate and knocked on the front door and debated this later whether it was his father or uncle that came to the door. We said … is Elvis in? (all laughing) We told him that we were The Zombies and here from England and would just like to say hello to Elvis.”

“He said, “it’s a real shame Elvis is making a movie in Hawaii at the moment, he would have loved to meet you. I’m so sorry he’s not here but you are very welcome to have a look around.””
“It was such a shame we didn’t meet him but got to stroll around his house, and we found out that he had Zombies records on his jukebox.”

“Some of the groups we played with that I remember are The Beach Boys who are one of my absolute favorites. We also played with Del Shannon, The Shirelles, Patti Labelle and the Bluebelles who were sensational and we had to follow them on stage in New York.”
Ray Shasho: The Zombies recorded at Abbey Road studios?
Colin Blunstone: “We recorded there a lot, and in fact were probably the next band in there after The Beatles finished Sgt. Pepper’s. They finished somewhere in the spring of 1967 and we went in right after them. Geoff Emerick worked on that album, Odessey and Oracle and Peter Vince was another engineer who worked on both albums. It was a wonderful studio and such a great atmosphere and of course very skilled engineers. At the time it was undoubtedly the best studio in the world.”
Ray Shasho: Who produced some of the earlier Zombies albums?
Colin Blunstone: “When we started out we were first introduced to a guy named Ken Jones, he produced “She’s Not There” and “Tell Her No” but the main producers were Rod Argent and Chris White in the band, I think in most countries it was being credited as being produced by The Zombies. But there was no outside producer just the band working within itself.”

“That first session we did, “She’s Not There” this was the first time we went into a commercial studio at Decca Studios in Northwest London in West Hampstead, we went into the studio in the evening and recorded four tracks. While we were in there we realized that the recording engineer had been at a wedding all day and was completely drunk. As the evening went on he got more and more aggressive. Very early on in the session and my first time in a commercial studio, and this guy was just screaming down at us while in the studio. And I thought, maybe this business is not for me. We were really lucky because he finally passed out and then we had to carry him up two flights of stairs, a Zombie on each arm and leg and we just pushed him into a black car and that was the end of him. His assistant was Gus Dudgeon who went on to produce all the early Elton John albums and that was his first session in 1964. It was quite a remarkable day actually. (All laughing)”
Ray Shasho: Colin, I always thought that The Zombies could have had the staying power to last through the album rock era of the late 60s to mid 70s. The band was very different than the 45 singles Hitmakers of Top 40 radio. I actually thought the band may even be classified as progressive rock.
Colin Blunstone: “The other guys in the band felt that we completed our artistic circle. We’d run our race and it was time for us to move on to other projects. Of course we’d just finished Odessey and Oracle but we had split before the album was even released. I’m the only one who would ever say; imagine what we could have done next, especially with Rod Argent and Chris White who were really coming into their own as songwriters. I would have been very interested to see what we would have done next … of course hindsight is a wonderful thing isn’t in, you can always look back but of course it doesn’t make any difference because it’s never going to happen. I’m not saying it was the wrong decision to end the band but it would have been interesting to see what would have happened next. It’s difficult for me to say this because the other guys don’t feel that way at all. They just feel that we’d gone as far as we could, so I’m kind of the odd one out.”

“Sadly, Paul Atkinson our lead guitarist passed away about five years ago, he had been living in America. He established a very successful career as a record executive. Paul signed ABBA to CBS in the UK, and tried to get CBS in America to sign ABBA but they didn’t want anything to do with them. I asked him years ago what he thought it cost CBS for not signing ABBA and he said about Twenty Million dollars … and that was a long time ago.”
Ray Shasho: Were you asked to be a member of the band ARGENT?
Colin Blunstone: “No, I wasn’t. Rod Argent and Chris White produced my first two albums. Chris also produced the third one. On my first album, ARGENT played on all the tracks that were a rock ‘n’ roll band and then some of the later tracks as well. We were always still working together and that’s true for our entire career. Rod has produced four or five of my albums; I regularly do charity gigs with him, and we’ve kept this relationship going all the way through the year 2000. Then we decided to do five or six concerts and that’s how this came about. I started playing as a solo artist and had six dates coming up and I asked him if he wanted to join me on those six dates. We knew immediately that we had something very special, and we hadn’t really played a full concert together since 1967. We decided to hold this band together that we had, but we just called it Colin Blunstone and Rod Argent and didn’t play very many Zombies tunes because we both had successful solo career. We didn’t realize that there was still an interest in The Zombies and it came as a complete surprise to us ... a very pleasant surprise. But everywhere we went everyone wanted Zombies material. On top of that promoters were billing us as The Zombies, so it wasn’t really our idea it was something that sort of evolved naturally.”
Ray Shasho: I heard you’re finishing up your next solo project entitled, On The Air Tonight.
Colin Blunstone: “I’m going into the studio tomorrow and try and get a running order together, it’s very exciting and a little bit scary because it’s a big commitment to make an album. So tomorrow I’ll listen to it and hear what we’ve achieved. I think it will be coming out in October now.”

“I was just at Rod Argent’s house today actually; he lives about 50 miles away from me. He’s written a new song and so I think we’ve started the first day of a new Zombies album. One new song and that’s how it starts really. He had one completed song and an idea for a second song, and we spent an hour or so going through them and hopefully the beginnings of the next Zombies album.”
Ray Shasho: Is there someone out there that you would love to collaborate with if given the opportunity?
Colin Blunstone: “There’s a female English singer called Judy Tzuke and I really like her voice. I thought that we could sing a good duet together.”
“To collaborate with someone as a writer it would probably be Sting, I think he’s one of the most exciting writers. Sting has written songs that are just breathtaking. My favorite song of all-time is called “Fragile.”
Ray Shasho: Colin, you sound like such a positive person and perhaps a bit spiritual … how do you maintain that positive outlook on life?
Colin Blunstone: “I think it’s easy in a way to stay positive because we just think that we’re really-really lucky at this time in our career to be able to go out and play live, all on the road, and playing the music that we love. I just think that we’re incredibly fortunate and we sort of remind one another every now and again that we are very-very lucky. So it’s easy to stay positive because we’re doing what we love to do.”
Ray Shasho: Colin, thank you so much for being on the call with me today but more importantly for all the great music that yourself and The Zombies have given to the world. We’ll see you at the Largo Cultural Center in Florida on July 27th for The Zombies 50th Anniversary tour.
Colin Blunstone: “It’s been my pleasure Ray, tell everyone that we’ll be playing lots of hits and there will be something for everyone. It’s a great band and I just hope everyone will come see us because they’ll have a great time.”

