Tuesday, May 8, 2012

Andy Powell talks about the longevity and mystique of 'Wishbone Ash'

 
 By Ray Shasho

Wishbone Ash is an ingrained rock and roll phenomenon, and since the bands induction in 1969, they’ve continued to captivate ardent followers as well as contemporary fans. The band’s latest release is entitled Elegant Stealth, and like a fine wine, their music seems to improve with age.
The British progressive rock group was originally led by the commanding guitar-duo of Andy Powell and Ted Turner. Wishbone Ash are pioneers for spotlighting two lead guitarists and immortalizing the Gibson Flying V guitar. The Flying V became the bands trademark and would instantly identify the group.

In 1970, the group opened for Deep Purple. While Purple’s guitarist Ritchie Blackmore warmed up on stage during a sound check, Andy Powell walked onstage and began jamming with Blackmore. Blackmore suggested the band to producer Derek Lawrence, who later helped the band score their first record deal with Decca/MCA Records. Their debut album Wishbone Ash was released in December that very same year.
The band’s most commercially successful release came in 1972 with Argus (Named “Best British Album of the Year” by Melody Maker). The early, original, and most successful line-up of Wishbone Ash featured Andy Powell (guitars/vocals), Ted Turner (guitars/vocals), Martin Turner (bass/vocals) and Steve Upton (drums).
Wishbone Ash became one of England’s most popular hard rock acts during the early to mid 70’s under the management of Miles Copeland III.
Despite numerous personnel changes throughout the decades, Wishbone Ash has managed to churn out 23 quality albums. The band has remained in the limelight despite erratic changes in the music industry, perhaps due to remaining close to its roots while recording and touring extensively.
Andy Powell has also worked on sessions with George Harrison, Ringo Starr, Kashif, Stewart Copeland, Renaissance and many other legendary artists.
In 1988, Andy joined Ted Turner on the “Night of the Guitar” tour featuring Randy California (Spirit), Steve Howe (Yes), Leslie West (Mountain), Alvin Lee (Ten Years After), Robbie Krieger (The Doors), Jan Akkerman, Peter Haycock(Climax Blues Band) and Steve Hunter(Mitch Ryder, Lou Reed, Alice Cooper).
The current line-up of Wishbone Ash features original lead guitarist, singer, and songwriter Andy Powell, Bob Skeat on Bass, Muddy Manninen on guitars and Joe Crabtree on drums. Their latest release Elegant Stealth will transport you to the band’s glory days of the 1970s.
Elegant Stealth is a superlative mix of progressive rock virtuosity.
Andy Powell defined his career with Wishbone Ash by disclosing …”We love the life, we live the life, and the life has been good to us.”
I caught up with Andy Powell between gigs. Wishbone Ash had just played Rams Head Tavern in Annapolis, Maryland the night before and the band was headed for their next show in Sellersville, PA.

