By Ray Shasho
Jeff Beck captivated a packed Ruth Eckerd Hall on Friday night with his accustom array of impressive guitar licks and melodious intelligence. The Friday show was added by popular demand to appease the fans that couldn’t get tickets for Saturday’s sold out show.
It’s a thrill to be able to witness a genuine guitar hero before the hands of time converts him to folklore. There are very few guitarists that remain in the spotlight with a resume like Jeff Beck's.
At 66, Beck has already been inducted into the Rock & Roll Hall of Fame twice. He was first inducted as a member of the British Invasion/Blues/ Rock Innovators - The Yardbirds. (“Heart Full of Soul,” “I’m A Man,” “Shapes of Things,” “Over Under Sideways Down”) The Yardbirds were also known for employing three of the greatest guitarist in the universe- Eric Clapton, Jeff Beck and Jimmy Page.
Jeff Beck was inducted into the Rock & Roll Hall again as a solo performer in 2009. (Jimmy Page inducted Beck at the ceremony)
After Syd Barrett left Pink Floyd, Jeff Beck was asked to join the band. (Members of Floyd were extremely nervous about asking him and barely found the nerve) Beck declined and David Gilmour became Floyd’s guitar virtuoso and lead vocalist.
The first edition of the Jeff Beck Group included Rod Stewart and Ronnie Wood.
In 1972, he formed the hard driving Beck, Bogert & Appice.
By 1975, Beck’s masterpiece Blow by Blow was recorded fueling Beck’s Jazz-fusion exploits. The album was produced by Sir George Martin. (The Beatles)
Beck’s experimentations with eccentric guitar harmonies have both stimulated and fascinated his audiences over the years.
Jeff Beck has collaborated with rocks elite, including Jan Hammer, Tina Turner, Rod Stewart, Mick Jagger and Robert Plant’s Honeydrippers.
His latest albums are Jeff Beck Rock ‘N’ Roll Party (Honoring Les Paul) and Emotion & Commotion - Which was recently awarded two Grammy Awards for - Best Rock Instrumental Performance on “Hammerhead” and Best Pop Instrumental Performance for his arrangement of Puccini’s “Nessun Dorma.” Beck has won a total of eight Grammy’s in his lifetime.
Jeff Beck’s performance on Friday night was prodigious. Beck launched his set with “Plan B” from the album Jeff, an exciting futuristic space jam. Then Beck demonstrated his jazz/ rock grooves with a Billy Cobham cover called “Stratus.”
Beck jolted into “Led Boots” from his 1976 critically acclaimed album called Wired.
The mellifluous “Corpus Christi Carol” from the Emotion & Commotion album was Jeff’s next selection. Then Beck played his Grammy winning tune “Hammerhead” from the same album. The song’s Hendrix-like intro erupted into Beck's signature- orchestrated rock fusion- extravaganza, a brilliant measure.
“Mna na h-Eireann” an Irish tune (Considered as Irish rebel music) composed by Sean O’Riada, and a Chieftains cover song was played next. Rhonda Smith’s bass performance was prominent during the song.
“People Get Ready” a 1965 classic by Curtis Mayfield and The Impressions was rendered. Beck’s version is noted for his collaborations with Rod Stewart.
More electrified rock/jazz/funk amalgamation was executed with “You Never Know” form the 1980- There and Back album.
Then Jeff Beck transformed his audience back to a period perhaps when American blues were first created with his own rendition of “Rollin and Tumblin” a Muddy Waters cover tune.
“Big Block” from the 1989 album Jeff Beck’s Guitar Shop was featured next on the bill.
“Over the Rainbow” the Judy Garland cover ballad from The Wizard of Oz was Beck’s melancholy guitar wizardry entry that rained tears upon the Ruth Eckerd audience.
A reluctant Beck didn’t want to perform the next selection but was convinced to do so by his drummer who also sang the vocals. The song "Little Wing" is a Jimi Hendrix composition from the Axis: Bold as Love album. It was great to hear a Hendrix classic played by Beck, another axe-master.