Very special thanks to Melani Rogers of Publicity By Design.
The Zombies official website http://thezombies.net/
Colin Blunstone’s official website http://www.colinblunstone.co.uk/
Rod Argent’s official website http://www.rodargent.com/
Order the latest Zombies album Breathe Out, Breathe In at amazon.com

Contact classic rock music reporter Ray Shasho at rockraymond.shasho@gmail.com

Buy Ray’s very special memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky Family BusinessYou’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com -Please help support Ray so he can continue to bring you quality classic rock music reporting.

~~Pacific Book Review says Ray Shasho is a product of the second half of the 20th century, made in the USA from parts around the world, and within him is every trend in music, television, politics and culture contributing to his philosophical and comically analytical reflections collected in his fine book of memories. I found Check the Gs to be pure entertainment, fantastic fun and a catalyst to igniting so many memories of my own life, as I too am within a few years of Ray. So to all, I say if you have a bit of grey hair (or no hair), buy this book! It’s a great gift for your “over-the-hill” friends, or for their kids, if they are the history buffs of younger generations trying to figure out why we are the way we are.

© Copyright rayshasho.com. All Rights Reserved
 
  





Sunday, July 8, 2012

Ringo Starr and His All Starr Band superlative for sold out Clearwater audience


By Ray Shasho

Ringo Starr and His All Starr Band concert review

Ringo Starr and His All Starr Band performed a magnificent show on Sunday evening at Ruth Eckerd Hall in Clearwater, Florida. Every classic tune on the band’s setlist was played to its perfection and accompanied by a rousing standing ovation. The band appeared and sounded like a finely tuned racing machine, with engines revved and in immaculate condition. The 2012 All-Star lineup may be the best group of correlated musicians yet.
A diverse audience packed with both young and old was there to witness a legendary all-star rock band of virtuosos piloted by a member of the greatest rock ‘n’ roll band of all-time. It was an evening brimming with good vibrations, peace and love.
Before the show, everyone loaded up with Ringo Starr T-shirts and programs. The show began promptly at 7:30p.m with various members of the all-stars arriving quietly on stage. Loud and joyous cheers began to encompass the Hall while Santana’s legendary songster and keyboardist Gregg Rolie took his place behind the Hammond organ. Rolie was succeeded by the incredible guitarist and vocalist Steve Lukather of Toto, bassist and vocalist Richard Page of 80s pop sensation Mr. Mister, the melodious ingenuity of Todd Rundgren from Utopia’s progressive rock fame, accomplished drummer Gregg Bissonette, and Mark Rivera, saxophonist, percussionist, and legendary musical director.

The band began to play and the crowd rose to its feet while Ringo Starr glided on stage to take his spot behind the microphone for the opening number, “Matchbox” (#17 Billboard Hit in 1964) a rockabilly Carl Perkins penned tune covered by The Beatles.
Throughout the evening well-wishers acknowledged Ringo’s upcoming birthday on July 7th. Ringo will be turning 72 but looked remarkably fit and ageless on stage. Starr taunted the Ruth Eckerd audience by telling them not to wish him a happy birthday unless they were going to give him a gift. Near the end of the evening someone actually did give him a gift, and he ran backstage with it after the show.

The bands next selection was one of Starr’s biggest solo hits; “It Don’t Come Easy” (#4 Billboard Hit in 1971) followed by “Wings” a re-released tune for the new album Ringo 2012, originally recorded in 1977. Then Ringo sat behind his proverbial drums for the band’s next selections. Todd Rundgren was up next and featured, “I Saw the Light” (#16 Billboard Hit in 1972). Rundgren is a longtime veteran of the All-Star Band and is known for playing in Clearwater frequently. Todd played the Capitol Theatre most recently celebrating the Utopia reunion tour. Todd Rundgren is a living legend in the music world as a producer, guitarist, songwriter and singer. Here’s an interview I did with Todd Rundgren … http://www.examiner.com/article/exclusive-interview-todd-rundgren-talks-utopia-reunion-with-examiner-ray-shasho

For the first time ever on the tour Gregg Rolie was an All-Star, and well-deserved. The first of many thunderous ovations for the evening came after Rolie’s spectacular performance of the Santana classic, “Evil Ways.” (#9 Billboard Hit in 1969) Gregg Rolie has been overshadowed through the years by virtuoso guitarist Carlos Santana, but it was Gregg Rolie’s majestic vocals and magnificent keyboards that solidified the masterpiece of Santana. Rolie was the voice on almost every classic Santana hit. Rolie was also the founder and original vocalist for the band Journey. Read my interview with Gregg Rolie here... http://www.examiner.com/article/santana-and-journey-original-lead-singer-gregg-rolie-speaks-with-ray-shasho

Next, it was Steve Lukather the guitarist and vocalist for classic rock sensation Toto. Lukather is an awe-inspiring guitarist, which was evident after playing the role of Carlos Santana on all of Gregg Rolie’s Santana classics. Wow! Lukather jumped into Toto’s, “Rosanna” (#2 Billboard Hit in 1982, won a Grammy Award for “Record of The Year” in 1983).
Richard Page of Mr. Mister was spotlighted next singing, “Kyrie” (#1 Billboard Hit in 1986). Page is a sensational songwriter and musician. Ringo’s, “Don’t Pass Me By” (From The Beatles White Album in 1968) was next and followed by Rundgren’s signature classic, “Bang The Drum All Day” (1983 recording, all the instruments on the record were played by Todd).

Ringo announced he was going to sing a tune that he had sung for that "other band" and kiddingly remarked … “Rory Storm and the Hurricanes.” Appearing very Beatle-ish, Ringo belted out “Boys” (Originally sang by The Shirelles in 1960) behind his skins followed by another standing ovation. Ringo Starr gave the Clearwater audience back to back Beatles classics with his unmistakable narration of “Yellow Submarine” (#2 Billboard Hit in 1966). The entire Hall stood up, swayed, and sang throughout the song.
Gregg Rolie quietly announced his next selection, “Black Magic Woman” (1970 Hit, the album Abraxas reached #1 on the Billboard charts, written by Peter Green of Fleetwood Mac). The song spotlighted an unbelievable performance by Rolie on vocals and keyboards, Lukather on guitar, Bissonette and Rivera on percussions. Lukather’s role of Carlos Santana was astounding, it was an incredible jam.