Here’s my interview with original Wishbone Ash guitar virtuoso/singer/songwriter/ Andy Powell.
Ray Shasho:Andy thank you for being on the call today, are you living in the states these days?
Andy Powell: “I live in Connecticut and have been here for twenty five years. I know your area pretty well, use to vacation down there and of course did at least three or four albums in Florida.”
Ray Shasho:  You guys played at the Rams Head in Annapolis last night. I worked at WNAV as a deejay there back in the late 70’s. The Baltimore/Washington DC area has always been a hub for Wishbone Ash fans. What was the audience reaction to the new album?  
Andy Powell: “It was great, they loved it. They wouldn’t let us off the stage. We had people coming in from California, the UK, and one lady sailed to the show. (Laughing) So it was a great night.”
Ray Shasho: You mentioned the Florida connections …. What about AshFest?
Andy Powell: “Yea, we did that down in Port St Lucie at the Sandpiper Club Med a couple of years ago. We’ve also done them on cruise ships, and we have one every year in the UK… and yea that was a fun time.”
“We’re looking to do another one if we can. We actually did a poll on Facebook to see how many folks would actually like to do it again. If you go to our homepage, it’s linked to our Facebook page and you’ll see the poll.”
Ray Shasho: So what goes on at AshFest?
Andy Powell: “Typically it’s an opportunity for fans from all over the world to meet, that’s first and foremost. We usually have a couple of Ash tribute bands which is fun, and we actually have fans with their own bands playing our music. We sometimes have workshops, guitar lessons, and last time had mint guitars by Lucio who made guitars and displayed all his great pieces there. But yea, it can be anything; it’s like a festival really. But the website is always the first Port of Call to see what’s going on.”
Ray Shasho: What I admire the most about Wishbone Ash is that the band has stuck to its roots throughout the years and hasn’t “sold-out” commercially. Another band that comes to mind that also stuck to its roots is Savoy Brown, and I had this same conversation with Kim Simmonds.
Andy Powell: “Yea it’s true … I don’t want to say we haven’t gone off the rail from time to time in a forty two-forty three year career. But one of the pieces of advice that I always thought is to be true to your instincts. We’ve tried singles but realized we’re really a live band … an album band, and we basically play to our strengths now and that’s what we do. I think if you listen to our new album ‘Elegant Stealth’ you’ll hear the format … the sound intact and plenty of scope for us to flex our muscles and be who we are.”
Ray Shasho: Wishbone Ash distinguished itself by spotlighting dual lead guitarists and of course the notorious Flying V.      
Andy Powell: “In the early 70s all bands needed their own individual standards sort of experimentation and each band had its own star, whether it was ‘Yes’ or ‘Jethro Tull,’ and for us it was the twin lead guitars and it stuck with us and served us well. It added a real melodic threat to the sound… a lead guitar/rhythm guitar format wouldn’t be so melodic. The twin lead guitar really gives identity to our sound.”
Ray Shasho: What sparked the idea for having two lead guitarists in the band?
Andy Powell: “Well strange enough I use to play solo in R&B bands and would work with horn sections. The idea was we’d sit around and try to think about using the guitars like a horn section punctuating a song. One of the first songs we wrote was “Blind Eye” and you can hear very definitely those guitar parts in the song sounding like a horn section. So really that’s where it came out of … those teenage Australian bands, Hammond organ, horns, and ear training actually. I never realized there was ear training, and that lent itself to working out the guitar parts when we formed Wishbone Ash.”
Ray Shasho: Another British band that comes to mind with twin lead guitarist is Status Quo.
Andy Powell: “There are a few bands that use a two guitar line-up and they use them in different ways, Quo is one of them. But certainly in this country The Allman Brothers were a premium example of a twin lead guitar band.”
Ray Shasho: Status Quo is such a great band, but never seem to make it happen here in the states for some reason.
Andy Powell: “Yes and they’re huge in Europe.”
Ray Shasho: Another band huge in other parts of the world but unfortunately not in the states is Golden Earring. I did a piece on them for their 50th anniversary, and not many people in the U.S. realize the longevity of that great band.  
Andy Powell: “I know… they have such depth, I mean they go back to the early 60s. That’s a good comparison to us. They are a band that definitely had a similar type of mystique.”
Ray Shasho: Do you have any regrets for not scoring huge commercially?
Andy Powell: “Not really, everyone would like more fame and fortune, but we’re all passionate about music and enjoy what we do and overall we love the life, we live the life, and the life has been good to us. If you can function financially on the way … then that’s a nice bonus for a musician. I’ve been fortunate and music has been good to me.”
Ray Shasho: Some of your influences are Peter Green (Fleetwood Mac founder), Django (Jean) Reinhardt (Founder of Jazz guitar), and The Shadows.
Andy Powell: “Yea, it’s all the stuff you grow up with and get use to. It’s all good for me and still inspires me.”
Ray Shasho: Did you also grow up listening to American Blues and artists like Howlin’ Wolf and Muddy Waters?
Andy Powell: “Absolutely, my favorite blues player was probably Albert King. I love Albert King’s playing and writing, it’s fantastic. Of course I’m familiar with all of the King’s …Freddie King, B.B. King, and all those players that influenced British guitar players back in the day …big time!”
Ray Shasho: Kim Simmonds(Savoy Brown) told me that it was virtually impossible to find American Blues recordings in England; someone had to share their knowledge of the genre with you.
Andy Powell: “It was very much an underground thing. I like to think that the Brits in some way re-educated the public because it was endangered of getting overlooked. They would get the records off from New York and bring them back on cruise ships and liners, and there was an underground club of people and enthusiasts that were sharing this stuff around … and there was really nothing on the radio.”
Ray Shasho: The Brits were huge proponents for rejuvenating American Blues.
Andy Powell: “And the rest is history. It’s been along torturous ride for the blues but it’s got prominence now.”
Ray Shasho: You did some session work with George Harrison?
Andy Powell: “I played with George and played with Ringo … fun times in the early 70s.”
Ray Shasho: What was your perception of George Harrison?
Andy Powell: “Just a really humble guy and modest, kind of cool sense of humor and a very gentle man.”
Ray Shasho: Talk about the connection between you, the band, and Ritchie Blackmore.
Andy Powell: “Ritchie was one of the first guys to give us a break. We opened on a show with Deep Purple and I started jamming with him on stage during the sound check. He saw our show and asked if we had a record deal and I said actually we don’t. So he made a recommendation to a producer friend and before we knew it we were being signed by MCA/Universal and we were on our way …it was great. So I owe a big debt to Ritchie to be honest.”
Ray Shasho: Do you still talk with Ritchie?
Andy Powell: “Funny enough, I moved to a town in Connecticut and it turned out that he lived there also. I hooked up with him again in the late 70s and I think he moved on to Long Island. But there was a brief reconnect there.”
Ray Shasho: The band’s latest release Elegant Stealth is a terrific album and reminiscent to the 70s glory days of Wishbone Ash.
Andy Powell: “Thank you so much. Like I said earlier the sound is intact and it’s a very honest way of recording the album. We’re getting great reaction from it … the fans love it and say we’re still productive and creative … so it’s all good!”
Ray Shasho: Some of my favorite songs on the CD are “Man With No Name” a powerful tune with Beatlelistic overtones and I also really like “Heavy Weather.” The selections are an incredible mix of music and I can actually hear other classic bands in many of the songs.   
Andy Powell: “There’s a lot of variety on this album and we’re fans of music too, we don’t want to be copyist, but you can’t avoid a little bit of influence coming here and there.”
Ray Shasho: I feel it’s one of the best albums Wishbone Ash has put out in quite a awhile.
Andy Powell: “I think you’re probably right and we appreciate it. We feel it too …you know?”
Ray Shasho: Andy, talk About the Road Works series.
Andy Powell: “Fans love to hear live recordings and what we try to do is record stuff on the go and offer that service to fans. So we’re recording every show so our fans can relive the concerts and actually hear something played live. We’ve got (2) in the series so far and planning to do another one. So it will just be an ongoing thing. You can pick up Road Works directly from our website. “This is Wishbone Ash- A Rocumentary DVD” will also be available later this year in the states.”
Ray Shasho: No confirmed Florida concert dates yet Andy?
Andy Powell: “I would love it. We don’t get too many invites down there but we’re certainly looking to get something going in November.”
Ray Shasho: Andy, thank you so much for being on the call today, but more importantly for all the great music throughout your brilliant music career.
Andy Powell: “Beautiful, I enjoyed the interview, keep in touch Ray!”

