-Interviewed August 14th 2014
Guitar rock hero Randy
Bachman has influenced both musicians
and music enthusiasts alike since beginning his legendary journey with The Guess Who and throughout a monumental
musical career with Bachman-Turner Overdrive.
The legendary guitarist,
singer, songwriter, and producer, continues to ‘take care of business’ with
ingenious plans for the near future … A new fourteen-track CD/DVD set entitled
…‘Every Song Tells A Story', officially released on August
19th, filmed and recorded April 2013 at Pantages Playhouse Theatre in Winnipeg,
Manitoba during the Vinyl Tap Tour … More Bachman & Turner touring …
A rock & blues power trio featuring proficient female musicians
alongside Randy on guitar and vocals … A new ‘British Blues’ album forthcoming
with very special guest artists … Touring with Peter Frampton and Buddy Guy ...
And a regular deejay gig called ‘Vinyl Tap’ his radio show on CBC Radio One/ Sirius Satellite Radio - Channel
169.
Purchase Randy Bachman’s brand
new CD/DVD … Vinyl Tap Tour: Every Song Tells A Story -a fourteen-track CD/DVD set officially released on August 19th
via the Independent Label Services Group (ILS) and available now at amazon.com. It was filmed and recorded April 2013 at Pantages Playhouse Theatre
in Winnipeg, Manitoba during the Vinyl Tap Tour. ‘Every Song Tells A Story,
features Bachman in a rare and intimate setting, weaving together the
transcendent and iconic hits of the Guess Who and Bachman-Turner Overdrive with
the often-humorous stories that originally brought the songs to life.
Inspired by his award-winning radio program ‘Vinyl Tap,’ Bachman takes his
master storytelling and voluminous musical knowledge on the road and leads fans
on a guided journey that encapsulates the last 30 years of popular music
presented by one of the greatest rock legends of our time.
THE
GUESS WHO: Randy Bachman co-founded Al and The Silvertones in the early 60’s.
The band changed their name to Chad Allan & the Reflections, Chad Allan and
The Expressions, and eventually became The Guess Who.
By 1965, Winnipeg, Manitoba
native Randy Bachman enjoyed commercial success with
The Guess Who cover tune of the Johnny Kidd (Johnny Kidd & the Pirates)
penned classic “Shakin’
All Over.” The Guess Who version reached
#1 in Canada and landed in the Top 40 in the U.S.
After lead singer Chad Allan
left the band, Burton Cummings took over frontman duties for The Guess Who. Randy Bachman became
extremely important to the band’s sound, lyrical content, and its success. By
1969, the songwriting team of Bachman andCummings began an incredible string of
the band’s biggest hits … “These
Eyes” (#6 U.S. Hit -1969), “Laughing” (#10 U.S. Hit -1969), “Undun” (#22 U.S Hit -1969, written solely by Bachman) “No Time,” (#5 U.S. Hit-1970) “American
Woman” (#1 U.S. Hit-1970 written by Bachman/Cummings with Peterson and
Kale ) and “No Sugar Tonight”(#1 U.S. Hit-1970 written solely by Bachman).
BRAVE
BELT: Bachman left The Guess Who in 1970. He formed ‘Brave Belt’ after
releasing his solo album entitled Axe for RCA Records. Brave Belt featured ex Guess Who singer Chad
Allan, Fred Turner (Suggested by Neil Young), and Randy’s Brothers Robbie and
Tim Bachman. The group had several hits on the Canadian Top 40 charts and
released two albums (Brave Belt I, Brave Belt II). In
1972, Chad Allan departed and the group was eventually renamed … Bachman-Turner Overdrive.
BACHMAN-TURNER
OVERDRIVE (BTO): The newly renamed rock group released their debut self-titled
album in 1973. The band began their journey to legendary rock status and
commercial success with the release of their second album … Bachman-Turner Overdrive II (1973). The album spawned “Let
It Ride” (#23 Hit on Billboard’s Hot
100/1974, written by Bachman/Turner and sung by Fred Turner), and “Takin’Care of Business” (#12 Hit on Billboard’s Hot 100 /1974, written and sung by Randy
Bachman).Tim Bachman left the band and was replaced by Blair Thornton. BTO’S
third release Not Fragile generating further commercial success with the hit“You
Ain’t Seen Nothing Yet” (#1
on the U.S. charts/1974 written by Bachman) and“Roll
On Down the Highway”(#14 U.S. Hit /1975).