Without an intermission, Ringo kicked off the second half of the show with, “Anthem” from his latest release, Ringo 2012 followed by, “I’m The Greatest”(Released in1973) a song written exclusively for Ringo by his former bandmate John Lennon.
Richard Page graciously thanked Ringo on stage for letting him perform a non-classic hit on the tour, “You Are Mine” from his 2010 release Peculiar Life. Then Steve Lukather of Toto led the band into a beautiful rendition of “Africa” (Number #1 Billboard Hit in 1983).
It was Gregg Rolie’s time to rock the house again with a tune that hadn’t been played by Santana in concert for quite awhile, “Everybody’s Everything” (Released in 1971 on Santana III album). Ringo followed with the Lennon-McCartney penned earlier rocker, “I Wanna Be Your Man” (1963 release, recorded by The Rolling Stones and The Beatles).
It was apparent throughout all their performances that the band respected each others virtuosity but genuinely just had a lot of fun.

Todd Rundgren was back in the spotlight again to sing his heartfelt composition written for his progressive rock band Utopia called, “Love Is The Answer” (Utopia released it in1977, it became a huge hit for England Dan & John Ford Coley in 1979). Another heartfelt composition, “Broken Wings” (Number #1 Billboard Hit, released in 1985) by Mr. Mister’s Richard Page followed. Then it was time to raise the roof again, Steve Lukather rocked the house with the Toto hard- rockin’ classic, “Hold The Line” (1978 release #5 Billboard Hit) followed by a roaring standing ovation.

The evening wound down with Ringo Starr’s classic single, “Photograph” (#1 Billboard Hit, released in 1973) followed by The Beatles cover tune, “Act Naturally” (Released in 1965). The show concluded with the band playing The Beatles classic, “With a Little Help From my Friends” (Released in 1967, also performed at Woodstock by Joe Cocker and The Grease Band) and a smooth segue into the John Lennon penned anthem, “Give Peace A Chance.” The Ruth Eckerd audience was on its feet singing and displaying peace signs throughout the entire rendition.
There wasn’t one shining star this evening … just a galaxy filled with all-stars.
The entire band was extraordinary! Nevertheless, here are my picks for the top crowd pleasing songs of the evening and not in any particular order. Gregg Rolie- “Evil Ways,” Steve Lukather- “Hold the Line,” Richard Page- “Broken Wings,” Todd Rundgren- “Love Is The Answer,” Ringo Starr- “With A Little Help From My Friends.”

Ringo Starr and His All Starr Band official website www.ringostarr.com
Very special thanks to Elizabeth Freund of Beautiful Day Media and the entire staff at Ruth Eckerd Hall.

Contact Classic Rock Music Reporter Ray Shasho at rockraymond.shasho@gmail.com

Buy Ray’s very special memoir called ‘CHECK THE Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE edition for JUST .99 CENTS at amazon.com or barnesandnoble.com -Please help support Ray so he can continue to bring you quality classic rock music reporting.
~~Pacific Book Review says Ray Shasho is a product of the second half of the 20th century, made in the USA from parts around the world, and within him is every trend in music, television, politics and culture contributing to his philosophical and comically analytical reflections collected in his fine book of memories. I found Check the Gs to be pure entertainment, fantastic fun and a catalyst to igniting so many memories of my own life, as I too am within a few years of Ray. So to all, I say if you have a bit of grey hair (or no hair), buy this book! It’s a great gift for your “over-the-hill” friends, or for their kids, if they are the history buffs of younger generations trying to figure out why we are the way we are.

© Copyright rayshasho.com. All Rights Reserved

 
 

Saturday, June 30, 2012

Michael Des Barres: Silverhead rocker & TV villain ‘Murdoc’ chats with Ray Shasho


By Ray Shasho

Interview: Michael Des Barres, CD Review: Carnaby Street

Michael Des Barres is a perfect example of how perseverance, hard work, and a positive outlook, can achieve many of life’s yearnings. Michael is an incredible story; he embraced his passion for the arts and has never looked backed.

Acting lessons at the Corona Stage School led to a supporting cast member role as “Williams,” a London East End pupil on the 1967 British drama, To Sir, with Love starring Sidney Poitier. Besides acting, Michael loved music, especially American blues and rock ‘n’ roll. He formed his first band called the Orange Illusion in his teen years.
In 1972, Michael Des Barres became frontman for British glam rockers and cult icons Silverhead. The band eventually signed with Purple Records (owned by Deep Purple) and released two essential albums, Silverhead (1972) and 16 and Savaged (1973).
Silverhead became a significant role model for future generations of glam rock groups.
 
After the premature disbanding of Silverhead, Michael Des Barres formed Detective. The band was signed to Led Zeppelin’s Swan Song label by legendary guitarist Jimmy Page in 1975. Detective featured guitarist Michael Monarch (Steppenwolf) and Tony Kaye (Yes). The group recorded three studio albums, Detective (1977), It Takes One to Know One (1978), and their third album was recorded on Atlantic Records but never released. (Michael remains friends with Jimmy Page and Robert Plant).
During this time Michael Des Barres appeared on the WKRP in Cincinnati television episode “Hoodlum Rock” as the infamous Sir Charles 'Dog' Weatherbee of the band Scum of the Earth. (Rob Zombie released a song called “Scum of the Earth” in 2000, and a heavy metal band by the name of Scum of the Earth was formed in 2003).

After the break-up of Detective, Michael Des Barres teamed up with Ex-Sex Pistol guitarist Steve Jones to form Chequered Past. The line-up also included bassist Nigel Harrison and drummer Clem Burke from Blondie, and guitarist Tony Sales formerly of Utopia. (The band recorded one album together called Chequered Past). Des Barres also became the lead singer of the touring and Live Aid version of The Power Station, a Duran Duran spin-off band.

Michael Des Barres penned the world-wide hit “Obsession” with Holly Knight, which became a huge hit for the LA new wave group Animation in 1985.