Wishbone Ash official website http://wishboneash.com/
Purchase Elegant Stealth –The latest release by Wishbone Ash at Amazon.com
Order Road Works at http://wishboneash.bigcartel.com/

Special thanks to the great Billy James of Glass Onyon PR for this interview.
Official website http://glassonyonpublicity.wordpress.com/

*Coming up next my interview with Frank Marino of Mahogany Rush

Contact columnist/author Ray Shasho at rockraymond.shasho@gmail.com
 
Order or download Ray Shasho’s exciting memoir ‘Check the Gs’ The True Story of an Eclectic American Family and Their Wacky Family Business at amazon.com or barnesandnoble.com for only .99 cents!

Ray Shasho has quite a memory, especially when it comes to what songs played on the radio during important times throughout his youth.  Combining his nostalgic recant of  Billboard’s Top 100, like some infomercial for a Time-Life Oldies CD collector’s set, along with his detailed whimsical recollections while growing up, and you have the “soundtrack ” for a truly enjoyable story called Check the Gs: The True Story of an Eclectic American Family and Their Wacky Family Business. ~~Pacific Book Review
© Copyright rayshasho.com. All Rights Reserved


Tuesday, April 24, 2012

What is a Merrell Fankhauser? The most interesting cult figure in rock history

By Ray Shasho

After rock and roll erupted in the 50s, and before the British Invasion conquered America, surf music was the hippest sounds on the airwaves. It was the surf music genre that glorified reverberation and preserved the electric guitarist as the front-runner for rock music.
Guitarist Merrell Fankhauser was among those early 60s innovators of surf instrumental and culture. Fankhauser’s group The Impacts, were apparently the originators of “Wipe Out” one of the biggest hits in surf music history.
Fankhauser also helped define psychedelic folk music. His multifarious musical journey throughout the 60s and 70s generated the bands; Merrell And The Exiles, Fapardokly, Merrell And HMS Bounty, MU, Fankhauser/Cassidy Band and also an incredible solo career.
Fankhauser and Jeff Cotton (later Captain Beefheart & The Magic Band -guitarist) and Ed Cassidy (Spirit -drummer) collaborated in several bands together. Merrell also teamed up with the late John Cipollina(Quicksilver Messenger Service -guitarist) to record “Dr Fankhauser” which reached #1 on the French radio charts.
Legendary surf and cult folk-rocker Merrell Fankhauser is credited with over 300 published and released compositions. Considered to be one of the great lost folk-rock classics of the 60s, his ‘Fapardokly’ album has been sought-out for years by collectors and music aficionados. An original copy of the 1967 release could fetch up to $1000.
Besides surf, psychedelic folk, and rock … Fankhauser recorded several exceptional blues albums… ‘On The Blue Road’ with Ed Cassidy featuring John McEuen (Nitty Gritty Dirt Band –multi-instrumentalist) and Pete Sears (Jefferson Starship, Hot Tuna –bass and keyboards) including a tribute to the late great Nicky Hopkins. ‘Stolen Guitar Blues’ by The Fankhauser/Cassidy Band features a tribute to Randy California (Spirit –guitarist/singer).
In 2001, Fankhauser began hosting a music show that airs in many parts of Hawaii, California, and the East Coast called “Tiki Lounge.” Merrell performs on the show with many legendary artists including Willie Nelson, Mary Ramsey of 10,000 Maniacs, Fito de la Parra of Canned Heat, and Ed Cassidy of Spirit.
His current band is called Merrell Fankhauser And Friends. The band has concert dates scheduled thru the summer in California. Also watch for a tribute CD set titled "Reach For The Sky" A Tribute to Sky Sunlight Saxon (lead singer from The Seeds).