BTO became an enormous concert draw
and selling out arenas worldwide. Randy Bachman and his band continued its rock
and roll savvy with the release of Four Wheel Drive (The album reached #5 on the U.S. charts in 1975, the single “Hey You”reached #21 on the U.S. charts) and Head On (1975/ the single “Take
It Like A Man”reached #33 on the U.S.
charts).
BTO’S seventh studio release… Freeways (1977) would be Randy Bachman’s last before the Bachman-Turner Overdrive (1984
album) seven years later. Randy
Bachman was replaced by bassist Jim Clench (April Wine) while Turner moved over
to rhythm guitar. Blair Thornton became the lead guitarist.
Randy returned to BTO in 1984
for the Bachman-Turner Overdrive (1984 album) Garry Peterson (The Guess Who)
replaced Robbie Bachman on drums.
Bachman-Turner
Overdrive has sold over 40-million records worldwide.
Randy Bachman rejoined Burton
Cummings and other members of The Guess Who for reunions in 1983 and 1999. He
played on several tours with The Guess Who until 2003. Bachman also formed a
band with Burton Cummings called the ‘Bachman-Cummings Band.’
Bachman also performed with the
second Ringo Starr & His All-Starr Band in 1992.
BACHMAN
& TURNER: After the band’s hiatus, Randy Bachman and Fred Turner reunited in
2009. The duo occasionally records and tours as Bachman & Turner. -Bachman
& Turner released albums … Bachman & Turner (2010), Forged In Rock(2010) Live at the Roseland Ballroom,
NYC (2012).
On March 29th 2014, the classic
BTO lineup of … Randy Bachman (guitar, vocals),Robbie
Bachman (percussions, drums), Blair Thornton (guitar, vocals) and C. F. Turner (bass, vocals) reunited for the
first time since 1991 to accept the Juno Awardfor Bachman-Turner Overdrive.
I had the great pleasure of
chatting with Randy Bachman recently about … The origin behind ‘Every Song Tells A Story’ …
Playing the violin … The state of the music industry… New tours … Bachman’s
rebirth which includes a new album and a rock &blues power trio… Randy
Bachman the radio deejay… And much-much more!
Here’s my interview with
legendary guitar hero/singer/songwriter/producer …of The Guess Who/ BTO/
Bachman & Turner/ and ‘Vinyl Tap’ CBC radio deejay …RANDY
BACHMAN.
Ray
Shasho: Hi Randy, thank you for being on the call this
morning.
Randy
Bachman: “Hi Ray nice to hear from you.”
Ray
Shasho: Randy, your new DVD …‘Every Song
Tells A Story,’ is a fourteen-track CD/DVD set officially released on August
19th via the Independent Label Services Group (ILS). It was filmed and recorded
at the Playhouse Theatre in Winnipeg, Manitoba during the Vinyl Tap Tour and
was actually inspired by The Kinks, Ray Davies. I’m a big fan of the DVD … just
awesome!
Randy
Bachman: “I’m a big fan as well …you hear a song that
means so much to you and then you hear the songwriter tell the story and why he
wrote it and you go, what … are you kidding, the songs about that? I saw Ray
Davies do this many years ago, twelve or thirteen years ago in London, and it
was called ‘The Storyteller.’ He was onstage with an acoustic guitar and a
backup guitar and told all The Kinks stories. I was sitting next to Rupert
Perry who at the time was with Capitol Records in Toronto. I knew him obviously
and he was now the head of EMI in Europe and the UK. So we started to talk and
after the show I said that was just amazing. So he said do you want to meet
Ray? I said are you kidding? I go backstage, shake his hand and he looks at me
and says you can do that. I said what do you mean? He said you’ve got more hits
than me, I’m sure you’ve told the stories… I said yea, every deejay asks a
different story … How did you write “American Woman?”… How did you write
“Undun?”… How did you write “Takin’ Care of Business?” I’d tell the deejay that
story and he’d say just put them altogether and you’ve got an evening. So I did
that many years ago for a money raising benefit in Vancouver at a big exclusive
Golf Club where people were paying three grand a plate for dinner and then
there’s a silent auction … I gave that whole spiel and they all came to me and
said if you recorded this, we would buy a dozen copies and send them to our
relatives all over the world who are fans of yours. I thought well, I guess I
can do that, I just wasn’t in the mode of doing it.”