Des Barres states that he loves performing in front of a live audience in a rock ‘n’ roll band, but he’s also in love with all the arts, and in many shapes and forms. He’s also an accomplished actor and probably best known for playing the infamous villain ‘Murdoc’ on the popular TV series MacGyver and ‘Alex’ in the movie Pink Cadillac.
Michael has appeared in countless film, television, voice-over and stage roles and his credits are awe-inspiring. Visit http://www.imdb.com/name/nm0220735/ for a complete listing of his credits.

At 64, Michael Des Barres continues to amaze, mystify and diversify.
In April of 2012, Des Barres reunited with Silverhead and all his old mates for the first time in 38 years. The band performed to standing room only audiences in Japan. He’s also recently appeared on the television series The Finder, Suits, and the motion picture California Solo.

More impressively, Michael Des Barres returns to his mid- 1960’s roots with an incredible hard-driving rock ‘n’ roll band initiated by old school elation. The new CD is entitled Carnaby Street and will be officially released on July 10th. Des Barres indicated, “I feel I’m part of a movement that is slipping away, I have something to bring to the table that is endangered of being swept under the carpet.”

After listening to Carnaby Street, two things became certain …rock ‘n’ roll needs Michael Des Barres and we need more Michael Des Barres. The band is incredibly tight and Des Barres’ vocals are majestic. Des Barres embellishes the essence of a ‘British rocker’ by epitomizing Rod Stewart, Noddy Holder and Steve Marriott all in one voice. It’s an incredible musical journey back to the swinging rock ‘n’ roll days of London. Carnaby Street is a natural flow of raw rock energy reminiscent to the days when rock was king. The Brits are back and ready to rock!
I had a chance to chat with Michael last week about the new CD, his inspiring music and acting career, his rock and roll mates, and creating opportunities in life.
I found Michael to be brilliant, receptive, spiritual, charming, and a bloody rocker to the end!

Here’s my interview with the iconic British glam rocker, singer, songwriter, guitarist, actor… Michael Des Barres, as he takes us back to the “Garden of Eden for rock ‘n’roll.”
Ray Shasho: Hello Michael, how are you?
Michael Des Barres: “I’m good man, how are you?”
Ray Shasho: It’s great to be chatting with the original frontman for Scum of the Earth.
Michael Des Barres: “(All Laughing!) I get stopped for many reasons but that was definitely one of the top five. It seemed to define some sort of a Spinal Tap moment for the punk generation. It had an amazing penetration in the media … and it stayed there. That show was so much fun to do.”
Ray Shasho: Michael, I want to say congrats on such an awesome and inspiring career. I’ve heard you talk about how you’ve obtained one of your first acting roles on “To Sir With Love” but it seems you’ve created so many great opportunities for yourself in the entertainment business, how was that possible for you?
Michael Des Barres: “I think you hit the nail on the head in terms of creating opportunities. I think the way you create opportunity is to believe … it wasn’t a choice to be an artist it was something that I never ever questioned. I really knew deep within that what I wanted to do most was express myself in whatever form. I could have done a sculpture, been a painter, taken photographs or whatever, there was something inside that I wanted to get out and the universe provided these wonderful ways of doing it. I never really gave it that much thought, right now I’m sounding too metaphysical for my own good. But I do believe that if you really have faith, and you trust that you have something to offer the world, you will be given that opportunity.”

“But I did work very hard … I was in boarding school for eight years and spent a lot of time reading, because I didn’t have parents, and I spent a lot of time alone. So I took advantage of my education and read everything that I could get my hands on. By the time I was 15 or 16, I knew kind of where I wanted to go. I loved the blues and I loved Shakespeare. Loved Oscar Wilde and loved Elvis, and there was this strange hybrid of influences. I wanted to act and went to drama school. Within months we were given the opportunity to work on To Sir with Love in 1967, which was a huge international success, and I tasted it, and saw what it was like, and saw how Sidney handled himself. Connery was doing Bond at the same time, so I was exposed to great charismatic actors very early on and knew the parameters of what could happen and how it could be done, so I watched and studied them. After the movie I did a lot of theater which gave me a defining discipline, which when I got addicted to everything you could become addicted to, I still had that skeleton of discipline.”
Ray Shasho: Blues and Shakespeare, Michael you are a genuine renaissance man.
Michael Des Barres: “Yea, you know … Muddy Waters and Hamlet that about sums it up. Art is both inspired and inspiring and that’s all ever wanted to do.”
Ray Shasho: I want to chat about your new CD Carnaby Street. Your voice sounds amazing man; it’s a great album, stick to being a rocker for awhile because today’s music scene really needs you.
Michael Des Barres: “You’re so incredibly kind to say that. You know what I do … I’ve been killing people on TV for years (laughing) and “Murdoc” was very good to me and I love my career as an actor… however… really what I want to do is stand on the stage of a club anywhere and plug my guitar in and sing the f-ing blues. And it’s really all I want to do. The words and feel of Carnaby Street is freedom through music… liberation with three chords. You can liberate yourself in the most simplistic way. My music is no way ironic, sarcastic, aggressive, sentimental or apologetic … it’s below the waist music. Rock ‘n’ roll is a euphemism for f-ing and dancing. And by saying that I don’t mean to be crude, I’m just saying perhaps that has been lost on a generation raised on Wellbutrin and Prozac.”