Then Beck played “Blue Wind,” from the Wired album. The tune is a convoluted piece of fusion that one could almost swear spoke to you in a human voice rather than musical tone.
Beck’s following selection was “Dirty Mind” from the 2001 release- You Had It Coming. A tune composed with Robin Trower-like guitar riffs. A space-aged version of the blues followed next with “Brush with the Blues.”
Jeff Beck's final song before the encore was the Lennon/McCartney penned classic “A Day in the Life.” A remarkable interpretation beautifully composed and overwhelming the Ruth Eckerd audience to its feet.
Beck returned for an encore and played the Alfred Drake cover tune “How High The Moon” from the album Jeff Beck Rock ‘N’ Roll Party (Honoring Les Paul) followed by Sly & The Family Stone’s, “I Want To Take You Higher.” Beck concluded the evening with his Grammy winning and surreal rendition of “Nessun Dorma” from the album Emotion & Commotion.
Although my personal favorites, "I'm Going Down," "Beck's Bolero," "Cause We've Ended As Lovers" and "Thelonius" were not featured tonight, I was still thoroughly inspired by the performance of guitar legend Jeff Beck.
Beck has been and continues to be one of the greatest guitarists on the planet. And it wouldn’t surprise me one bit if someone had said, “I just saw Jeff Beck climb into a spaceship to perform at another universe.”
I'd like to thank photographer Mark Weaver and the entire staff at Ruth Eckerd Hall.
Order my new book Check the Gs- The True Story of an Eclectic American Family and Their Wacky Family Business. You can get your copy here. Available for Kindle.
Monday, May 16, 2011
Tuesday, May 3, 2011
Kansas and the Little River Band Rock at Fun ‘N Sun Fest
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Kansas Guitarist Richard Williams and Author Ray Shasho |
By Ray Shasho
The Fun 'N Sun Festival at Coachman Park in Clearwater celebrated its 58th consecutive year with two Classic Rock Heavyweights presented by Q105. It was just another perfect day in paradise shared with the Australian formed Little River Band and Don Kirshner protégé Kansas.
Thousands gathered to celebrate a day in the sun with Classic Rock & Roll. The atmosphere was definitely laid back. It almost felt like a day at the beach. Everyone brought their chairs and blankets. But if you didn’t bring a chair along, no problem, you could rent one for just five bucks.
The gates opened at 1:30 and there were plenty of activities, food, drink, and spirits to keep everyone occupied till Showtime. At 4:20 the crowd was entertained by a Journey tribute band called Departure. The band was tight and reminisced back to the good old days of charismatic lead singer Steve Perry.
At 6:00, the sun worshippers seemed to come alive and began to revel with the introduction of the Little River Band. Although the group has had numerous personnel changes over the years, the current touring version of the Little River Band sounded much like the original group of yesteryear. The band was originally formed in Melbourne Australia in 1975.
There were no original members in the current lineup, and the Aussie’s have been replaced with Americans. Nevertheless, the band belted out all of the trademark classic hits. Tunes like “Cool Change” a song written by original member Glenn Shorrock.
The Little River Band name was lost to Stephen Housden due to a legal mishap in 1997. Three of the original members reformed under the name Birtles Shorrock Goble or BSG.
Housden left the touring band in 2006 but maintained the rights to the name.
Other great songs played to the huge Clearwater crowd were, “Happy Anniversary,” “Reminiscing,” “Lady,” “Help Is On Its Way” “Take It Easy On Me,” “Night Owl” and their finale crowd pleaser “Lonesome Loser.”
The Little River Band trademark has sold over 25 million records worldwide and achieved gold, platinum and multi-platinum album awards.
At 7:50 Kansas took the stage with original members- lead vocalist/keyboardist Steve Walsh, Richard Williams on lead guitar and Phil Ehart on drums. Other members of the band are David Ragsdale on violin and guitar, and Billy Greer on Bass.
Kansas was phenomenal tonight. The group began its set with “Magnus Opus” from the Leftoverture album. It was truly amazing to hear the power and strength of the song reverberate through the huge stage speakers- as if there were a full orchestra of 100-players hiding behind them. The band immediately proceeded with “Musicatto” from the Power album.