“So I started doing that, the
performance you saw was done last December in Winnipeg my home town and the
home town of Neil Young, The Guess Who, BTO, Burton Cummings, Fred Turner … and
all those guys. We were really on that night, a special night, and at the end
of a tour. So everything was rolling really nicely, and honestly I haven’t even
seen the video yet, only bits and pieces, so I really don’t even know. (All
laughing)”
Ray Shasho: I was fortunate to
interview Darryl Way and Jean-Luc Ponty, two prodigious and legendary
violinists … and you actually began playing the violin and later learned to
play guitar because of playing the violin?
Randy Bachman: “The violin is a
lead instrument. You’re either playing lead or harmony from lead, if you are in
a little string quartet; you’re either playing the top line or the third
underneath it which is The Everly Brothers or Beatles harmony, so it’s very
melodic. When I play a guitar solo it is quite melodic. You can pretty much
play my solo … like “American Woman” or even with BTO’s “Roll On Down the
Highway,” and you can sing that solo, or play it on a violin, cello, or a horn,
because the notes are melodic. It’s not me showing off scales and how fast I
can play because frankly I don’t know any scales. If I can sing it in my head
and play it, then I think other people can hear it and sing it in their heads
and remember it, and then they’ll buy it. That’s been my whole theory of
playing lead guitar.”
“I started playing violin when
I was five and a half and had a wonderful teacher who made a mistake every week
… she played the song for me first. She put up this whole big thing by Chopin
or Beethoven and she would play it first, and then she’d say okay now you try
to play it, and I would play it perfectly. Then she would say you’ve got to
practice this for a week, and I’d say I already know it can you give me another
song. So I’d boringly have to play it for one more week until I got back the
next Saturday morning and play it for her again. And I was so good that she
said I want you to join the Winnipeg School of Symphony. So I go over to Kelvin
High which is where Neil Young went to school, and on Saturday morning, I’m to
be second violin and there are about seventy five kids there. We start to play
and suddenly there’s a tap, tap, tap and everybody stops playing. The conductor
says …second violin, bar thirty four, it’s an E natural not an E- flat.
So we take it from the top and get to bar thirty four and I play the same
note … tap, tap, tap… second violin, what do you not understand about E- flat
or E natural in bar thirty four? I had no idea what the conductor was talking
about. So in tears, I put my violin in my case, walked out the door crying, get
on the bus and go home.”
“That night I see Elvis Presley
on TV and I said, what is that? They say it’s a guitar and its rock and roll. I
said …that’s it! I got a guitar from my cousin then finally saved up enough
money to buy my own. I started playing guitar and wanted to play like Elvis or
Scotty Moore who played behind him, and that led to discovering Chuck Berry, Bo
Diddley, Rick Nelson, James Burton, and all these singers … Gene Vincent had
incredible guitar players backing him up, and so I learned to play by ear, and
found out that I had a phonographic memory. If I hear it played on a phonograph
I remember it instantly, I just figure it out on guitar and play it. I can’t
read a note on guitar, so since that time when I was fourteen or fifteen years
old, I never picked up a violin again.”
Ray
Shasho: I’ve always found it fascinating how many
legendary musicians really don’t read music.
Randy
Bachman: “It’s either in you or not in you. By the time you get to
middle-aged, which I am, you’ve had occasions to visit a few shrinks because
you’re going through a breakup, depressed, someone passes away in your family,
or you’re going through a divorce … so you go and visit a shrink. So you are in
a room with a shrink and they always say to me … How are you feeling? What do
you feel right now… because you’re in a conflict with someone? And I’d say I
don’t want to talk about it. Then they’d say what’s in your head right now? I’d
say nothing. What’s in your head right now? I’d say besides the music, I’m
feeling anger …and that was a big thing for me.”
“Then the next week they’d say,
okay what’s in your head right now? I’d say besides the music, I’m feeling not
as angry as I was last week. Then after the third week, the shrink said to me,
what music do you hear? I said ever since I was born I hear music in my head.