I had the pleasure recently to chat with the multi-talented/guitarist/singer/songwriter/TV host/ Merrell Fankhauser.
Ray Shasho:Merrell, thank you so much for spending time with me today. You moved from Kentucky to California when you were 13. I married a Kentucky woman (pun intended) How much of a culture shock was that for you?
Merrell Fankhauser: “My dad started putting visions of California in our heads early on and after one of those cold snowy Kentucky winters, dad said, “We’re moving to sunny California!” I was around 12 years old and we moved to Lakewood a suburb of L.A., I looked at it like an adventure and adapted to California life fairly fast. It really wasn’t that much of a culture shock although I got teased a bit for my southern accent!”
Ray Shasho: How long did it take you to adapt and learn to surf?
Merrell
Fankhauser: “Dad was a flight instructor and charter pilot and we lived on a little airport in the southern California town of Lake Elsinore for about 4 years and then we moved north to the town of Arroyo Grande on the California central coast. This is where my love affair with the ocean began. I was always a good swimmer and by the summer of my 17th birthday… I was a pretty good surfer.”
Ray Shasho: I didn’t realize how many surf bands were around in the early 60’s.
Merrell Fankhauser: “I started playing with my band The Impacts when I was 17, the term 'Instrumental Surf' hadn’t been coined at that time. We did a mixture of 50's style rock and instrumentals by The Fireballs, The Champs and Duane Eddy. We were all impressed when The Ventures came along with "Walk Don’t Run." I had been writing instrumentals and being a surfer gave the songs surfing titles. There were two bands on the central coast besides ours that did instrumentals, 'The Revels' (Church Key & 'Comanche' from the movie Pulp Fiction) and The Sentinals (“Latin‘ia”). Much later we heard of The Challengers and later Dick Dale from Southern California… and that was it! Then later when the term 'Instrumental Surf' was coined, bands started popping up all over California doing this exciting reverb driven instrumental style of music. We never heard of any East coast or Midwest surf bands, but later the Astronauts came from Colorado with their song “Baja.””
Ray Shasho: It seemed like it was very competitive, how were the best surf bands selected to get national attention? 
Merrell
Fankhauser
: “Getting signed to a record deal back then was all just luck, and who happened to hear you!”
Ray Shasho: What artists influenced you into picking up the guitar?
Merrell Fankhauser:“I was first influenced by my dad to start playing the guitar and he showed me my first chords. Then I heard The Kingston Trio, Carl Perkins and The Fireballs. I loved the Fireballs song “Torquay,” and that really got me going in an instrumental vein. I wrote my first vocal "Too Many Heartbreaks" in 1961 but it didn’t get recorded till 1964.”
Ray Shasho: Did the Beatles ruin that whole Surfing culture scene?
Merrell Fankhauser
: “When The Beatles came along they not only knocked Instrumental Surf off the charts but also Folk, R&B, and the Motown stuff, it affected everybody. That’s when you saw a lot of U.S. groups adapting British styles and band names.” (FYI; Johnny Barbata drummer from The Sentinals went on to be the drummer in The Turtles with Marc Volman. Later, Johnny played with Jefferson Starship and then a short stint with Crosby Stills and Nash).”
Ray Shasho: It seems everyone I’ve interviewed who grew up in Southern California was obsessed with surfing. It really was a way of life wasn’t it?
Merrell
Fankhauser
: “Yes the surfer lifestyle was present everywhere, not just southern Calif. but all the way from San Francisco down the coast to Mexico. We used to laugh at guys living way out in the Desert driving around with surfboards on their cars, and they never went surfing as the ocean was 150 miles or more away!”
“The surfing scene was a special time when everyone was physically fit with tan bodies, and everybody wanted a California blonde surfer girl! It was a healthy lifestyle and drugs hadn’t really come into play, although some got into drinking a little too much beer. Surfing and drag racing was the thing to do!”
Ray Shasho: Talk about the true origin of “Wipeout.”
Merrell Fankhauser: I was surfing at Pismo Beach one day… the waves were small and I was just sitting on my board day dreaming when a big wave was building behind me. It took me over the falls and mashed me into the sand pretty good. When I came up coughing and spitting out sand a guy on the beach was laughing and shouting "Ha Ha Ha… You sure got Wiped Out!" He made sure all the pretty girls lying on the beach heard him as he pointed at me! It was the summer of 1962 and I had written a song called “Kick Out” a year before and decided to change the title to “Wipe Out!””
“We recorded The Impacts "Wipe Out" album in September of 1962 and it came out on Del Fi Records in November of 62. Later the producer called us back in the studio in January of 1963 to re record my song “Wipe Out” for a 45 single. He changed the arrangement to have a drum solo every verse instead of the one solo our original had. Drummer, producer, and publisher Richard Delvy who went on to work with The Surfaris, was in our session and listened very carefully to all our recordings. The Surfaris also recorded one of our songs "Blue Surf," and somehow Delvy ended up owning the rights to “Wipe Out.” We never got a recording contract or any royalties till 1994 when Del Fi went back into business. Delvy ripped off The Surfaris when he sold two of their songs to Dot Records, then went in the studio with his band The Challengers and recorded the rest of the songs for the Surfaris album, and then passed them off as being played by The Surfaris!”
“This kinda stuff was rampant during the Surf music explosion, there were more sharks in the music business then there were in the sea!  Producers and publishers stole songs from young musicians and the records would come out with no songwriting credits! My “Wipe Out” version was copyrighted and listed in ASCAP by Anthony Music publishing in 1962 and released nearly 9 months before the Surfaris. Unfortunately our second version was never released as a single. My lead guitar part is very similar but buried in the mix, and our chord progression fit the Surfaris version like a blueprint! A coincidence...?”
Ray Shasho: The ‘Fapardokly’ album is awesome. “Mr. Clock” and “Tomorrow’s Girl” are my favorite tunes. What’s the origin of the title on that great LP?