Then the band changed direction a bit and played their commercially successful hit “Point Of Know Return” from their 1977 release. The song was succeeded by the complex arrangements of “Song for America.”
“Ghosts/Rainmaker” and “Hold/On” were played next.
Then Richard Williams started to strum gently on his acoustic guitar and Steve Walsh’s haunting vocals began to sing “Dust in the Wind” added by David Ragsdale’s heartfelt violin performance. The crowd was immediately transformed back to their youth and simpler times. The song peaked at #6 on the Billboard Hot 100 in 1977.
Next, the band dug deeper into the human soul with “The Wall” another song from the Leftoverture album. Their mix of music for the evening was exceptional.
As always, Kansas delivered messages of life’s trials and tribulations. Their next selections for the evening were “Cheyenne Anthem” and “Miracles Out Of Nowhere” from Leftoverture.
The evening wound down with the prevailing “Icarus” from the Masque album and “Portrait (He Knew)” from Point Of Know Return.
The musical genius of Kansas was apparent throughout their entire set. Kansas returned to the stage after a thunderous ovation from the Clearwater crowd.
Both The Little River Band and Kansas dedicated songs to all of our troops serving around the world. Kansas dedicated their encore song “Fight Fire With Fire” from their album Drastic Measures to our troops.
Then Kansas played the final song of the night. A powerful and electrifying rendition of their 1976 progressive rock mega hit “Carry On Wayward Son” a hard-driven rock song that will perpetually be associated as one of Classic Rock’s greatest tunes.
It was a great day for all in Clearwater at the Fun ‘N Sun Fest.
I’d like to thank the wonderful event staff at Coachman Park for their hospitality and especially Krystal Schmidt.
Order my new book called Check the Gs -The True Story of an Eclectic American Family and their Wacky Family Business today! Order here
Sunday, April 24, 2011
Eric Burdon -Animals immortal songster speaks with Ray Shasho
By Ray Shasho
Eric Burdon is legendary for his explosive soulful vocal deliberations in many shapes and forms. As kids we idolized him as a merciless rock and roll superhero who we all wanted to secretly mirror.
The British Invasion certainly had its share of coolness but The Animals entered the realm of badass. If The Rolling Stones were classified as the bad boys of the British Invasion, then Eric Burdon and The Animals were the original gangsters of Rock and Roll.
Their mega hit messages were significant and way ahead of their time. Songs that made you feel deep within your psyche and then carried through into your soul. Songs like “We Gotta Get Out Of This Place,” “Don't Let Me Be Misunderstood,” “It's My Life,” John Lee Hooker’s “Boom Boom" and the timeless proverbial favorite “House of the Rising Sun.”
Animals’ bassist Chas Chandler moved on to manage Jimi Hendrix after the group split up in 1966.
Later Burdon reformed the group as Eric Burdon and the Animals. The band’s evolution shifted towards the hippie generation and psychedelic melody while Burdon’s genius for creating Top40 radio hits heightened. Classic radio airplay anthems like “Sky Pilot,” “Monterey,” “San Franciscan Nights,” “When I was Young” and “Don’t Bring Me Down” became mainstay on the U.S. and British charts.
In 1969, Eric Burdon formed the diverse multitalented band War, spawning yet another huge hit with “Spill The Wine.” Burdon embarked on a successful solo career in 1971.
In 1983 the original Animals reunited for a worldwide tour.
Over the years Burdon has collaborated with the greatest musicians of every genre and toured incessantly around the globe with several variations of The Eric Burdon Band.
In 1994 The Animals were inducted into the Rock and Roll Hall of Fame.
These days Burdon tours as Eric Burdon & The Animals. He’s written two critically acclaimed memoirs and will release a brand new album soon with a video about Rock and Roll pioneer Bo Diddley. Burdon attended Diddley’s funeral in Gainesville on June 7th 2008.
