Showing posts with label Ruth Eckerd Hall. Show all posts
Showing posts with label Ruth Eckerd Hall. Show all posts

Monday, May 16, 2011

Jeff Beck shares a day in the life at Ruth Eckerd Hall

By Ray Shasho

Jeff Beck captivated a packed Ruth Eckerd Hall on Friday night with his accustom array of impressive guitar licks and melodious intelligence. The Friday show was added by popular demand to appease the fans that couldn’t get tickets for Saturday’s sold out show.
It’s a thrill to be able to witness a genuine guitar hero before the hands of time converts him to folklore. There are very few guitarists that remain in the spotlight with a resume like Jeff Beck's.

At 66, Beck has already been inducted into the Rock & Roll Hall of Fame twice. He was first inducted as a member of the British Invasion/Blues/ Rock Innovators - The Yardbirds. (“Heart Full of Soul,” “I’m A Man,” “Shapes of Things,” “Over Under Sideways Down”) The Yardbirds were also known for employing three of the greatest guitarist in the universe- Eric Clapton, Jeff Beck and Jimmy Page.

Jeff Beck was inducted into the Rock & Roll Hall again as a solo performer in 2009. (Jimmy Page inducted Beck at the ceremony)

After Syd Barrett left Pink Floyd, Jeff Beck was asked to join the band. (Members of Floyd were extremely nervous about asking him and barely found the nerve) Beck declined and David Gilmour became Floyd’s guitar virtuoso and lead vocalist.

The first edition of the Jeff Beck Group included Rod Stewart and Ronnie Wood.
In 1972, he formed the hard driving Beck, Bogert & Appice.
By 1975, Beck’s masterpiece Blow by Blow was recorded fueling Beck’s Jazz-fusion exploits. The album was produced by Sir George Martin. (The Beatles)

Beck’s experimentations with eccentric guitar harmonies have both stimulated and fascinated his audiences over the years.
Jeff Beck has collaborated with rocks elite, including Jan Hammer, Tina Turner, Rod Stewart, Mick Jagger and Robert Plant’s Honeydrippers.

His latest albums are Jeff Beck Rock ‘N’ Roll Party (Honoring Les Paul) and Emotion & Commotion - Which was recently awarded two Grammy Awards for - Best Rock Instrumental Performance on “Hammerhead” and Best Pop Instrumental Performance for his arrangement of Puccini’s “Nessun Dorma.” Beck has won a total of eight Grammy’s in his lifetime.

Jeff Beck’s performance on Friday night was prodigious. Beck launched his set with “Plan B” from the album Jeff, an exciting futuristic space jam. Then Beck demonstrated his jazz/ rock  grooves with a Billy Cobham cover called “Stratus.”
Beck jolted into “Led Boots” from his 1976 critically acclaimed album called Wired.
The mellifluous “Corpus Christi Carol” from the Emotion & Commotion album was Jeff’s next selection. Then Beck played his Grammy winning tune “Hammerhead” from the same album. The song’s Hendrix-like intro erupted into Beck's signature- orchestrated rock fusion- extravaganza, a brilliant measure.

“Mna na h-Eireann” an Irish tune (Considered as Irish rebel music) composed by Sean O’Riada, and a Chieftains cover song was played next. Rhonda Smith’s bass performance was prominent during the song.
“People Get Ready” a 1965 classic by Curtis Mayfield and The Impressions was rendered.  Beck’s version is noted for his collaborations with Rod Stewart.
More electrified rock/jazz/funk amalgamation was executed with “You Never Know” form the 1980- There and Back album. 
Then Jeff Beck transformed his audience back to a period perhaps when American blues were first created with his own rendition of “Rollin and Tumblin” a Muddy Waters cover tune.
“Big Block” from the 1989 album Jeff Beck’s Guitar Shop was featured next on the bill.
“Over the Rainbow” the Judy Garland cover ballad from The Wizard of Oz was Beck’s melancholy guitar wizardry entry that rained tears upon the Ruth Eckerd audience.
A reluctant Beck didn’t want to perform the next selection but was convinced to do so by his drummer who also sang the vocals. The song "Little Wing" is a Jimi Hendrix composition from the Axis: Bold as Love album. It was great to hear a Hendrix classic played by Beck, another axe-master.  

Then Beck played “Blue Wind,” from the Wired album. The tune is a convoluted piece of fusion that one could almost swear spoke to you in a human voice rather than musical tone.
Beck’s following selection was “Dirty Mind” from the 2001 release- You Had It Coming. A tune composed with Robin Trower-like guitar riffs. A space-aged version of the blues followed next with “Brush with the Blues.”

Jeff Beck's final song before the encore was the Lennon/McCartney penned classic “A Day in the Life.” A remarkable interpretation beautifully composed and overwhelming the Ruth Eckerd audience to its feet.

Beck returned for an encore and played the Alfred Drake cover tune “How High The Moon” from the album Jeff Beck Rock ‘N’ Roll Party (Honoring Les Paul) followed by Sly & The Family Stone’s, “I Want To Take You Higher.” Beck concluded the evening with his Grammy winning and surreal rendition of “Nessun Dorma” from the album Emotion & Commotion.