“Jack White and the Stripes, The Black Keyes, Alabama Shakes, there are innumerable bands that play authentic and genuine rock ‘n’ roll music. And I don’t mean I’m the head of an army of authenticity because I believe there are many people doing it. But I just want to add my take on it since I was there. I mean there were very few people singing rock ‘n’ roll music in 1967 at many nightclubs, and are still doing that. I am a rare breed by that definition.”
Ray Shasho: 'Carnaby Street' is just a natural flow of raw rock ‘n’ roll energy and reminiscent to the days when rock was king.
Michael Des Barres: “I recorded and mixed it in 10 days. Everything you hear on that record was done in the moment. There were perhaps backup vocals but no overdubs on the album. That album was done because my band is so extraordinary and so in love with that music. You don’t THINK when you’re playing that music. Everything you hear is one take. I wrote all the tunes and collaborated with the very talented country artist Jesse Dayton. I stayed in Austin, Texas for a month writing this album and met Jesse, and he was all about the music and very inspiring. And the rest of the record I wrote with Paul Hill, who is my bass player, and unbelievably talented. He’s Linda Perry’s bass player for all her productions, Tina Turner, James Blunt … the list is endless. And he has the same DNA as I do, as does the rest of the band. I’m very proud of the album and you’re the first person who I’ve spoken to who has heard it. It hasn’t even been sent out particularly yet, so I do appreciate your diligence.”
Ray Shasho: I’ve always been a huge fan of British rock … another reason why I love this CD.
Michael Des Barres: “Well that’s what it is … that’s why it’s got a Union Jack on the cover, and why I called it Carnaby Street. When I was a kid … 15, 16, 17, I would go and see Georgie Fame, Alexis Korner, Long John Baldry … Rod, Terry Reid, Beck, and then Hendrix and so on and so on. So when I was acting my little ass off, I was listening and so taken by the revolution that was happening every minute. Can you imagine what it was like in London in 1967? It was everything you think it was. Every ten feet was a gorgeous girl, with a gorgeous boy, in gorgeous clothes, listening to stunning music. It was the Garden of Eden for rock ‘n’roll.”
Ray Shasho: You’re kind of a cult figure because of the TV character ‘Murdoc’ on MacGyver, but you also have cult status for being the frontman in the bands Silverhead and Detective. Why were those incredible bands short-lived?
Michael Des Barres: “Well one word and you’ve heard it before, it begins with D and ends with S. And that’s the reason. I look back at those days and don’t regret the fact that we didn’t sell 25- million albums, for me they were some of the best rock and roll bands ever. I’m so proud of being a member of those bands and what we were capable of… even in those circumstances.”

“We were 19 in Silverhead and never experienced about going to Japan or the states, and the temptations were so incredible and we succumbed to them. In Detective we were sponsored by Led Zeppelin at the height of their decadence, so the fact that we even put an album out is a miracle. We were very indulgent and addictive and we succumbed to those things. But even given those circumstances, we made some great records and people have enjoyed them. But all I know is that I’m happy. I’m happy it happened because I’ve learned a lot about what life is.”

“The fact that I’m doing this now …money is not the issue, it’s not like I’m hungry to pay my rent, I’m doing this for the fact… I feel I’m part of a movement that is slipping away. I feel I have something to bring to the table that is endangered of being swept under the carpet.”
Ray Shasho: I heard Rod Stewart, Steve Marriott and Noddy Holder on Carnaby Street.
Michael Des Barres: “I think Noddy Holder was the best of them all. Noddy Holder had the greatest, humorous, bluesy voice of any of them. I have the deepest respect for Noddy, we came up at the same time and I adored him. His voice was like Steve’s … so big. Silverhead opened for Humble Pie a couple of times and I would just sit there and be astonished at this little tiny fellow and this incredible voice. Recently, I did a gig with Jerry Shirley and a tribute to Humble Pie. Steve was an actor, he went to drama school and played the Artful Dodger, we’d all go on auditions before the world changed and everyone was in high heels and eye makeup.”
Ray Shasho: I think you’re one of the only singers around that can hit the same notes like they could.
Michael Des Barres: “I find it really easy for some reason. (Laughing) I’m 64, and a few years ago when I decided I was going to make a record, I played every nightclub that would let me play and my voice came back, still stronger than ever.”

“It’s interesting, Robert Plant has remained a really good friend, and I love him and Jimmy you know, and there’s a reason he doesn’t want to sing those songs anymore. He turned to me one day and said, “I just can’t sing about lemon juice down my leg anymore …I just can’t do it, it would be like a 15 year old playing Romeo.” And he’s the one that has been incredibly creative with his career.”
Ray Shasho: I enjoyed the interview you did on You Tube with Pete Townshend and Gene Simmons. Did you have your own radio show too?
Michael Des Barres: “I was asked once but didn’t enjoy it very much. I love Gene, and Pete is a God you know, and love to interview people as you do, it’s a wonderful conversation to have but I don’t want to do it every day. I love to work and I have to work … it’s a compulsion.”
Ray Shasho: The Silverhead reunion this year in Japan had to be a blast.
Michael Des Barres: “Thirty-eight years I haven’t seen these guys… accept for Nigel. We all live in different countries so we had to regroup in Tokyo. Picture this… walking into a room in Tokyo with all the gear there and all these glam kids outside screaming and yelling, and we walk in there and I see these guys that I haven’t seen in 38 years, and the first half an hour is … I’m so sorry that I slept with your girlfriend … and it’s all very intimate, but within a half an hour its turn the f*** down I can’t hear myself! We only rehearsed for three days and to grasp it all in that short time frame was not an easy thing.”

“With Silverhead, we were always the band that was trying to seduce the audience; we were touring with Uriah Heep, Deep Purple etc. Always trying to win the audience over … skinny little bastards with makeup on in Mobile, Alabama in 1972 … we were a target for the boys and a different kind of target for the girls. We had a big bulls-eye on our ass!”