Merrell Fankhauser: “In the later part of 1967, I moved from the high desert area of Lancaster, California where I'd been living for about 4 years and got a regular gig back in Pismo Beach at a club called ‘The Cove.’ It was in the height of the Psychedelic scene and I decided we needed a more 'far out' sounding band name. I dropped ‘Merrell And The Exiles,’ sat down with a pen, and took the first few letters of the last name of the current band members, FA- Fankhauser, PAR- Parrish, DO - Dodd, DKLY - Dick Lee, and came up with ‘Fapardokly!’”
Ray Shasho: Why didn’t Merrell And The Exiles get more commercial airplay?
Merrell Fankhauser: “Merrell And The Exiles where discovered at the beginning of 1964 by Glenn Records, a small label in the nearby desert town of Palmdale California. In our first session we recorded my very first original vocal song written back in 1961 called “Too Many Heartbreaks.” The flip side was a new song "Please Be Mine." Glenn Records had 50 or so radio contacts across the country and only one small distributor in L.A. With no budget for promotion, the singles would only get limited airplay and sell a few thousand copies and then disappear. We did a lot of recording in Glenn's dessert studio and five singles were released from 1964 to 67. There were enough songs on the shelf for two albums, and in late 1967 Glenn randomly took a dozen songs from different time periods and put out the 'Fapardokly album.”
“Little did we know that later the album would become one of the most sought after and valuable albums of the 60's with a sealed copy going for $1000! The album is now world famous. My 1967 song “Tomorrows Girl” from the album would go on to be featured in the 2010 Grammy nominated Rhino Records box set ‘Where The Action Is! Los Angeles Nuggets 1965 - 1968.’ The rest of Merrell And The Exiles recordings later came out in the 90's on Vinyl and CD as Merrell And The Exiles "The Early Years, Wild In The Desert."
Ray Shasho: Do you think (3) different band startups in less than 10 years may have hurt your chances for establishing huge commercial success? 
Merrell Fankhauser: “I do think changing the names of each band hurt the chances for commercial success. You would put the entire PR into a band name and just as the band was making some smoke, key members would leave the group. Merrell And The Exiles had many changes in the lineup, several members going to Captain Beefhearts Magic Band. My friend Harry Nilsson gave me some advice to just use my name as the band name, that way if band members quit it didn’t matter and you didn’t lose the PR! When I signed with Uni / Shamley Records in 1968, I was surprised that the president of the company Russ Regan liked my last name 'Fankhauser' (Swiss origin) and even had bumper stickers made up saying “What is a Merrell Fankhauser?” with a phone number to call. I started using Merrell Fankhauser for my releases in the mid 70's after the breakup of my band "MU." I continue to use my name on my recordings and "Merrell Fankhauser And Friends" for my live band.”
Ray Shasho: Merrell, talk about playing music around the west coast psychedelic music scene?
Merrell Fankhauser: “I moved down to Hollywood in 1968 with my band who by then had changed names from "Fapardokly" to "H.M.S. Bounty," a suggestion from one of our producers at the time. We were friends with and played on the same bill with bands like ‘The Seeds,’ ‘Canned Heat,’ ‘C.T.A.’ and many others. I was living in the suburbs of L.A. in Woodland Hills and Captain Beefheart had also moved there from Lancaster. I would occasionally go over and jam with him and the band, which comprised two of my old Exiles members. We had a lot of fun playing at concerts in the L.A. area with wild psychedelic light shows. H.M.S. Bounty upstaged a well known band at San Fernando College and the audience insisted we go back on after the headline band quit! We rocked out on a Psychedelic jam for at least 30 minutes with the audience dancing and playing beats on metal folding chairs!”
Ray Shasho: Who were some other artists you collaborated with?
Merrell Fankhauser: “I became friends with drummer Ed Cassidy in 1990 when I was doing the satellite TV show ‘California Music.’ Cass and I hit it off right away and decided to do some gigs and recording together as Spirit wasn’t doing much at the time. We did several memorable live performances including one on the set of the movie 'Grumpy Old Men 2.’ Cass got a kick out of meeting Walter Matthau and jack Lemmon.”
Ray Shasho: Talk about the album, ‘On The Blue Road’ by The Fankhauser Cassidy Band.
Love the blues guitar licks and vocals on the recording.
Merrell Fankhauser: “The Fankhauser Cassidy band went into the studio in 1994 and our first album ‘On The Blue Road’ was released on D Town Records in 1995. It was a Blues Rock style and was even nominated for a Blues award. It got substantial airplay around the globe and good sales. It was later released as a double CD and record set with our second album as 'Further On Up The Road’ on the Comet / Akarma label from Italy. Cass is also playing on my song "Two Guys From The 60's" that will be released in June on a tribute CD set titled "Reach For The Sky" A Tribute to Sky Sunlight Saxon (lead singer from The Seeds) on Global Recording Artists San Francisco label.”
Ray Shasho: Merrell, are there recent collaborations, new releases, or upcoming concert tours you’d like to mention?
Merrell Fankhauser: “I’ve done 3 volumes of solo Instrumental Surf CD's titled "Rockin And Surfin" and I am now working on volume 4. I have a spacey instrumental CD coming out in June also on Gonzo Records titled "Area 51 Suite." And I'm just finishing up a solo album for my son titled, Sunny Tim Fankhauser "I’ve got The Right To Sing The Blues," Ed Cassidy plays on it and "The Revels" and my current band Merrell Fankhauser And Friends." Gonzo Multimedia just released Merrell Fankhauser "The Best Of" 2 CD set with songs from 1964 to now, and two volumes of my current TV show ‘Tiki Lounge’ on DVD with a bonus audio CD in each volume. I am currently putting together two more volumes of Tiki Lounge for DVD release. I’ve been doing the show for 11 years now and it airs 3 times a week on the entire California central coast and Hawaii. We have concerts scheduled thru the summer in California.”
Ray Shasho: Thank you very much Merrell for spending time with me today, and for all your musical innovations throughout the years.
Merrell Fankhauser: “Thanks Ray!”