Although my personal favorites, "I'm Going Down," "Beck's Bolero," "Cause We've Ended As Lovers" and "Thelonius" were not featured tonight, I was still thoroughly inspired by the performance of guitar legend Jeff Beck.  

Beck has been and continues to be one of the greatest guitarists on the planet. And it wouldn’t surprise me one bit if someone had said, “I just saw Jeff Beck climb into a spaceship to perform at another universe.”

I'd like to thank photographer Mark Weaver and the entire staff at Ruth Eckerd Hall.


Order my new book Check the Gs- The True Story of an Eclectic American Family and Their Wacky Family Business. You can get your copy here.    Available for Kindle.










Sunday, April 24, 2011

Grand Funk- Rock Patriot- Mark Farner coming to Clearwater



By Ray Shasho

Famed- classic rock guitarist for Grand Funk Railroad, Mark Farner, has just announced a stop at Ruth Eckerd Hall on August 27th for the upcoming- Hippiefest Tour.

Mark Farner’s world turned upside- down recently after his 22 year old son Jesse’s near fatal- fracture to the C-5 vertebra in his neck. He remains paralyzed but is starting to show improvement by lifting his head off of the pillow. Farner is one of the 44- million Americans who don’t have health insurance and Jesse is faced with long- term medical care.

A Benefit concert was held for Jesse at B.B. King Blues Club in New York City on January 17th, the show featured Roger Daltrey, (the Who) Three Doors Down, (Kryptonite) Cliff Williams, (AC- DC) and Kip Winger (Alice Cooper).
Donations for Mark’s son Jesse can be made at the Sweet Relief Musicians Fund. Sweet Relief provides financial assistance to all types of career musicians who are struggling to make ends meet while facing illness, disability, or age -related problems. http://www.sweetrelief.org/

Mark Farner was the lead guitarist, vocalist, and songwriter of an unsigned- Flint Michigan garage band called Grand Funk Railroad, when they got their first big break performing at the Atlanta International Pop Festival in 1969. On the way to the concert their U-Haul trailer overturned ripping out wiring inside their equipment. The band had to get out their soldering gun and solder the wires back together before their performance.  

After an awe-inspiring performance they achieved instant recognition and were immediately signed to Capitol Records. Some of the big names to play at the Fourth of July weekend festival included, Led Zeppelin, Janis Joplin, Credence Clearwater Revival, Johnny Winter, Chicago Transit Authority, and Joe Cocker. An estimated 180,000 rock fans- jammed the Atlanta International Speedway to watch the two-day event.

Later in 1969 Grand Funk Railroad’s first album “On Time” was released. It was one of the first albums to be labeled “heavy metal.”

Two years later on July 9th, Grand Funk Railroad broke the Beatles attendance record for Shea Stadium by selling out in only- 72 hours. Farner described his helicopter flight to the Shea stadium concert,
“We took off from East River, and we were supposed to land in the parking lot, where a limo was going to pick us up, and when we got over the stadium, with Humble Pie already on stage, we could actually see the building bouncing up and down from the fans so excited from the music.”
The stage was set-up on second base in the infield. Mark’s inspirational- classic “I’m Your Captain” was the highlight of the Shea concert.
In an interview with http://www.classicbands.com/ Farner talked about writing “I’m Your Captain.” (940,034 views on You Tube)
I wrote "I'm Your Captain," that was the first song I wrote lyrics to prior to music. My Mother taught us how to pray - now I lay me down to sleep...I used to do that thinking that in case there is a God, in case there is a Hell, I didn't want to be there, so let me say this. I put a P.S. on the end of my prayer and said "God, would you please give me a song that will reach and touch the hearts of people that you want to touch." I got up in the middle of the night and wrote what I thought was poetry.”

The band became known for refusing individual band interviews (Because their manager- Terry Knight would personally conduct all the band- interviews himself) so they were slammed by critics and radio stations unwillingly gave them air-play.
But the power- trio of Grand Funk Railroad was a people’s band, and they captured a huge following of Funk- fans anyway through persistent touring and achieving platinum awards with five of their eight releases from ‘69 through ‘72. The rest went gold.

Farner wanted to keep the band as a trio but was out-voted in ‘72 and keyboardist Craig Frost was added to the lineup of Mark Farner- vocals and guitar, Don Brewer- vocals and drums and Mel Schacher -bass.

The band officially shortened their name to Grand Funk and hit number #1 status with their huge single “We’re an American Band,” and after they recruited the musical genius of Todd Rundgren as producer. Their next album- Shinin’ On had a 3D cover that could be viewed with special cutout glasses. The album produced yet another number #1 hit song, “Loco-motion” a remake of Little Eva’s classic tune.
In ‘74 they released the album -All The Girls in The World Beware, spawning the top 5- hits “Some Kind of Wonderful” and ”Bad Time.

Grand Funk disbanded in 1983. The band sold over 50-million records worldwide.

Mark Farner accepted an invitation to play with Ringo Starr’s All Starr Band in 1995. The line-up featured, Mark, Ringo and his son Zak, Randy Bachman, (the Guess Who, BTO) John Entwhistle, (the Who) Felix Caviliere (the Rascals) and Billy Preston.