“When we went to Japan a few months ago and we played, everybody new every syllable to every song and for the first time in our lives, they knew who we were. It was a phenomenon and shocking to us. After that first gig, Robbie was in a corner literally with tears flowing down his cheeks. It was a very emotional closure for the band. We would have never experienced the closure if we would have gone on to make multiple albums in that one band …it would have been a different life.”
Ray Shasho: You’re the second rock star that I’ve interviewed who played a part in Seinfeld. Joe Lala of (Blues Image, Stephen Stills and Manassas), was in “The Face Painter” episode. He’s the only rocker who I know that became a veteran actor besides you. I know David Bowie and Mick Jagger played some parts but not to the extent of you and Joe.
Michael Des Barres: “I worked with Mick … I did The Man from Elysian Fields with him and Andy Garcia, James Coburn… and he was fantastic in it … great movie!”
Ray Shasho: I hope Mick and the Stones can do one more tour … maybe a goodbye tour of some sorts.
Michael Des Barres: “I don’t think it will be a tour per se, they’ll probably do 10-12 cities, 2 or 3 nights in those cities and call it a day. Maybe not even a tour, they might do a satellite thing. I can’t imagine Keith, Charlie is 71 now; I just don’t see them doing a year and a half of vigorous touring. I imagine they’ll do selective cities or a satellite show.”
Ray Shasho: You’re still good friends with Jimmy Page, how’s he doing?
Michael Des Barres: “Great… unbelievably well. Joyous, doesn’t live in the past, lives in the moment and does his thing. I would love to make an album with Jimmy. I’ve said many times to him let’s do it. But right now this record Carnaby Street is terribly important to me and I think people are going to be shocked about how I’m singing, what the songs are, and a bit of a revelation for people who didn’t get it the first time.”
Ray Shasho: Did you actually turn down singing the role for Judas on the soundtrack of Jesus Christ Superstar?
Michael Des Barres: “I did yea. The last thing I wanted to do back then was to go into a studio at 3:20 and sing “What’s the buzz tell me what’s a happening.” There was no way that I had the discipline at that time, because I was learning about life, sex, love and how to go f*ing wild. I didn’t want to have to show up at a particular time and do someone else’s work. I wanted to create my own work.”
Ray Shasho: Michael a final question, you are incredibly fit, how do you do it man?
Michael Des Barres: “It’s very simple … I get up very early and drink a gallon of black coffee, then read about myself on the internet(laughing), then go to the gym and do my cardio … don’t have a trainer I know exactly what I’m doing. An hour and fifteen minutes in the gym, come home and shower, sit-down with a guitar around my neck or some lines to learn and get on with the work. In terms of food … I don’t eat sugar, potatoes or bread. I eat lean fish, no red meat, eat a lot of vegetables and fruit, and drink a lot of water. But I strongly suggest that sugar is the worst thing you could do. I just love being able to walk down the street with my head held high, my shoulders back, Buddy Guy in my iPod, and the love of a good woman.”
Ray Shasho: Michael, thank you so much for spending time with me today and more importantly for all the great rock ‘n’ roll music you continue to bring to us all.
Michael Des Barres: “Thank you so much Ray and have a GREAT day!”

The new release from The Michael Des Barres Band Carnaby Street will be officially released on July 10th and is available for pre-order at amazon.com or www.desbarres.com
Michael Des Barres official website www.desbarres.com
Special thanks to the great Billy James at Glass Onyon PR
Official website http://glassonyonpublicity.wordpress.com/

Contact Classic Rock Music Reporter Ray Shasho at rockraymond.shasho@gmail.com

Buy Ray’s very special memoir called ‘CHECK THE Gs’ -The True Story of an Eclectic American Family and Their Wacky Family Business… You’ll LIVE IT!
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~~Pacific Book Review says Ray Shasho is a product of the second half of the 20th century, made in the USA from parts around the world, and within him is every trend in music, television, politics and culture contributing to his philosophical and comically analytical reflections collected in his fine book of memories. I found Check the Gs to be pure entertainment, fantastic fun and a catalyst to igniting so many memories of my own life, as I too am within a few years of Ray. So to all, I say if you have a bit of grey hair (or no hair), buy this book! It’s a great gift for your “over-the-hill” friends, or for their kids, if they are the history buffs of younger generations trying to figure out why we are the way we are.

© Copyright rayshasho.com. All Rights Reserved

 
 

 

Saturday, June 23, 2012

Eric Johnson: An extraordinary and diverse guitarist with rock fusion mastery


By Ray Shasho

Interview with guitarist Eric Johnson
Texan, singer, songwriter, producer and guitar player extraordinaire Eric Johnson will be launching his worldwide tour from Florida. Johnson will be performing at five different Florida venues before traveling to the Netherlands, UK and Italy. The tour returns back to the U.S. in August. The tour kicks off in Pensacola on June 26th with a stopover in Clearwater at the Capitol Theatre on Saturday June 30th. For tickets visit www.rutheckerdhall.com.
Eric Johnson released his sixth studio album in late 2010 entitled Up Close. The 15-track disc features guest performances by Steve Miller, Jimmie Vaughan, Sonny Landreth, Jonny Lang and Malford Milligan. The recording is also available on 12 inch vinyl at www.ericjohnson.com.
 
Eric Johnson began playing guitar at the age of 11. He played with his first touring band in 1968, a psychedelic group called Mariani. The band shared the bill with ZZ Top and Bloodrock in their home state of Texas. Johnson was trained in classical music but was heavily influence by the guitar styles of Jimi Hendrix and hard rock rhythms of Led Zeppelin. In 1974, he joined a rock/jazz fusion group called The Electromagnets. The Magnets shared the stage with bands like Kiss and Mahogany Rush.

Eric Johnson recorded Seven Worlds his first solo album after the band’s break up.
Johnson later became a highly sought session guitarist working with legendary artists Cat Stevens, Carole King and Christopher Cross to name a few. In 1986, his critically acclaimed album Tones landed him on the front cover of Guitar Player Magazine. The cover story about Johnson heightened his credentials in the music world and brought the virtuoso critical praise. The album’s track “Zap” was also nominated for a Grammy Award for Best Rock Instrumental Performance.

In 1990, Eric Johnson released his platinum selling third album Ah Via Musicom. His illustrious recording of “Cliffs of Dover” won him a 1991 Grammy Award for Best Rock Instrumental Performance. (“Cliffs of Dover” currently has almost 9-million views on You Tube).

In 2005, Eric Johnson’s fifth studio release Bloom generated a fifth Grammy Award Nomination. Johnson was invited to play on Joe Satriani’s G3 Tour, The Crossroads Guitar Festival and the Experience Hendrix Tour. Johnson can please any audience because he enjoys playing any genre. He’s usually spotlighted for his electric performances, but Johnson is an exceptional acoustic player as well. I had the opportunity to chat with Eric this week about the tour and his intensifying career.