Merrell Fankhauser official website www.merrellfankhauser.com
Purchase Merrell Fankhauser’s music at www.amazon.com/Merrell-Fankhauser/e/B000APYQO6
Purchase Merrell Fankhauser 'Best Of Tiki Lounge' DVDs: www.gonzomultimedia.co.uk/product_details/15360

Special thanks to the great Billy James of Glass Onyon PR for this interview.
Official website http://glassonyonpublicity.wordpress.com/

Contact author/columnist Ray Shasho at rockraymond.shasho@gmail.com

Download Ray’s exciting new memoir ‘Check the Gs’ The True Story of an Eclectic American Family and Their Wacky Family Business on Kindle or Nook at amazon.com or barnesandnoble.com for only .99 cents!
Ray Shasho is open and honest in his depiction of his family and their business practices. He describes the closeness of family members and the dissension that ultimately led to the original family store being sold and transformed into one and then two stores. As the story progresses, Shasho offers firsthand accounts of the D.C. riots following Martin Luther King, Jr.’s assassination, the murder of John F. Kennedy, and meeting celebrities like Muhammad Ali, Chuck Norris, and Sugar Ray Leonard.  After seven years of running one of the businesses himself, Shasho closed the last family store and walked away with a full appreciation for what he had learned from the work: “Over the years, the business taught me to be many things—a salesman, an entrepreneur, a diplomat, an actor, and a clown. But more important, it taught me to be a man… (274). Check the Gs is a delightful, heartwarming portrayal of an American family that lived the dream in their own animated, humorous and bazaar way -Melissa Brown Levine for Independent Professional Book Reviewers.

