1943-2023
Legendary Keyboardist
Singer...Songwriter...Composer
S P O O K
Y T O O T H
THE
DREAM WEAVER
‘THE LOST INTERVIEWS
with RAY SHASHO’
EPISODE 4
CLICK
BELOW
TO LISTEN TO THE ENTIRE INTERVIEW!
Gary Wright is a celestial keyboard virtuoso, idyllic songwriter, and vocalist with powerful soulful pipes. Wright is an innovator of the synthesizer and over the years has managed to condense his many synthesized melodies into a single keyboard strapped around his neck. Although born and raised in Cresskill, New Jersey, Wright founded the British rock group Spooky Tooth in 1967. Wright would later become most recognized for his two solo hit singles “Dream Weaver” in 1975 and “Love Is Alive” in 1976. Gary Wright will be joining the ‘Sail Rock 2013’ tour along with Christopher Cross, Orleans, Firefall, John Ford Coley, Robbie Dupree and Player beginning August 5th in West Allis, Wisconsin. Visit Pollstar.com for all the latest concert dates.
SPOOKY TOOTH: Gary Wright joined the band 'Art' in 1967. The ‘V.I.P.’S’ morphed into 'Art' after several lineup changes since its inception in 1963. The British R&B music ensemble had featured various distinguished musicians including Mike Harrison, Greg Ridley, Jimmy Henshaw, Keith Emerson, Luther Grosvenor, Walter Johnstone and Mike Kellie. Keith Emerson (The Nice, ELP) left in 1967 when the name was changed to Art. The band eventually turned into Spooky Tooth with a lineup of Wright (organ, keyboards, and vocals), Harrison (vocals, keyboards) Ridley (bassist), Grosvenor (guitar, vocals) and Kellie (drums). In 1968, Spooky Tooth released their debut album entitled … It’s All About. The album featured covers by Janis Ian and Bob Dylan. Most of the other tracks were either written or co-written by Gary Wright. The bands next release Spooky Two (1969) released on Island Records was hailed by critics as one of their finest recordings. The album featured many of the bands standards including “Evil Woman” and “Better by You, Better Than Me” a tune written by Wright and eventually covered by Judas Priest in 1978. Spooky Tooth quickly became a highly sought concert attraction and a mainstay on progressive rock radio. The band shared the stage with such legendary music acts as Jimi Hendrix and The Rolling Stones. Bassist Greg Ridley left in 1969 to join Humble Pie, Andy Leigh replaced him. Also in 1969, the group released Ceremony (Spooky Tooth and Pierre Henry album) a progressive collaboration with the French electronic composer.
Session musician: Wright left Spooky Tooth briefly to produce albums for Traffic and Rolling Stones producer Jimmy Miller and his production company. Gary Wright became an esteemed session musician and was asked to play on George Harrison’s triple- album set All Things Must Pass (1970). Wright and Harrison began a long lasting friendship and musical collaboration that included Wright playing or sharing songwriting tasks on several of Harrison’s subsequent albums including … Living in the Material World (1973), Dark Horse (1974), Extra Texture (Read All About It) (1975), Thirty Three & 1/3(1976), George Harrison (1979), Cloud Nine (1987). The Last Puff album (1970) primarily featured Mike Harrison while Wright focused on other projects. The release featured an incredible cover version of The Beatles, “I Am The Walrus.” Joe Cocker Grease Band members Henry McCullough, Chris Stainton and Alan Spenner were brought into the studio to work on the album. In 1971, Gary Wright performed “Two Faced Man” with George Harrison on the Dick Cavett Show. He also played piano on Harry Nilsson’s #1 hit, a Badfinger cover tune entitled, “Without You.” In 1972, Gary Wright and Mike Harrison reformed Spooky Tooth with a different lineup. The new lineup featured future Foreigner founder and guitarist Mick Jones. Subsequent Spooky Tooth albums … (You Broke My Heart So I Busted Your Jaw (1973), Witness (1973), The Mirror (1974) and Cross Purpose (1999) (Reunion album without Wright, Greg Ridley returned). Spooky Tooth disbanded in 1974. Gary Wright and George Harrison visited India in 1974 as a guest of Ravi Shankar. Wright developed a long-term relationship with Shankar after the visit.The Dream Weaver album featured guest musicians …guitarist Ronnie Montrose, drummers Jim Keltner and Andy Newmark, Hammond organist David Foster and Bobby Lyle on additional synthesizers. In 1981, Gary Wright scored again commercially with “Really Wanna Know You” (#16 Billboard Singles Hit). Gary Wright Solo albums … Extraction (1971), Footprint (1972), The Dream Weaver (1975), The Light of Smiles(1977), Touch and Gone (1978), Headin’ Home (1979), The Right Place (1981), Who I Am (1988), First Signs of Life (1995), Human Love (1999), Waiting to Catch the Light (2008), The Light of a Million Suns (EP) (2008), Connected (2010).