It’s like a little soundtrack playing, just like when you go to the movies and
there’s music in the background, and I play it. The shrink said, I don’t hear
any music in my head, and I told him I feel so sorry for you. At that point the
guy’s face looked so deflated. I realized that there are people out there who
do not have music in their heads. Every time I’ve told that story, when I’m in
a songwriting circle and explaining how we write our songs, I look at everybody
in the circle, even if I barely met them … like Emmylou Harris or Sammy Hagar,
somebody like that who are explaining how they wrote their songs, and I think I
can speak for everyone … We were born with and still have music in our heads.”
Ray
Shasho: I’ve heard a song in my head and then it’s immediately played on
the radio … or right before an interview, a song is played by the artist I’m
actually interviewing. There was a study done somewhere on hearing
airwaves…even when the radio wasn’t turned on … and I believe it. When I was a
deejay in radio, I heard all kind of things.
Randy
Bachman: “How about this … you’re in a car or a room
with somebody and they start to hum or sing a song that’s in your head and you
both got the same waves and you go…what the f**k, that’s in my head too, and
then you turn on the radio and it comes on in the next minute … and you look at
each other and (Randy humming the Twilight Zone theme) … it’s amazing and
wonderful when that happens.”
Ray
Shasho: BTO was such a huge commercial success on mainstream radio … then
in a blurred instance those legendary rock heroes that we were so accustomed to
hearing every time we turned on our radio’s had mysteriously vanished from the
mainstream. The blues, jazz, and rock and roll are America’s contribution to
the arts, so why are we not fighting to preserve our own musical legacy and
culture?
Randy
Bachman: “Well unfortunately at that time Disco came in
and all the bands that I was buddies with and who I was touring with like… The
Doobie Brothers, The Allman Brothers Band, Peter Frampton, ZZ Top, Aerosmith…
all those Boogie Southern Rock Bands, and even though we were from Canada
we were also called a Boogie Southern Rock Band … suddenly we all couldn’t get
any gigs. We had to team up and all started playing together and then as we had
hits we headlined and invited a band to open. Suddenly Disco came in and the
club owner or promoter could hire a single singer while paying them a hundred
bucks to dance and sing to the record instead of paying a band five thousand.
So each guy in the band would get a couple of hundred bucks to pay the roadies
and pay the rent. He only had to put out a hundred bucks a night or five
hundred bucks for five nights of entertainment, where as he would be paying
five thousand dollars a night for a band, so it became a matter of economics.
Then radio was taken over by Disco and they weren’t playing rock and roll
anymore.”
“As a deejay you’ll know this …
every three hours you’d play a moldy oldie, a groove-yard great … something
from the past, because all of us like to hear …“ I Heard it Through the
Grapevine,” “Proud Mary,” “Johnny B. Goode … and we wanted to hear all
that at once. Then out came the classic rock format and everyone bought all
their favorite music again on CD’s because there were no record players
anywhere. So the music took a shift, all us guys from the 70’s, made a huge ton
of money again in the 90’s.Then some idiot out there invents Napster and gives
it to everybody for free and then suddenly everyone can steal our music legally
because we can’t patrol millions upon millions of people downloading our songs
and playing it, while our source of income vanishes. It’s like saying to
everybody, gee, you don’t need to pay a bus driver because he doesn’t have a
gun and can’t make you pay, and he can’t get up and throw you off the bus … why
don’t we all ride the bus for free. So he can’t get paid a salary or put gas in
the bus, and the whole transit system runs down. That’s what happened to the
music industry, they stopped paying. So what’s happened, it’s gone back to the
60’s and 70’s, where you now go and play live, and I’m very fortunate, healthy,
and happy to be playing live.”
“I’m doing a massive tour next
summer, and doing two tours inside each other, and the money now is at the box
office because your music is pretty much given away free. I’ve got a new album
coming out next year, I’m going on tour with Fred Turner in a week, and we’re
playing like Anchorage, Portland, Regina, and Calgary. In between I got invited
to play ‘Frampton’s Guitar Circus’ so in between our days off, I’m flying to LA
to play the Hollywood Bowl with Peter Frampton and Buddy Guy and then I go back
and play with Turner, and then go back to California again, so on everybody
else’s day off, I’m travelling from ‘Gig A to Gig B’ and playing a double
tour. So I’m feeling great about this and can’t wait to do it.”