Marianna Proestou, Eric’s Manager, was graciously accommodating in granting my request for an interview during a hectic tour schedule. Here is my Q&A with Eric Burdon before his show in Cleveland.
How do you explain your longevity in the music business and what artists do you miss the most that are no longer with us?
Longevity is something I never gave a second thought to. I guess it’s the shadow of growing up in post WWII, but I never believed I would live past 20. Here I am though… a senior citizen… my voice and heart are stronger than ever, but boredom is the greatest enemy so I have to be careful not to slip over the edge. I admit that I do dwell on the past a bit, for sure there are people I miss and I wish they were still here.
Do you think Chas Chandler was good for Jimi Hendrix career?
This question touches a very raw nerve for me. For sure Chas’s plans for Jimi initially brought light to one of the world’s most innovative guitarists, but it was inevitable that they would lock horns over creative discussions. I have to admit that Jimi was his own worst enemy, so when things got weird, Chas left. Maybe things would have been different if he'd hung in there with him.
Have you ever considered discovering and managing new bands? Afterall the rock world could definitely use some exciting new talent and who better to launch their careers.
If I could come across someone who oozed talent and could take advise, maybe… but it’s a fact, young people don’t listen. I don’t have the energy to fight that way. The Chandler-Hendrix experience was a great lesson for me. Young talented people usually prove to be a pain in the ass. They should be managed with respect in one hand and a pistol in the other.
I’ve interviewed several prestigious rock stars who don’t have health insurance. Has this been a problem in the industry?
To call it an “industry” is a stretch. The rock biz is the low end of the creative world. Faces come and go so fast. Insurance companies would never touch anyone who boasts about drug use, even though it may be fake bravado. “A dead rock star is worth more than a live one”
I feel that deep down you’d like to play MORE songs with a Latin rhythm. I’ve got Cuban roots and I’d really like to see that happen. I remember when Stephen Stills needed help he called in my good friend Joe Lala. Should I give Joe a call for your next album?
One of my reasons for living in California is it’s close proximity to Mexico. The Latin influence is in every corner of the community. My love of Spanish music hasn't wavered since the 50's. I could hear the blues voicing from the Flamanco families and I always dig for inspiration in Latin music. I just got out of the studio after recording for my new album and a couple of the tracks that we laid down were heavily influenced by Latin music. The album is coming out later this year, so look forward to it.
Will rock and roll ever return to those glory days?
Well, have you seen American Idol lately? I’m sure that some kids somewhere at this moment are thrashing themselves silly over what they call “Rock n’ Roll”
My first book will be out soon, It’s called “Check the Gs.” I love to read and write and I believe you share the same passion. I’ve read both of your books and they were well written. Will you be writing another book soon- and I know you use to collect comic books, who was your favorite character?
“G.I. Joe” and I’ve always looked upon the young pilots of the allies, in World War II's final years, as the original hippies. I suppose I could knuckle down to pen another collection of insanity, but at the moment, I’m too busy reading…
Casinos have become a major venue for classic rock stars, they must pay well, what has been your experience in playing Casinos?
Like it or not, they’re all that’s left of the decent rooms to play in. I’m sure my grandfather, who was addicted to the game, would love to know that his grandson walks out of the best casinos in the world with pockets filled with dough.
How are things going on the road, what are your plans for the future and how's the family?
My family is doing well, thanks for asking. Regarding the future: Is there going to be one? I don't know, but presently I have more shows coming up in the US and Canada and a European tour this summer. As I already mentioned I just finished recording for a new album with a video about Bo Diddley (with the families blessing of course). More recordings and exciting projects are on the way but the fans and the world are just going to have to wait and see.
I know you have asthma, the weather is wonderful here in beautiful Tampa Bay Florida, if you ever consider moving. Brian Johnson (AC DC), Rick Derringer, Graeme Edge (Moody Blues) all live within twenty minutes from me. (Jerry Wexler lived here before his passing in 2008 at 91 years old)
I have friends who live in Florida. I love to visit. I’ve also got close friends in Mississippi, but the most beneficial place for my lungs is in dry weather. If they would stop killing each other, I would love to live in North Africa, but California, as screwed up as it is, is fine for me and has been since the 60’s.