© Copyright rayshasho.com. All Rights Reserved 











Monday, April 16, 2012

Marty Ingels Interview: A Brooklyn wisecracker with hutzpah who became a TV Icon


By Ray Shasho


This is another “Classic Rock Meets Classic TV” segment:

... "I’ve been a puppet, a pauper, a pirate, a poet, a pawn and a king."

Marty Ingels longevity in show business may be depicted by Dean Kay and Kelly Gordon’s unfeigned lyrics popularized by the "Chairman of the Board" Frank Sinatra.

The multi-talented Marty Ingels has contributed to the entertainment world in various manners.   Gumption, perseverance, and a chance encounter with legends Carl Reiner and Sheldon Leonard, landed the kid from Brooklyn a big break on television. And it was Marty Ingels recurring and animated performances as Sol Pomeroy, Rob Petrie’s loud-mouth Army buddy on The Dick Van Dyke Show that sparked a costarring opportunity with John Astin(Gomez -Addams Family) on the critically-acclaimed sitcom, ‘I’m Dickens, He’s Fenster.’ Unfortunately the sitcom, created by the legendary Leonard Stern (“The Honeymooners,” “Sergeant Bilko,” “The Steve Allen Show,” “Get Smart,” “McMillan and Wife.”) was cancelled after just one season and 32- episodes.
‘I’m Dickens, He’s Fenster’ 50th Anniversary Collector’s Edition DVD Set of the 1960s TV sitcom is available to purchase for the first time ever. ‘Volume One’ includes three -discs with the first 16- episodes and never-before-seen extras and collectable bonuses. The show is about two blue-collar carpenter buddies and their day-to-day antics. Marty Ingels played bachelor Arch Fenster, and John Astin portrayed Harry Dickens, a married man who sometimes relished Fenster’s bachelorism. Harry’s wife Kate Dickens was played by Emmaline Henry (Amanda Bellows of “I Dream of Jeannie.”)   

Marty Ingels has appeared in over 100 TV shows and feature films. Some of the classic TV shows he’s appeared on are, “The Addams Family,” “Bewitched,” “Adam-12,”  “Police Story,” “Chips,” “The Love Boat,” “Murder, She Wrote,” “Baywatch,” “Walker, Texas Ranger,” and     “ CSI.” He’s also had a successful career performing voiceovers on various cartoon series including, “Motormouse and Autocat,” “The New Tom & Jerry Show,” “The Great Grape Ape Show,” and was the voice of “Pac-Man.”

Marty’s latest projects include, “Laid Off” and “A Strange Brand of Happy.”

Ingels married Academy Award winning actress and singer Shirley Jones in 1977. Jones appeared in classic musicals such as, “Oklahoma!” “Carousel” and “The Music Man.” She also became commonplace on television as Shirley Partridge, the widowed-mom of five children who then became a successful pop group.

Jones and Ingels wrote an autobiography based on their oddball relationship called, Shirley & Marty: “An Unlikely Love Story.”