“I have a blues album coming
out next year, I reinvented myself, and I’ve got a girl band, a girl bass
player and drummer who play like Keith Moon and John Entwistle, and I suddenly
get to be Pete Townshend, Eric Clapton in Cream, or Jimmy Page in Zeppelin. The
whole album is 1968-69 British Blues, power trio, I wrote all the songs, Kevin
Shirley is a great rock producer and he produced it for me. I’ve got guest
artists on it … Joe Bonamassa, Billy Gibbons, Peter Frampton, Jeff Healey,
Scott Holiday from the Rival Sons, and Neil Young are all doing solo blues
things on it. It’s coming out next March and for me it’s a rebirth. Even though
I know it’s not going to sell and I’m not going to get paid for it, maybe it
will get played on radio. But I’m already getting offers from blues, jazz, and
alternate festivals all over the world. So it’s still out there if you can
deliver the goods and I can. I’m finding out that people are hungry for this. I
can give the people what they expect from me like … “Takin’ Care of Business”
and then perform a new blues song. I can’t wait to get on the road with this
new band.”
Ray
Shasho: Randy, you’re also quite the jazz player; I really enjoy “Lookin’
Out for Number One.”
Randy
Bachman: “That’s kind of in me and one of my hidden fetishes is jazz. I
jammed with Frampton in January and we were both inducted into the Musicians
Hall of Fame and Museum, so we were all onstage there and basically in a blues
solo … he delves into Django Reinhardt and I dove into Lenny Breau who was my
mentor while I was a teenager who played a lot of Barney Kessel and Howard
Roberts. We both have this jazz thing we get into that maybe wows a couple of
twenty year old guitar players in the front row and goes over the heads of
everybody else because we’re not playing the normal blues scale, we’re going
into some weird jazz thing that Django, Howard Roberts or Barney Kessel did.
Then we’d go right back into our blues thing, just once in awhile there’s this
little hot pepper that’s in the salsa, and then you go back to the main dish
again, and I love doing that.”
Ray
Shasho: Randy, here’s a question that I ask everyone
that I interview. If you had a ‘Field of Dreams’ wish like the movie, to play,
perform, or collaborate with anyone from the past or present, who would that
be?
Randy
Bachman: “It would probably be Jimi Hendrix and Eric
Clapton … two of the greatest. I met Jimi Hendrix when he was Jimmy James in
the Village Gate and was playing with a band while wearing a sparkly lime green
suit and playing an old Harmony guitar. He went on to England after that and
became Jimi Hendrix. I never had the opportunity to meet Clapton but they were
both a huge influence on me. I met Jimmy Page and Jeff Beck and I loved them
…these were the four greatest guys in the world. So that would be it … to hang
with Hendrix and Clapton.”
Ray
Shasho: Randy anything else you’d like to promote?
Randy
Bachman: “No, I’m really thrilled to talk with you; I’m kind of amazed
about the reception to the DVD because for me it’s a total surprise. It’s gone
platinum or double-platinum in Canada and has made it on the want list in the
U.S.A., Australia, U.K., and the E.U. If you can’t sell records anymore sell
DVD’s. Google Randy’s Vinyl Tap on CBC Radio. I tell my story behind the music
I play … about when I met Jimmy Page, and when I met Brian Wilson, and how I
wrote a song with Carl Wilson. I’ll play music like classic rock but tell my
own stories that nobody knows. So I’ve become a deejay and the show has gone
into its ninth year now. I play everything from the 50’s up to Lady Gaga. In
one show I’ll play the original “Crossroads” by Robert Johnson, then play
Clapton and Cream, and then John Mayer. I’ve had young kids come up to me and
say thank you for your radio show, it’s our music lesson every Saturday night
because we can’t buy Robert Johnson anywhere, we’ve only heard of him. So I’m
known as the music teacher. I get 9-10 million people listening to the show
every week, so I get a lot of email.”
Ray Shasho: My latest book
project entitled… “Saving Rock And Roll” will address many of the topics
we discussed today … you’ll be included in the book along with over 100
of the greatest music legends of our time.
Randy Bachman: “I can tell you
right now what will save rock and roll … radio! If radio would smarten up, and
I told this to every classic rock guy I’ve ever talked to …Play back to back
songs by the same artist in a then and now format …Here’s Aerosmith then and
here’s Aerosmith now … Here’s Heart then and here’s Heart now… Here’s Peter
Frampton then and here’s Peter Frampton now … Here’s Bachman then and here’s
Bachman now. All of us have new CD’S that we can’t get any airplay from these
f**king guys who are playing our old hits, if they’d only play two together it
would revitalize rock and roll.”