For more information about Eric Burdon and The Animals please visit his website at http://ericburdon.com/
Eric Burdon and The Animals 2011 concert schedule can be found here.
I want to thank Eric Burdon and Marianna Proestou. I hope to see the both of you in the Tampa Bay area- very soon.
@ericburdon Eric Burdon
I did an interview with Ray Shasho at examiner.com. Check it out! http://fb.me/QVX87i28
My new book called Check the Gs is available for purchase at http://rayshasho.com/ Its "My Big Fat Greek Wedding" with a Rock & Roll twist.
Continue reading on Examiner.com: http://www.examiner.com/classic-rock-music-2-in-st-petersburg/ray-shasho
KISS Guitarist Ace Frehley Rocks the Forum in Tampa
By Ray Shasho
The Tampa Bay Lightning couldn’t overcome a 2-1 deficit inside the St Pete Times Forum on Friday evening, but rocker Ace Frehley and his band jammed outside to exhilarate the crowd after the disappointing loss to the Ottawa Senators.
An evening of Hockey plus Rock & Roll equals euphoria.
The St Pete Times Forum’s idea of mixing the both for one gratifying evening was pure genius.
A-Rod and Cameron Diaz even watched from one of the suites.
When the near capacity crowd exited the arena, Ex-Kiss rock and roll hero ‘Space Ace’ Frehley electrified the audience with several big- league guitar solos on his Gibson Les Paul.
Ace wore his favorite number 27 on a Tampa Bay Lightning jersey with his name embedded on the back and wore dark shades throughout the concert. While Ace played and sang he consistently bombarded the crowd with his Guitar Picks.
Frehley astonished the huge Tampa Bay Lightning crowd with his own musical triumphs and songs that he recorded with his old band mates.
It was great to see Ace! Kiss will never be the same band without him. It was always Ace Frehley’s guitar solos and stage presence that made KISS a credible band and not just a visual rock extravaganza. And I’ve witnessed KISS shows since 1975 when Rush supported them and ticket prices were only $5.50.
Some of the heavy driven rock tunes belted out by Ace and his band Friday evening were “Snowblind” and “New York Groove” from his first solo album in 1978. All the Kiss members released solo efforts that year but Frehley’s album outsold- his three band mates.
Ace played “Sister” from his latest venture- Anomaly and “Rock Soldiers” from his second album -Frehley’s Comet.
Ace Frehley reminded the Tampa crowd that he was almost electrocuted in Lakeland at the Civic Center in 1976, then immediately jumped into his tune “Shock Me” a song both written and sung by Ace on the Kiss- Love Gun album in 1977.
The ‘Spaceman’ launched his old bag of tricks when his electric guitar discharged flames and smoke. The haze encircled the ‘rocketeer rocker’ during one of many impressive guitar solos.
Ace banged out KISS favorites “Love Gun,” along with “Deuce” featuring the choreographed- head bobbing- guitar swaying strut that KISS fans always anticipated during the peak of the song. The concert concluded with “Cold Gin” from the inaugural- KISS album.
Ace Frehley’s show was action-packed and he left you standing there wanting more…
ACE! ACE! ACE!
Frehley turns 60 on April 27th.
Ace Frehley will be featured on VH1’s Classic’s “That Metal Show” on March 26th.
Ace Trivia- When asked who is biggest influence was Frehley remarked that it was his fellow-Bronx neighbor Peppy Castro. Castro was a founding member of the psychedelic rock group the Blues Magoos. (We Ain’t Got Nothin’ Yet) Castro taught Ace how to play the guitar.
I want to personally thank Brian Breseman, Scott Audette and Jessica Eckley for their wonderful hospitality at the St Pete Times Forum.
http://www.kissarmysweden.net/ace-still-smoking My article on KISS Army website in Sweden
http://malijasmin.jimdo.com/archives/ My pictures on website in Japan
Continue reading on Examiner.com: http://www.examiner.com/classic-rock-music-2-in-st-petersburg/ray-shasho
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