Here’s my interview with comedian/ actor/ cartoon character/ voiceover artist/ theatrical agent/ Marty Ingels.
Ray Shasho: Marty, you’re one of those characters that I’ve always remembered from childhood and being from Brooklyn, you truly remind me of one of my Uncle’s from Bensonhurst.  
Marty Ingels: “Then go to your room!”
Ray Shasho: (Laughing!) How did you first get into show business?
Marty Ingels: “My first few months in Hollywood, no sign of work. But I had a sweet old agent who just loved me ... and was increasingly more embarrassed with the zero prospects he came up with. One day (as he tells it) he called a friend of his, who was then producing a daily show dramatizing recorded criminal trials. He said, “Randy, you gotta’ get me a gig for Marty … anything!” Randy said, Just happens our show next week is about a murder that happens in a traveling circus troupe … and there’s a part for a clown.” My agent said, “Say no more …when do you want to see Marty?”
The next day… I had my circus clown reading. Nobody told me that the part for the clown had been written for a Midget. Anyway, the audition room was packed with little people when I got there … and I stammered and stuttered when they asked me what part I was reading for. Well… I got the part and those nice little people were dumfounded by a peculiar statistic… once every six years, a good role comes up for a dwarf, and a 6 foot 1 inch Bozo gets it.” (Laughing)
Ray Shasho: What was your big break in television?
Marty Ingels: “Guesting on the Dick Van Dyke Show as his loud-mouth Army buddy. It was my first TV shot in LA. My other break came after crawling into Jerry Lewis' office at Paramount. I was aggressive!”
Ray Shasho: One of my favorite Dick Van Dyke episodes was 'Sol and the Sponsor.' How did you get that role on the Dick Van Dyke Show?
Marty Ingels: “1961-ish it's about 2:30 a.m., and I'm sitting with a weary date in the all-night Pancake House. I'm in my mid-20s and mostly jobless. Then I look up and see two couples entering the restaurant and being seated. The two couples are Carl Reiner, Sheldon Leonard and their wives. It's a miracle mirage… I can't believe it. I say to my date, “Do you know who those men are?”  She says, “Who?” And I said, "Only Hollywood’s entire sitcom industry in one place.”  
“I asked my date if she's got four dollars that she can lend me (I've got six dollars in my pocket). So, she gives the four dollars to me and I race to the kitchen and ask who handles their table. I tell the waitress, “Look… I'll give you ten dollars if you let me serve the dessert.” I could say… “the rest is history” but not quite yet.”
“The dessert came and I jumped in and raced over there with the pie and the Shortcake … then I turned it on … Gleason, Berle, Skelton… I did it all. The wives loved me, Carl and Sheldon crunched up their mouths’ and squinted their eyes.... they knew exactly what was happening, but it was Carl who saved everybody's day. He whipped out a business card and said, “I'll give you this if you please get us our real waitress.”
“And it still wasn’t the rest is history yet because God still had his move to make. The next day… when I called Reiner and made an appointment to see him, he could’ve vanished without a sound, but he didn’t. He made the appointment and when I got there, he was quick to tell me that they were introducing a new character the next week and they hadn't cast yet. It was for an old New York Jewish Army Buddy of Dick’s called Sol Pomeroy …and now the rest of that is history! When I watch it now… this pushy kid fresh from Brooklyn High School, balancing all that comic traffic and doing it so beautifully …my therapist would say… "It's about time you broke down and gave yourself some credit … I was good! Now I gotta’ take a Prozac.”
Ray Shasho: What was it like to work on the set with those hilarious characters, and under the great Carl Reiner?
Marty Ingels: “They’re all heroes of mine. Carl has an over-the-top presence. His genius for comedy of simple life was the magic ... and still is.”
Ray Shasho: Do you still keep tabs with anyone from the Dick Van Dyke Show?
Marty Ingels: “Dick’s a close friend … Carl too.”
Ray Shasho:  (Laughing) ‘I’m Dickens, He’s Fenster’ lasted one season / 32 episodes. When the show came out you had some pretty stiff competition, but I'm still surprised it was cancelled after only one season, especially being created by the legendary Leonard Stern. And I wasn't aware that the show launched the careers of so many great actors. (Harvey Korman, Lee Meriwether, Yvonne Craig, Jim Nabors, and Ellen Burstyn to name just a few)
Marty Ingels: The show was an instant smash with the critics. They said it was a refreshing throw-back to the slapstick comedy era, even Stan Laurel was a fan. The show got cancelled by mistake before the ratings came out showing us beating our competition.”
Ray Shasho: Of course… your costar on that hilarious sitcom was John Astin. (He also played Gomez on ‘The Addams Family’) Do you still keep in contact with John?
Marty Ingels: “I’ve tried … John’s a college professor now. He’s a nice guy,  but I always overwhelmed him.”
Ray Shasho: You did a lot of voiceovers throughout your career, what was your favorite role?
Marty Ingels: “The voice of Pac-Man, which everybody thought would take over the world, but it didn’t …the Smurfs buried us. Voiceovers saved my carcass.”
Ray Shasho: Is there anything else you’d like to add Marty?
Marty Ingels: “Shirley and I administer Southern California’s only 911 Memorial Park, across Big Bear Lake in a little town called Fawnskin. It has a genuine piece of the Twin Towers in the center of the park in tribute to the thousands of sainted souls that left us. The park can only survive on outside donations. Go see it!”
Ray Shasho: Thank you so much for spending time with me today …Uncle Marty. (Laughing)
Marty Ingels: “You can come out of your room now.”

‘I’m Dickens, He’s Fenster’ 50th Anniversary Collector’s Edition DVD Set of 1960s TV sitcom is available to purchase at Amazon.com.
‘I’m Dickens, He’s Fenster’ official website www.imdickenshesfenster.com
Marty Ingels IMDb www.imdb.com/name/nm0408733/
Marty Ingels TV.com www.tv.com/people/marty-ingels/
Shirley Jones official website www.shirleyjones.com

Special thanks to the great Billy James of Glass Onyon PR for this interview.
Official website http://glassonyonpublicity.wordpress.com/

Contact columnist/author Ray Shasho at rockraymond.shasho@gmail.com

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