Here’s my interview with the Grammy Award winning guitar virtuoso, singer, songwriter and producer Eric Johnson.
Ray Shasho: Eric, thank you for being on the call today, how’s everything in Texas?
Eric Johnson: “Hey Ray how are you, everything’s good.”
Ray Shasho: So you’re headed over to Florida pretty soon?
Eric Johnson: “Yea, we are… we’re going to come play a few dates there and then go over to Europe and play there for a few weeks.”
Ray Shasho: It’s a rarity that major tours get launched from Florida, was there a specific reason you chose us … just got good vibes maybe?
Eric Johnson: “We were there a few months ago on the Hendrix Tour and talking to some people about bringing our own show there. So we kind of had that in the back of our minds and we had some time before going over to Europe, and I really hadn’t played in Florida for awhile so I thought we’d better go play some.”
“The Hendrix shows was a fun tour. It’s always nice to play Hendrix’s music and especially for some of the kids who aren’t familiar with his music, so it’s really good for them.”
Ray Shasho: I’d hate to imagine younger generations not wanting to learn about previous music eras, artists and cultures. I knew all about my parent’s generation and actually embraced it. I saw Sinatra and his incredible band five times in concert.
Eric Johnson: “Yea, there were some great musicians that they listened to; I really appreciate it even more now. What’s interesting is how music has evolved and so digitally processed, and you go back and listen to that stuff that was our parent’s music and it’s just amazing. If you take that same spirit and same music but put it into more of a modern rock context … it would smoke anything out there. There wouldn’t be anything that could hold a candle to it. Maybe the only thing that keeps it from being competitive and blowing everything away is just the fact it’s a different style of music that maybe a lot of people don’t relate to. But the musicality, the energy level and spontaneity of it is almost incomparable in this century.”
Ray Shasho: I’m guessing you don’t like to commit to playing a certain genre of music… and prefer it that way?
Eric Johnson: “Yea, kind of … because I just love all styles of music and being open and learning from it.”
Ray Shasho: So Eric … how many guitars do you own?
Eric Johnson: “I only own half as many as I use to, guess somewhere around 17 or 18. What’s interesting is that I get more enjoyment having less guitars and stuff because I like having everything adjusted just right so it works well, and so it drives you nutty. If you’ve got tons of stuff and your trying to keep everything working well you don’t get enough time to do anything but being a custodian. So I just got tired of that and decided I was more interested in making music than collecting guitars.”
Ray Shasho: I was always fascinated by musicians who tinkered with their equipment and experimented to create new sounds. How involved do you get personally in reinventing the wheel?
Eric Johnson: “Probably way too involved. (All laughing) You know there are some happy accidents out there or some interesting combinations that can make some real magic and so you keep chasing it …it’s like a gold mine. And you know when you can hear something and its real special … whenever that happens and experience that, it’s like going to the mountaintop, and it’s hard to live in the valley from then on because you’re always trying to stay on the mountaintop. But it’s kind of a double- edged sword; it can be keeping you away from what you need to be really doing.”
Ray Shasho: Do you have a signature guitar or amplifier developed and out there?
Eric Johnson: “I do … I have my own guitar out now and effects peddle and speaker out and I’ve been thinking about doing amplifiers, got a couple of amps that we’re thinking about maybe doing.”
Ray Shasho: I noticed that “Cliffs of Dover” currently has almost 9-million views on You Tube. Would you say that “Cliffs of Dover” was kind of like your “Stairway to Heaven?
Eric Johnson: “I think so yea, and it was just a tune that came to me really fast. I recorded it and played it for a friend and he said that’s kind of nice. And I said I don’t know what to call it. He said it sounds regal, why don’t you call it “Cliffs of Dover.” So I said … okay.”
Ray Shasho: The Alien Love Child was a very successful side project.
Eric Johnson: “Yea, that was a live thing we did, we recorded two or three nights at Antone’s and chose which of the three nights we liked. That was a fun band and a lot of improvisation.”
Ray Shasho: You were invited to play on the G3 Tour a bunch of times and also invited to play at The Crossroads Guitar Festival. Who were some of the artists that you shared the stage with?
Eric Johnson: “I did the first year… John Mayall, Steve Vai, Sonny Landreth, Billy Gibbons, John McLaughlin and of course Eric Clapton, Jeff Beck.”
Ray Shasho: I knew you were playing guitar professionally at an early age, but wasn’t aware that you toured with so many legendary bands.
Eric Johnson: “I started playing professionally when I was 13, joined Mariani at 15, and got into the Electromagnets when I was 19. But we played with bands like Mahogany Rush, Captain Beefheart and Kiss.”
Ray Shasho: If given the opportunity…what artist would you like to collaborate with?
Eric Johnson: “Stevie Wonder, I’ve always been a big fan of his … yea that would be cool.”
Ray Shasho: Eric, I hope to see you in Clearwater on June 30th and I may just write a review of the show.
Eric Johnson: “I’ll make sure that I tune up that night. And make sure you come on back and say hello.”
Ray Shasho: I sure will …thanks’ Eric see you in Florida.

Visit Eric Johnson’s official website at www.ericjohnson.com
Eric Johnson’s Florida concert dates … June 26- Pensacola, June 27 -Ponte Vedre, June 28- Orlando, June 29- Ft Lauderdale, June 30- Clearwater.
Order Eric Johnson’s latest CD Up Close on his website or at amazon.com
Buy tickets for guitar virtuoso Eric Johnson in concert at the Capitol Theatre in Clearwater Fl at www.rutheckerdhall.com
Special thanks to Chipster PR at www.chipsterpr.com

 Contact columnist Ray Shasho at rockraymond.shasho@gmail.com
 Order author/columnist Ray Shasho’s exciting new memoir ‘Check the Gs’ at amazon.com or barnesandnoble.com Available on Kindle or Nook for ONLY .99 Cents!
 ~Pacific Book Review says… I found Check the Gs to be pure entertainment, fantastic fun and a catalyst to igniting so many memories of my own life, as I too am within a few years of Ray. So to all, I say if you have a bit of grey hair (or no hair), buy this book! It’s a great gift for your “over-the-hill” friends, or for their kids, if they are the history buffs of younger generations trying to figure out why we are the way we are.

© Copyright rayshasho.com. All Rights Reserved

 
 






Monday, June 18, 2012

Happy Together Tour draws another packed house at Ruth Eckerd Hall in Clearwater


By Ray Shasho

Happy Together 2012 Concert Review

Your hometown “Boss Jock” excitedly babbled over the airwaves about the latest hit record to enter his hot “Stacks of Wax” while you listened impatiently on your pocket-sized AM transistor radio held close to your ear. Your next move was to rush down to the nearest record store and grab a 45 rpm copy for less than a buck before the store sold-out. Then you dashed back home or over to a friend’s house where it was played over and over again on a portable record player and practically wearing down the enduring stylus beneath the pivoting tone arm. There were no MP3s or Smartphones, just an uncomplicated time when the music meant more than the technology.