In 2004, Wright, Harrison and Kellie reunited Spooky Tooth for several concerts in Germany. As a result of their triumphant return, they released the Nomad Poets DVD in 2007. The same lineup played a series of European dates in 2008. Most recently: Gary Wright toured with Ringo Starr and His All-Star Band in 2008. In 2010, Wright released his latest studio album entitled Connected and features guest artists … Ringo Starr, Joe Walsh and Jeff “Skunk” Baxter. Gary Wright is currently writing his 'memoir' for the Penguin Group and should be available sometime near the end of 2014. I had the great pleasure of chatting with Gary Wright recently about ‘Sail Rock 2013,’ Spooky Tooth, George Harrison, the music business, metaphysics and much-much more.
D R E A M
W E A V E R
Music, Meditation, and My Friendship with George Harrison
– October 2, 2014
by Gary Wright (Author)
Best known for his multiplatinum hits “Dream Weaver” and “Love is Alive,” Gary Wright came to prominence as a singer and songwriter during the golden age of rock in the 1970s. What is not as well known to the public, however, is Wright’s spiritual side. At the heart of this memoir is the spiritual conversion and journey that Wright experienced alongside his close friend George Harrison. Until Harrison’s death in 2001, the two spent decades together writing songs, eating Indian fare, talking philosophy, and gardening.
In
addition to featuring lyrics to a song cowritten by Wright and George Harrison
in 1971, titled “To Discover Yourself,” this memoir includes a cache of
never-before-seen photos.
THE ROCK STAR CHRONICLES
BOOK TRAILER
BOOK REVIEW
-By Literary Titan (5) STARS
The Rock Star Chronicles by Ray Shasho, is a splendid book written by a music enthusiast who has poured their heart and soul into it. It’s a story of a boy who loved rock music, and his obsessive passion of it earned himself the name Rock Raymond. He went to school but instead was schooled in all matters of music while his peers were buried chin-deep in coursework. He then became a radio DJ and has now compiled a book on all interviews he held with Rock gods who raided the airwaves back in the 70s and 80s. It’s a compilation of interviews with outstanding vocalists, legendary guitarists and crazy drummers in the rock music scene. Each interview gives a reader an in-depth view into their personal lives and the philosophies that guide their lives which all serve to humanize these great icons. For readers who are old enough to call themselves baby boomers this book will bring old memories back to life. Millennials, on the other hand, may think of this book as a literal work of the Carpool Karaoke show.
The Rock Star Chronicles is a book I didn’t know I was waiting for. To come across a book that will talk me into trying something new. One brave enough to incite me to venture into new frontiers. This book made me a believer- I am now a bona fide Rock and Roll music fan.
Ray Shasho masterfully gets the interviewees talking. He smartly coaxes answers from them with crafty questions designed to get a story rolling out of them. The artists talk about diverse issues ranging from music, politics, and their social engagements. Having been on the music seen all his life, Ray Shasho knows the buttons to press, how to get them comfortable about talking about their lives.
The book’s cover is befitting of its subject matter with the leather look offering a royal background to the golden letter print. It speaks to how high a level rock music holds in the pecking order- arguably, modern music as we know it has originated from blues and rock music. The second noteworthy thing is the use of high-definition pictures to reference the musician being interviewed in every sub-chapter. This ensures that the book is for both original rock and roll lovers and aspiring new ones. Together is makes for a refreshing and consistently enjoyable read.
I recommend this book to rock music enthusiasts, aspiring musicians wondering what it takes and all readers curious to learn new things by going back in time.
https://literarytitan.com/2020/05/03/literary-titan-book-awards-may-2020/
Gold Award Winner