“There are no record stores
anymore, but say you hear a new song by Heart, Aerosmith, or Randy Bachman, all
you have to do is go to our official websites and download it or go to iTunes.
It’s all up to radio just like it was in the beginning when radio began to play
rock and roll and stopped playing Bing Crosby, Dean Martin, and The Andrew
Sisters and started playing Chuck Berry, Bo Diddley, and Elvis Presley. If
radio would do that now it would revitalize the whole industry. We don’t need
the record stores or record labels, and we all have our own studios we’re
putting up on our websites, it would regenerate the money … what do musicians
do they spend money, we hire two dozen people and go on the road, eat at
restaurants and stay at hotels all over the world … so it’s all up to radio.”
Ray
Shasho: Randy, thank you for being on the call today but more importantly
for all the incredible music with The Guess Who/BTO/Bachman & Turner/ and
the awesome music still yet to come.
Randy
Bachman: “Thanks Ray!”
Purchase Randy Bachman’s brand
new CD/DVD …Vinyl Tap Tour: Every Song Tells
A Story, -a fourteen-track CD/DVD set officially released
on August 19th via the Independent Label Services Group (ILS) -available NOW at amazon.com. It was filmed and recorded April 2013 at Pantages Playhouse
Theatre in Winnipeg, Manitoba during the Vinyl Tap Tour. ‘Every Song Tells A
Story, features Bachman in a rare and intimate setting, weaving together the
transcendent and iconic hits of the Guess Who and Bachman-Turner Overdrive with
the often-humorous stories that originally brought the songs to life.
Inspired by his award-winning radio program ‘Vinyl Tap,’ Bachman takes his
master storytelling and voluminous musical knowledge on the road and leads fans
on a guided journey that encapsulates the last 30 years of popular music
presented by one of the greatest rock legends of our time.
‘EVERY SONG TELLS A STORY’ Track Listing: 1. “Prairie Town” 2. “Shakin’ All Over” 3. “These Eyes” 4.
“Laughing” 5. “No Sugar Tonight” 6. “No Time” 7. “American Woman” 8. “Roll On
Down The Highway” 9. “Let It Ride” 10. “You Ain’t Seen Nothin’ Yet” 11. “Takin’
Care Of Business” 12. “Hey You” 13. “Undun”14. “Lookin’ Out For 1”
Listen to Randy Bachman’s ‘Vinyl Tap’ on CBC Radio One/ Sirius
Satellite Radio- Channel 169 or go [HERE] to listen online (Now entering its ninth year)
Very
special thanks to Chipster PR & Consulting, Inc.
COMING
UP NEXT … Keyboard extraordinaire Patrick Moraz (YES/The Moody Blues)… Al Kooper (The Blues Project, Blood, Sweat & Tears, Bob Dylan, and
responsible for the success of Lynyrd Skynyrd… Legendary keyboardist Keith Emerson (The Nice, Emerson, Lake &
Palmer) … Don Wilson guitarist, pioneer, and co-founder of ‘The Ventures.’ … Country
Music’s shining new star -19 year old Mary Sarah … And Folk/Rock singer & songwriter Jonathan Edwards (“Sunshine”).
Contact music journalist Ray Shasho at rockraymond.shasho@gmail.com
Purchase Ray’s very special
memoir called ‘Check the Gs’ -The True Story of an Eclectic American Family and Their Wacky
Family Business … You’ll LIVE IT! Also available for download on NOOK or KINDLE
edition for JUST .99 CENTS at amazon.com or barnesandnoble.com - Please support Ray by purchasing his book so he can
continue to bring you quality classic rock music reporting.
“Check the Gs is just a really
cool story ... and it’s real. I’d like to see the kid on the front cover
telling his story in a motion picture, TV sitcom or animated series. The
characters in the story definitely jump out of the book and come to life. Very
funny and scary moments throughout the story and I just love the way Ray
timeline’s historical events during his lifetime. Ray’s love of rock music was
evident throughout the book and it generates extra enthusiasm when I read his
on-line classic rock music column. It’s a wonderful read for everyone!”
…stillerb47@gmail.com
COMING
SOON…
Ray’s exciting new book project
entitled ‘SAVING ROCK AND ROLL’
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