In ’96 Grand Funk reunited and toured with the original line-up of Mark, Don and Mel. The reunited band produced a 2-CD live, greatest hits package from their sold-out Bosnia benefit concerts. Peter Frampton also joined the band on stage. The show featured the Detroit Symphony Orchestra conducted by David Letterman’s- Paul Shaffer.

In 1999 Mark was forced out of the band and Grand Funk continues to tour without him. But for some ungodly reason rock bands are allowed to dump their major stars and continue doing business with the original brand name.

Mark’s voice is as strong as ever on his most recent release “For the People.”

You can check back here to find out when tickets go on sale for Mark Farner’s show at Ruth Eckerd Hall in Clearwater.






Got a classic rock story you would like to share? Email me at rockraymond.shasho@gmail.com

Johnny Winter Live at the Capitol Theatre




By Ray Shasho

The Capitol Theatre in downtown Clearwater hosted a sold-out Johnny Winter concert last night.
The atmosphere was reminiscent of Bill Graham’s Fillmore East shows in New York City.

The Capitol first opened its doors in 1921, offering vaudeville and movie shows. Donald Roebling, the inventor of the amtrac (amphibious vehicle) was a frequent visitor there and had a double seat installed in the theater for his comfort.
The theatre was renovated in 1962, and over the years the theatre was owned and managed by various idealists.

 In 2009, the City of Clearwater and Ruth Eckerd Hall joined forces to purchase the Royal Theatre and the adjacent Pat Lokey building after being in foreclosure, renaming it the Capitol Theatre.

The very first show at the new Capitol Theatre was pianist William Joseph. It was supposed to be classic rocker- Todd Rundgren but a city inspector found mold inside the building. Todd Rundgren played outside in front of the building on Cleveland Street instead.

The concert began at 7:30 with Tampa Bay natives- The Mojo Gurus.

After the Guru's finished their rocabilly set, Johnny Winter was escorted to a seat at the middle of the stage.  Winter's appearence looked as good as I had seen in years. He actually gained a few pounds. His voice sounded good too.

But Johnny Winter’s performance reminded me of the great Muhammad Ali in the boxing ring when he was just passed his prime. Ali would be a bit sluggish at first but then after five or six rounds he came to life, bouncing up and down around the ring, shuffling his feet, bobbing and weaving, the crowd would go wild. But later in the fight, Ali reverted into a conservative stance with fleeting moments of attempting to knockout his opponent. The champion still won the fight but not the way he did in his glory days.
And that’s what Johnny Winter was missing in his performance, “The knockout punch.”  He was still the “Champion of rock and roll” up on that stage, but he won by decision and not by a knockout.

His show started with a Freddie King- cover called “Hideaway.”  Then Winter complacently jammed through his setlist until he reached “Johnny B. Goode,” sparking the crowd.
His next song, Ray Charles Blackjack” was the highlight of the evening. It was Johnny Winter, the champion of rock and roll, Mr. Johnny B. Goode at his finest. And the audience was reminded that there was a legend on stage just a few feet from where they sat.

Another Freddie King- cover called “Tore Down” followed.

Nearing the end of his set, Johnny Winter looked again for the knockout punch with the Jimi Hendrix twelve-bar structure cover- tune called “Red House.” And the crowd was again on their feet.

The show concluded before the encore with “Bony Moronie” from the Saints and Sinners album, and “It’s All Over Now” a Rolling Stones- cover song written by Bobby and Shirley Womack.

After only one encore the show ended with Bob Dylan’s penned- hit “Highway 61.”

Johnny Winter won the show but not with a knockout punch. Perhaps an encore of “Rock and Roll, Hoochie Koo” or a rendition of Muddy Waters blues standard “Mannish Boy” would have knocked- out his audience. Or perhaps Johnny Winter cleverly left his audience wanting more.

Nevertheless, Johnny Winter is a rock and roll icon. There are very few musicians who have kept their roots in place without selling out to record companies and advertisers. And his Texas-sized reputation has kept him busy in the studio and on the road since 1969.

I want to thank the dedicated staff at the Capitol Theatre/Ruth Eckerd Hall for their wonderful hospitality. Katie Pedretty- Public Relations Manager, Pavlo Synadinos –Digital Media & Web Content Editor, James Raulerson- Capitol Theatre Manager, and especially Jeffrey Hartzog- Director of Operations.
Jeff filled me in on the entire history of the theatre and he’s very passionate about it. Jeff has worked for Ruth Eckerd Hall for about 14 years and at the USF Sun Dome in the 80’s. He started working as a stagehand in 1982.

The Capitol Theatre is an intimate venue with awesome acoustics, and if you wish to be transported to the days of Bill Graham's Fillmore- era than this venue is for you.
And Jeff was right; the best seat in the house was up on the balcony.

To buy tickets for upcoming shows at the Capitol Theatre, go to Ruth Eckerd Hall's website at http://www.rutheckerdhall.com/









Got a classic rock story that you would like to share? Email them to me at rockraymond.shasho@gmail.com