 The Happy Together concert brought it all back in a single evening of personal gratification and appreciation for some of those artists that helped mold a very important generation. For about three hours last night, a packed Ruth Eckerd Hall rekindled its youth and stopped the proverbial clock from ticking.

The evening began promptly at 7:30 p.m. with the introduction of The Buckinghams. Original bandmates guitarist/vocalist Carl Giammarese and bassist/vocalist Nick Fortuna performed one of the tightest performances of the evening and their vocals were superlative. The Chicago band was often mistaken for a British group in the 60s because of their name, led off with their 1967 (#6) Hit “Don’t You Care.” In 1967 The Buckinghams were dubbed “The Most Listened to Band in America,” by Billboard Magazine. Their set continued with (#12) Hit “Hey Baby (They’re Playing Our Song)” and (#5) Hit “Mercy, Mercy Mercy.” Giammarese romantically singled out a woman sitting in the front row during “Susan” (#11) Hit. The Buckinghams concluded their set with their number (#1) Hit single “Kind Of a Drag” followed by a well deserved standing ovation.

Immediately after The Buckinghams exited the stage the PA announcer introduced The Grass Roots. The Roots are an interesting story, spotlighted by guitarist Dusty Hanvey and bassist/lead vocalist Mark Dawson. There are no original members of The Grass Roots in the band remaining. The heart and soul of The Grass Roots was frontman and leader Rob Grill who passed away in Orlando, Fl before last year’s Happy Together Tour. But nevertheless they are still a very good band. Dusty Hanvey’s guitar solo is definitely a highpoint on the tour, as it were last year. Hanvey is an exceptional guitarist who could probably match licks with most classic rock virtuosos. The Grass Roots opened with their (#16) Hit “Two Divided By Love” and (#9) Hit “Sooner Or Later.” Probably the biggest moment of the show came when the band harmonized a beautiful and haunting arrangement to all the veterans which quickly integrated into their (#8) Hit “Let’s Live For Today.” You could almost feel Rob Grill’s presence smiling down from the heavens. Dusty Hanvey’s solo during the song was remarkable and Dawson’s vocals were admirable. The band concluded their set with (#15) Hit “Temptation Eyes” and the bands biggest Hit (#5) in 1968 “Midnight Confessions.”

Without skipping a beat Gary Puckett arrived on stage. Puckett won the most youthful-looking prize for the evening and was remarkably fit. Puckett opened with one of many of his 1968 chartbusting hits “Lady Willpower” (#2) Hit, followed by “Over You” (#7) Hit. Puckett schmoozed the audience as a seasoned entertainer should. The Union Gap frontman lives in the Clearwater area so he had family and friends in the audience. Puckett mentioned that he was introduced recently at a Martin Short show at Ruth Eckerd Hall. Puckett’s next selection was “This Girl Is A Woman Now” (#2) Hit in 1969, followed by “Woman, Woman” #4 Hit in 1968, which Puckett said has reached the 16-million mark in total sales. Gary Puckett’s most memorable moment of the evening came with his performance of “Home” a tune dedicated to all the men and women defending our country. The song was accompanied by a heartfelt tribute film to the vets and received a huge standing ovation. Prior to the song, Puckett asked all the veterans in the audience to stand up and be recognized, and he thanked all of them while the audience applauded their accolades. Gary Puckett ended his set with “Young Girl” his #2 Hit from 1968.
Ray's interview with Gary Puckett can be found here www.examiner.com/article/an-interview-with-music-legends-micky-dolenz-ga...

After a short intermission it was time to bring out a Monkee. An exhilarated Micky Dolenz bounced out on stage as if he were still performing on The Monkees hit TV show. Dolenz definitely had the loudest crowd reception of the evening for an introduction. Wearing hat and sunglasses Micky belted out the Boyce and Hart penned 1966 tune “(I’m Not Your) Steppin’ Stone” (#20) Hit, followed by “She.” Dolenz proclaimed to the audience that the next tune was the one that started it all for The Monkees, then Micky performed a marvelous rendition of “Last Train To Clarksville” The Monkees (#1) Hit in 1966. Dolenz dedicated his next few selections to his former bandmate and close friend Davey Jones who passed away in February of this year. The Ruth Eckerd audience became fixated on a slideshow of Jones while Dolenz sang a few of Davey’s trademark tunes “Daydream Believer” (#1) Hit and “A Little Bit Me, and A Little Bit You” (#2) Hit on the Billboard charts.
Dolenz also thanked all the great writers of Monkees songs including Neil Diamond, Boyce and Hart, and on his next song, “Pleasant Valley Sunday” a Carole King penned composition. Micky Dolenz concluded his set with “I’m A Believer” The Monkees (#1) Hit in 1966.
Ray's interview with Micky Dolenz can also be found here www.examiner.com/article/an-interview-with-music-legends-micky-dolenz-ga...

After Micky Dolenz finished his set “Flo and Eddie” of The Turtles were introduced on stage. Professor Mark Volman (Belmont University) and Howard Kaylan repeated the Lady Gaga skit of last year and then opened their show with “She’d Rather Be With Me” (#3) Hit, followed by “You Baby.” “It Ain’t Me Babe” a Top Ten Hit in 1965 penned by Bob Dylan was performed next and always a crowd pleaser. The strongest tunes of their set were “Elenore” 1968 (#6) Hit and “Happy Together” (#1) Hit in 1967 knocking The Beatles “Penny Lane” from the number one position. The Turtles are always an exciting act to watch.
Ray's interview with The Turtles Mark Volman www.examiner.com/article/the-turtles-profound-witty-professor-mark-volma...

For the evening’s music finale, each artist was brought back to the stage one by one to sing their biggest hit song with the rest of the performers.
The Happy Together Tour has been delighting audiences since 1984, and last night’s packed house made it evident that there is a continued need for nostalgia entertainment. And after all, how can you go wrong when you’re featuring five of the greatest bands of the decade singing over 25 hit songs. It was a fun and entertaining evening for all.

Special thanks to everyone at Ruth Eckerd Hall and especially Katie Pedretty.
Also very special thanks to Jeff Albright of the Albright Entertainment Group.
For future Ruth Eckerd Hall and Capitol Theatre events go to www.rutheckerdhall.com
Contact author/columnist Ray Shasho at rockraymond.shasho@gmail.com

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